EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Pop

Nadia Vaeh plays a devious game in “Heavy”  

  • August 21, 2019
  • Chloe Robinson
Total
0
Shares
0
0

From pain comes inspiration and Atlanta native Nadia Vaeh understands that all too well. She’s written over 100 songs inspired by challenging life experiences, in order to help herself and others heal. Her latest single “Heavy,” though still profound, is a more spunky, playful direction for the singer.

https://soundcloud.com/nadiavaeh/heavy-pr-version/

"Heavy" allows Vaeh to showcase thrilling soundscapes of pulsating synths and deep, sultry vocals. This is a tale of two lovers stuck in a manipulative relationship, continuing a twisted game too pleasurable to stop.

Vaeh cultivated her craft through modelling and joined a local Atlanta circus, singing in their productions from an early age. Her parents nurtured her passion for music. Her mother was a poet, which fuelled Vaeh as a lyricist. Losing her mother to suicide at 17, Vaeh abandoned singing for many years. When she finally returned to music, she struggled to cope with her heartbreak. “I made a lot of missteps when I first began my career and had to learn a lot of things the hard way,” Vaeh reveals.

Now with a strength and fighting resilience, she’s bloomed into the extraordinary performer she is today. She has recently played on international radio, and is excited to share more of her music in the US and around the world. Take a listen to "Heavy" and get lost in the tumultuous ride.

Connect with Nadia Vaeh : Facebook | Twitter | Instagram     

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Heavy
  • Nadia Vaeh
Chloe Robinson

Hey, I'm Chloe and I love checking out and writing about my local music scene in Los Angeles.

Previous Article
  • Deep House

Have an 'Epiphany' after listening to Ross From Friends' latest EP

  • August 20, 2019
  • Sam Restoule
View Article
Next Article
  • Alternative
  • Indie
  • Indie Rock
  • Punk

Sleepy Gonzales takes us to the "Abandoned Amusement Park" in latest single

  • August 21, 2019
  • Marco Ovies
View Article
You May Also Like
View Article
  • Electronic
  • Indie
  • Interviews
  • Pop

JVNA chats "Angels Falling", Twitch and writing in her bedroom [Interview]

  • July 1, 2025
Freight
View Article
  • Indie
  • Mainstage
  • Pop

Freight’s debut Single ‘Me’ is an anthem of raw beginnings

  • July 1, 2025
Yas Akdag
View Article
  • Indie
  • Mainstage
  • Pop

Yas Akdag redefines belonging with intimate new EP "Home, Anywhere"

  • July 1, 2025
Ryan O’Connell
View Article
  • Indie
  • Mainstage
  • Pop

Ryan O’Connell’s “So Cool” captures the beautiful mess of letting go

  • July 1, 2025
Versus Savannah
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

Versus Savannah tear through the static with relentless new EP ‘No Sleep’

  • July 1, 2025
Lyves
View Article
  • Mainstage
  • Pop
  • R&B

Lyves Blooms anew with soul-stirring EP "Out Of The Blue"

  • June 30, 2025
Catalina Cara
View Article
  • Indie
  • Mainstage
  • Pop

Catalina Cara’s “Circles” is a dreamy spiral through fatigue and quiet power

  • June 30, 2025
View Article
  • Afrobeats
  • Dance
  • Mainstage
  • Pop
  • R&B

TEKNO recharges Afropop with feel-good romance in new single “POWERBANK”

  • June 30, 2025
Popular Music
  • JVNA chats "Angels Falling", Twitch and writing in her bedroom [Interview]
    • July 1, 2025
  • Love Lingers in Nikita Lev’s dreamy new single “No One’s Gonna”
    • July 1, 2025
  • “Home”: Mac DeMarco’s nostalgic ode to what’s gone
    • July 1, 2025
  • Katie Noel releases energizing release "Stuck Out Here" [Video]
    • July 1, 2025
  • Freight
    Freight’s debut Single ‘Me’ is an anthem of raw beginnings
    • July 1, 2025
Recent Scoops
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
  • Glorybots redefines rock with latest album 'mad.end'
    • April 10, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.