EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Club Dance
  • Dance
  • Electro
  • House

While GTA's 'Death to Genres (Vol. 3)' might not deliver as advertised, it's still a notable house release

  • February 9, 2018
  • Steph Evans
Total
0
Shares
0
0

GTA is a name that has evolved in its associations throughout the duo's career. First diving in head first into electro house, they've now moved on to pushing a "genreless" sound, with a big collaborative push being through their Death To Genres EP series that they launched in 2015. 

For the series' third installment and GTA's first release in 2018, they've employed some big time artists to team up with on four new tracks. The first is the first work from Aussie Anna Lunoe we've seen this year, and according to her, it's been in the works for some time now. It's also a collaboration with Dillon Francis and Wax Motif, and "I Can't Hold On" is a classic house track that will surely see its way into festival sets this season. The next track, "Money," is the closest thing we could see resembling "genreless," as it is technically alongside Zac from the band FIDLAR. 

"Step It Up" with Baauer, Big Mack, and TT The Artist, is as hard hitting as you'd expect, and "DunDun" with Damien N-Drix is the EP's other stand out track, with irresistible gritty grooves. The EP is out now via Mad Decent and streaming above.

Connect with GTA: SoundCloud | Facebook 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Steph Evans

It all started with Pakito's "Living on Video."

Previous Article
  • Dub
  • Electronic

Haich's debut EP 'Unbalanced' is an all access pass to a sonic wonderland

  • February 9, 2018
  • Karl Dobias
View Article
Next Article
  • Alternative R&B
  • R&B

Mr Jukes Remixes Michael McDonald's uplifting "Hail Mary" single

  • February 10, 2018
  • Tayo Odutola
View Article
You May Also Like
View Article
  • Club Dance
  • Dance
  • Electro

Denise Marsa shines in “HOLE (Until Dawn Remix)” music video celebrating connection and joy

  • January 21, 2026
View Article
  • Hip-Hop
  • Mainstage
  • New Music
  • Reggae
  • Soul

Danitsa brings heart and groove in new single "Miss Yo” featuring Béesau [Video]

  • January 21, 2026
Vilamoura
View Article
  • Mainstage

Vilamoura define their sound with explosive new single “Lost”

  • January 21, 2026
Alex Lakusta
View Article
  • Mainstage

Alex Lakusta expands the horizon with the cinematic instrumental “Island Ghosts Pt. 2”

  • January 21, 2026
The Horizon
View Article
  • Mainstage

Eleyet McConnell embrace classic rock energy on defiant new single “The Horizon”

  • January 21, 2026
Chris Ablin
View Article
  • Dance

Chris Ablin captures the pain and joy of youth on sun-soaked new single “Burn Baby Burn”

  • January 21, 2026
View Article
  • Dance
  • House

InteliDey shares an insight into responsible A.I use in music with new album project..

  • January 21, 2026
View Article
  • Feature
  • Mainstage

EDMHouseNetwork marks 10 years as a leading voice in Electronic Dance Music

  • January 20, 2026
Popular Music
  • Denise Marsa shines in “HOLE (Until Dawn Remix)” music video celebrating connection and joy
    • January 21, 2026
  • Danitsa brings heart and groove in new single "Miss Yo” featuring Béesau [Video]
    • January 21, 2026
  • Vilamoura
    Vilamoura define their sound with explosive new single “Lost”
    • January 21, 2026
  • Martone
    Martone turns late-night chemistry into pure dancefloor intoxication on “Ekstasé”
    • January 21, 2026
  • Forgotten Garden
    Forgotten Garden dive into moral darkness on new indie single “Overlord”
    • January 21, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.