EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electronic
  • Music Videos
  • Trap
  • Videos

Animated video expands on "Vision" from Slumberjack, Quix, and Josh Pan

  • February 8, 2018
  • Raz Ahmad
Total
0
Shares
0
0

A couple of months ago, Slumberjack, Quix, and Josh Pan released a massive collaboration, "Vision." The track itself is a dark and hectic journey to the very edge of trap and bass music. Yesterday, an animated video by Digital Boy was released, further revealing the artists' intentions surrounding the music.

Opening with a dense cityscape followed by scenes of a girl immersed in a lush and green VR world, there's an immediate contrast setup. Harsh urban reality vs soothing nature escape. As the lyrics begin "You coming my way / take my vision away," the intention of this video begins to take shape. Our realities are determined largely by what we see. Those that control what we see wield a massive influence on our lives. I couldn't help but think of how dominant social media has become in shaping the way we live our lives. We're no longer looking out windows to see the trees, we're looking into screens to see what we were once immersed in, human interaction and nature. Although the video doesn't explore how interacting with other humans exclusively in the virtual world affects us, it does show endless rows of individuals, each immersed in their own, presumably different, virtual worlds.  For those of us living in the US, it quite accurately mirrors our current political landscape.

When the girl attempts to escape her virtual world, we realize it's actually a virtual prison as an ominous figure behind a master control screen pushes a button to dispatch police to subdue her. When she's shot, we see that she's actually a robot herself. Perhaps alluding to the fact that if we spend too much time in our virtual worlds, we begin to lose what makes us human.

Culturally, the effect illustrated by the video is is all around us. While there are a large number of people locked behind the bars of likes, follows, and friend requests, those of us in the music scene are unknowingly insulated from from the fate of the girl in the video. Music gets us out from behind the screen and around other music lovers. We go to shows and festivals, we dance and gather at afterparties.  That very real human interaction is the best defense against the algorithmically determined dystopian world depicted in "Vision."

Connect with Slumberjack:  Soundcloud | Facebook | Instagram | Twitter

Connect with Quix:  Soundcloud | Facebook | Instagram | Twitter

Connect with Josh Pan:  Soundcloud | Facebook | Instagram | Twitter

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • #slumberjack #quix #joshpan #digitalboy
Raz Ahmad

Previous Article
  • Indie Pop
  • Music Videos
  • Pop

Skott unveils stylish new video for "Stay Off My Mind"

  • February 8, 2018
  • Tanis Smither
View Article
Next Article
  • Electronic
  • Trap
  • Uncategorized

Modern Machines gives Krewella and Yellow Claw's "New World" a new mix

  • February 8, 2018
  • Raz Ahmad
View Article
You May Also Like
Saynt Ego
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Saynt Ego’s “Voices” turns quiet reflection into cinematic power

  • December 22, 2025
Neurolapse
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]

  • December 22, 2025
View Article
  • Dance
  • Electronic
  • Interviews

ZHANGYE chats China EDM compilations, electronic production and collaborating with Steve Aoki [Interview]

  • December 19, 2025
View Article
  • Alt-Pop
  • Atmospheric
  • Hyperpop
  • Indie Pop
  • New Music

Pet Owner returns with genre-bending hyperfolk-pop single “After Summer”

  • December 19, 2025
TWAN
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

TWAN and STACY KAMATU unite cultures and grooves on the magnetic new single “NAMANAMA (for real, for real)”

  • December 19, 2025
View Article
  • Deep House
  • Electronic
  • New Music

BluuWav and Ben Provencial find emotional release on “Away”

  • December 19, 2025
View Article
  • Album Reviews
  • Dance
  • Electronic
  • Feature
  • Lists
  • Mainstage

EARMILK's 25 Dance & Electronic Albums that made their mark on 2025

  • December 19, 2025
View Article
  • Americana
  • Blues
  • Country
  • Electronic
  • Folk
  • Hip-Hop
  • Indie
  • Indie Pop
  • Indie Rock
  • Pop

Artists on the radar for 2026: Part 3

  • December 17, 2025
Popular Music
  • [Interview] Bryan Chase chats teaming up with Sik-K and CAMO on "Flaunt It," new EP 'GRANTED' and more
    • December 27, 2025
  • [Interview] OX:N dive into 'SWAY,' carving a sonic identity as a sub-unit and their creative process
    • December 26, 2025
  • [Interview] Billlie chat Korea Spotlight 2025 appearance, ARrc collaboration and other memorable moments
    • December 27, 2025
  • [INTERVIEW] FIFTY FIFTY dives into new project 'Too Much Part 1,' going viral and staying creatively motivated
    • December 26, 2025
  • Chloe Mayse unfurls love in all forms on 'Dear Love…'
    • December 27, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.