EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electro
  • Electronic

Kaerheart releases new cover "For What It's Worth" on the heels of the Women's March

  • January 31, 2018
  • Cailey Lindberg
Total
0
Shares
0
0

LA electro-pop songstress Kaerheart has released her new cover "For What It's Worth" on the heels of the Women's March. One of the greatest protest songs of all time, her cover of the classic anthem by Buffalo Springfield came about as a collaboration with producer Dead Robot. 

On the process behind the cover, Kaerheart said, "I was in a session with my good friend and producer, Dead Robot. We were both feeling outraged and upset about the state of the world and everything going on in our political climate. We wanted to convey that feeling into a song and decided that there would be no better way than to cover one of the greatest protest songs of all time – 'For What It's Worth." 

The collaboration between the two is gritty yet powerful, echoing the protests exploding throughout the country at the time that it was produced. Dead Robot wanted the music to embody and convey that energy, bringing an old-school tune to a new generation of angry protestors. 

Connect with Kaerheart: Soundcloud | Instagram | Facebook 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Kaerheart
Cailey Lindberg

Previous Article
  • Hip-Hop
  • Music Videos

Watch Trippie Redd's wild new arcade inspired visual for "Hellboy" [Video]

  • January 31, 2018
  • Jack Harding
View Article
Next Article
  • News

Pussyriot announce first live music performance art tour throughout America

  • January 31, 2018
  • Cailey Lindberg
View Article
You May Also Like
Lera Shemi
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Lera Shemi shares darkly stunning alt-pop anthem “call you by your namE”

  • March 30, 2026
kirk.patrick
View Article
  • Electronic
  • Feature
  • Indie
  • Mainstage
  • Pop

kirk.patrick cuts through the noise with “bottom line”

  • March 30, 2026
View Article
  • Dance
  • Electronic
  • New Music
  • Rap
  • Techno

Motorkam disperses intimacy on “Sex Rain”

  • March 27, 2026
View Article
  • Alternative R&B
  • Dance
  • Jazzhop
  • New Music
  • Nu-Jazz
  • Pop
  • R&B

Jam music collective Brooklyn Funk Essentials shares new single "Black Butterfly"

  • March 27, 2026
View Article
  • Dance
  • Electronic

Mind Enterprises announce new album 'Negroni Love,' and release "Tuttosport" single

  • March 25, 2026
View Article
  • Chiptune
  • Electronic
  • Electronica
  • Indie
  • Indie Rock
  • New Music
  • Rock

Anamanaguchi drop huge 71-track OST for Scott Pilgrim EX

  • March 24, 2026
View Article
  • Electronica
  • Hardstyle
  • Interviews

Eclectic Artist Esther Anaya discusses rhythm, reinvention, and commanding the global stage (INTERVIEW)

  • March 24, 2026
View Article
  • Electronic
  • House

L3TA shares energizing new single "Euphoria"

  • March 24, 2026
Popular Music
  • The Rolling People share stripped-back yet anthemic single "A Crack In The Glass"
    • March 30, 2026
  • Girl Apocrypha delivers campy celebration of pop with "MADONNA"
    • March 30, 2026
  • Barnburner encapsulates transience on debut EP 'Nothing to Hold'
    • March 30, 2026
  • AYCE
    AYCE serve up a high-energy rock feast with debut EP “All You Can Eat”
    • March 30, 2026
  • Nadia Maria
    Nadia Maria finds power in vulnerability on “This Is A Solo And Not A Duet”
    • March 30, 2026
Recent Scoops
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.