EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Future Bass

StéLouse flips Khalid's "Young Dumb & Broke" into soaring future bass jam

  • January 4, 2018
  • Jason Heffler
Total
0
Shares
0
0

Perhaps the biggest breakout star of 2017, R&B prodigy Khalid released his debut LP American Teen last March to critical acclaim. Led by the jocund single "Location," the album catapulted him into the international limelight and cemented him as a household name in the contemporary music scene. "Young Dumb & Broke" is not only an accurate phrase to describe every young adult the morning after New Years Eve, but it's also the title of one of the more popular cuts from American Teen, and it recently received a makeover from electronic producer StéLouse.

Needless to say, he took it to the stratosphere. Throwing it back to the euphoric sound he used to produce back in 2014, he flips the smooth R&B jam into a soaring future bass anthem while keeping Khalid's sultry ad-libs intact. It's a nice way to kick off 2018 for StéLouse, who also announced his upcoming tour which begins in February and culminates in his hometown Denver. You can purchase tickets via his website here.

Connect with Khalid: Facebook | Soundcloud | Instagram | Twitter

Connect with StéLouse: Facebook | SoundCloud | Spotify | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • dance
  • Future Bass
  • Khalid
  • StéLouse
Jason Heffler

E: jason@earmilk.com

Previous Article
  • Hip-Hop

Jords. is all sorts of smooth on his latest demo release "Kinda, Sorta"

  • January 4, 2018
  • James Schiff
View Article
Next Article
  • Hip-Hop
  • Interviews

Statik Selektah balances old and new on '8' [Interview]

  • January 4, 2018
  • Karl Dobias
View Article
You May Also Like
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

Paul Cody turns life’s crossroads into quiet triumph on “New Beginnings”

  • April 17, 2026
MAMI UMAMI
View Article
  • Dance
  • Pop

MAMI UMAMI journeys through sound and movement on "belly dancer"

  • April 16, 2026
View Article
  • House

Host Bodies unveil sleek house track  "Impossible Goodbyes"

  • April 16, 2026
View Article
  • Dubstep
  • Electronic
  • Feature
  • Mainstage

MAD DUBZ & VKTM link up for “HANDS UP” ahead of North America tour

  • April 15, 2026
View Article
  • Alternative
  • Mainstage

The Monotrol Kid offer a thoughtful tribute to friendship with “40 Years”

  • April 15, 2026
View Article
  • Alternative Rock
  • Grunge
  • Indie Rock
  • Mainstage
  • New Music

Avery Laird reminds us why indie rock is so special with "Hairpin"

  • April 15, 2026
View Article
  • Dance
  • Electronic
  • Events Stage
  • Feature
  • Music Industry

Inside Winter Music Conference 2026: The future of dance music unfolds [Recap]

  • April 15, 2026
View Article
  • Dubstep
  • Electronic
  • Mainstage

SH|333|N delivers striking new release “Roll Up”

  • April 15, 2026
Popular Music
  • Thunder Bae
    Thunder Bae turns vulnerability into power on “mercybeggingboys”
    • April 17, 2026
  • Emme Rain steps into her moment with “LUX (Run It Up)”
    • April 17, 2026
  • [Interview] Snow J of Cheerful Music dives into the cross cultural intersection of AI and music
    • April 17, 2026
  • Stefanie Michaela releases new single "Let Me See The Real You"
    • April 17, 2026
  • Paul Cody turns life’s crossroads into quiet triumph on “New Beginnings”
    • April 17, 2026
Recent Scoops
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.