EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Big Room
  • Dance
  • Progressive House

Thomas Gold finds himself again in big room with "The Chant"

  • June 23, 2017
  • Steph Evans
Total
0
Shares
0
0

Thomas Gold is back where he belongs. After a stint trying out his hand at dance-pop crossover, aka the famed and feared "rhythmic pop," Gold has returned to the style that made him a name to remember with his latest single. Following the radio-friendly Revelation (Part 1) EP released earlier this year, the German producer and DJ has tapped into the style we remember so much of him for in the early 2010's as progressive house was beginning to see its heyday. And in doing so, he's revived some of the signature styles we recognized him for, as we hear succinct, booming percussion reminiscent of marching bands reminiscent of his 2012 remix of Miike Snow's "The Wave," and subsequent tour where he literally brought a marching band with him. The name of the track, "The Chant," reminds us of that too.

"The Chant" is tagged as "big room" on SoundCloud – something that might normally be a red flag, but with Gold, we know it's going to pull through. Even the production, the groove outside of its embellishments, is infectious and nostalgic in a way. It makes us actually wonder how he was able to replicate a feeling lost to history in a new and updated way. This is what progressive house is supposed to feel like, and it's done with ease. All in all, "The Chant" just feels like it's supposed to.

  • Connect with Thomas Gold: Facebook | Twitter | Soundcloud 

 

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Armada Music
  • Thomas Gold
Steph Evans

It all started with Pakito's "Living on Video."

Previous Article
  • Nu-disco
  • Pop

Oliver grabs De La Soul for a feature on "Heart Attack"

  • June 23, 2017
  • Steph Evans
View Article
Next Article
  • Hip-Hop
  • Mainstage
  • Music Videos
  • R&B
  • Rap

Everything is a mirage in Vince Staples' new video for "Rain Come Down"

  • June 23, 2017
  • Donna-Claire
View Article
You May Also Like
Planetarium Sessions
View Article
  • Feature
  • Hip-Hop
  • Indie
  • Mainstage
  • Music Videos
  • Pop

Planetarium Sessions breathes new life into orchestral hip-hop with “Say That (Orchestral Version)”

  • July 20, 2026
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Amarah explores emotion and connection in the captivating electronic release “Invisible Light”

  • July 20, 2026
Diana Omar
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Diana Omar’s “Monitoring Spirit” creates a haunting sanctuary between faith, mystery, and modern sound

  • July 20, 2026
Phidippus
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

With "Albumen," Phidippus blends decades of experience with tomorrow's technology

  • July 20, 2026
bookend
View Article
  • Electronic
  • Indie
  • Mainstage
  • New Music
  • Pop

London-based indie electronic duo bookend introduce themselves with "Hi, hi not goodbye" EP

  • July 20, 2026
YANN
View Article
  • Dance
  • Feature
  • Indie
  • Mainstage
  • Pop

YANN leans into the dark pulse of the '80s with the striking new single "Shoot Bang Kill"

  • July 20, 2026
WAVY JAME
View Article
  • Indie
  • Mainstage
  • Pop
  • R&B

WAVY JAMES captures the quiet weight of lost love on “Jasmyn Interlude”

  • July 20, 2026
Sadie Cannon
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Sadie Cannon turns heartbreak into a bold new beginning on empowering pop anthem "WHO IS SHE?"

  • July 20, 2026
Popular Music
  • [Music Video] Indian pop talent SSTG shares sleek visuals for "Why did you?"
    • July 20, 2026
  • Parker Barrow shares pulsing offering "Nothin Left To Save"
    • July 20, 2026
  • Planetarium Sessions
    Planetarium Sessions breathes new life into orchestral hip-hop with “Say That (Orchestral Version)”
    • July 20, 2026
  • Amarah explores emotion and connection in the captivating electronic release “Invisible Light”
    • July 20, 2026
  • Stefanie Michaela
    Stefanie Michaela finds freedom in "Carefree," a joyful pop anthem that celebrates living without fear
    • July 20, 2026
Recent Scoops
  • Multi-national record label Cheerful Music appears at AI Summit London panel
    • July 7, 2026
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.