EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Big Room
  • Dance
  • Progressive House

Thomas Gold finds himself again in big room with "The Chant"

  • June 23, 2017
  • Steph Evans
Total
0
Shares
0
0

Thomas Gold is back where he belongs. After a stint trying out his hand at dance-pop crossover, aka the famed and feared "rhythmic pop," Gold has returned to the style that made him a name to remember with his latest single. Following the radio-friendly Revelation (Part 1) EP released earlier this year, the German producer and DJ has tapped into the style we remember so much of him for in the early 2010's as progressive house was beginning to see its heyday. And in doing so, he's revived some of the signature styles we recognized him for, as we hear succinct, booming percussion reminiscent of marching bands reminiscent of his 2012 remix of Miike Snow's "The Wave," and subsequent tour where he literally brought a marching band with him. The name of the track, "The Chant," reminds us of that too.

"The Chant" is tagged as "big room" on SoundCloud – something that might normally be a red flag, but with Gold, we know it's going to pull through. Even the production, the groove outside of its embellishments, is infectious and nostalgic in a way. It makes us actually wonder how he was able to replicate a feeling lost to history in a new and updated way. This is what progressive house is supposed to feel like, and it's done with ease. All in all, "The Chant" just feels like it's supposed to.

  • Connect with Thomas Gold: Facebook | Twitter | Soundcloud 

 

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Armada Music
  • Thomas Gold
Steph Evans

It all started with Pakito's "Living on Video."

Previous Article
  • Nu-disco
  • Pop

Oliver grabs De La Soul for a feature on "Heart Attack"

  • June 23, 2017
  • Steph Evans
View Article
Next Article
  • Hip-Hop
  • Mainstage
  • Music Videos
  • R&B
  • Rap

Everything is a mirage in Vince Staples' new video for "Rain Come Down"

  • June 23, 2017
  • Donna-Claire
View Article
You May Also Like
View Article
  • Americana
  • Country
  • Indie
  • Mainstage

Imogen Clark finds strength in new single “The Art of Getting Through” [Video]

  • May 30, 2025
View Article
  • Dance
  • Mainstage

House Of Hustle releases a collection of dance-floor ready tracks in May

  • May 30, 2025
Bowden
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop
  • Rock

Bowden melts hearts with “Glacier”

  • May 29, 2025
Sinularia
View Article
  • Indie
  • Mainstage
  • Pop

Sinularia shares a new album ‘Subwater Beats II’

  • May 29, 2025
View Article
  • Dance

Ashley Paul releases infectious song "Golden Tickets – Luv Foundation UK Remix"

  • May 29, 2025
Zinoleesky
View Article
  • Afrobeats
  • Indie
  • Indie Rock
  • Mainstage
  • Pop

Zinoleesky delivers a body of work with his new album, "GEN Z"

  • May 29, 2025
Jordan Lee
View Article
  • Indie
  • Mainstage
  • Pop

Jordan Lee makes a powerful return with his new album, "Fighter For Love"

  • May 29, 2025
View Article
  • Dance
  • Electro
  • Indie
  • Indie Dance
  • Mainstage

New York Producer Will Sass Returns With Tantalizing New Track

  • May 28, 2025
Popular Music
  • Artists to put on your playlist for Summer 2025
    • May 30, 2025
  • Hoodtrophy Bino and Lefty Gunplay prove you should never underestimate them on “123” [Video]
    • May 30, 2025
  • Cory Cullinan, Riley Max and Sidney Cullinan collaborate for riveting "2025 Alive" [Video]
    • May 30, 2025
  • House Of Hustle releases a collection of dance-floor ready tracks in May
    • May 30, 2025
  • Imogen Clark finds strength in new single “The Art of Getting Through” [Video]
    • May 30, 2025
Recent Scoops
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
  • Glorybots redefines rock with latest album 'mad.end'
    • April 10, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.