EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Big Room
  • Dance
  • Progressive House

Thomas Gold finds himself again in big room with "The Chant"

  • June 23, 2017
  • Steph Evans
Total
0
Shares
0
0

Thomas Gold is back where he belongs. After a stint trying out his hand at dance-pop crossover, aka the famed and feared "rhythmic pop," Gold has returned to the style that made him a name to remember with his latest single. Following the radio-friendly Revelation (Part 1) EP released earlier this year, the German producer and DJ has tapped into the style we remember so much of him for in the early 2010's as progressive house was beginning to see its heyday. And in doing so, he's revived some of the signature styles we recognized him for, as we hear succinct, booming percussion reminiscent of marching bands reminiscent of his 2012 remix of Miike Snow's "The Wave," and subsequent tour where he literally brought a marching band with him. The name of the track, "The Chant," reminds us of that too.

"The Chant" is tagged as "big room" on SoundCloud – something that might normally be a red flag, but with Gold, we know it's going to pull through. Even the production, the groove outside of its embellishments, is infectious and nostalgic in a way. It makes us actually wonder how he was able to replicate a feeling lost to history in a new and updated way. This is what progressive house is supposed to feel like, and it's done with ease. All in all, "The Chant" just feels like it's supposed to.

  • Connect with Thomas Gold: Facebook | Twitter | Soundcloud 

 

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Armada Music
  • Thomas Gold
Steph Evans

It all started with Pakito's "Living on Video."

Previous Article
  • Nu-disco
  • Pop

Oliver grabs De La Soul for a feature on "Heart Attack"

  • June 23, 2017
  • Steph Evans
View Article
Next Article
  • Hip-Hop
  • Mainstage
  • Music Videos
  • R&B
  • Rap

Everything is a mirage in Vince Staples' new video for "Rain Come Down"

  • June 23, 2017
  • Donna-Claire
View Article
You May Also Like
View Article
  • Alternative Rock
  • Feature
  • Indie
  • Melodic
  • New Music
  • Pop

Studio B Rebels releases inspiring patriotic anthem “American Song”

  • June 15, 2026
Frank Gappa
View Article
  • Alt-Pop
  • Alternative
  • Indie
  • Indie Pop
  • Mainstage
  • New Music
  • Pop
  • Singer/songwriter

Frank Gappa elevates his sound on “slow dancers” [Album]

  • June 15, 2026
Aly Navarro
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Aly Navarro turns heartbreak into art on ‘Do Not Resuscitate’

  • June 15, 2026
View Article
  • Dance
  • Electro
  • Electro Pop
  • Electronic
  • Experimental
  • New Music

Ireland's Kayleigh Noble brings the party with BBKAY EP

  • June 15, 2026
Patti Zlaket
View Article
  • Feature
  • Indie
  • Indie Pop
  • Mainstage
  • New Music
  • Pop

Patti Zlaket expands her artistic reach with uplifting new album “Dance Again”

  • June 15, 2026
View Article
  • Event Review
  • House
  • R&B

How the inaugural Forever Mine Festival highlights Chicago's historical roots in House music, and its synergy with R&B

  • June 15, 2026
Talk in Vain
View Article
  • Feature
  • Indie
  • Indie Pop
  • Melodic
  • Metal
  • New Music
  • Pop

Talk in Vain returns with a high-voltage hard-rock remix of “I Drove All Night”

  • June 15, 2026
Heddy Edwards
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Heddy Edwards maps the mind’s threshold on new EP “The Other Side of hell is a heaven so delicate.”

  • June 15, 2026
Popular Music
  • Sam E Hues and Nino Breeze team up on breezy yet bass-heavy anthem "Chrome"
    • June 15, 2026
  • Stella Prince delivers a  modern folksy reinterpretation of Buffalo Springfield's "For What It's Worth"
    • June 15, 2026
  • Studio B Rebels releases inspiring patriotic anthem “American Song”
    • June 15, 2026
  • 13illy
    13illy blends mood and motion on new single ‘NOTHING W/O YOU’
    • June 15, 2026
  • Link Strummer
    Link Strummer turns desire into devotion on bold new single “Victoria’s Secret”
    • June 15, 2026
Recent Scoops
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.