EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electronic
  • Indie
  • Uncategorized

Rina Sawayama is voice for Generation Y on "Cyber Stockholm Syndrome"

  • April 9, 2017
  • Jess Bartlet
Total
0
Shares
0
0

Rina Sawayama caused an incredible stir after her breakout rework of Michael Jackson's classic 1972 single "I Wanna be Where You Are" a couple of years ago. The "Where U Are" 2015 release saw many magazines heralding her as on the cusp of pop-stardom, and rightly so, the song ooozes a pop felt familiarity and catchiness to it that emanates "hit" something surely even Max Martin cannot even deny. In 2016 Sawayama followed it up with "This Time Last Year" a brilliant understated ballad, showing she's capable of wonderful versatility; clearly feeling equally comfortable and at home in different genres of music.

[soundcloud url="https://api.soundcloud.com/tracks/313752374" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Now she is back again with another ginormous pop single "Cyber Stockholm Syndrome." With production from Hoost and Clarence Clarity "Cyber Stockholm Syndrome" features a cauldron of influence ranging from a modern dislocation of 90s/00s R&B, as well as a childhood spent listening to kawaii J-Pop growing up in Japan. Almost comparable to a significantly upbeat Black Mirror episode "Cyber Stockholm Syndrome" aims to highlight the mood of Generation Y in the digital age capturing a resonant millennial snapshot of our dependence on technology. "Cyber Stockholm Syndrome" thoroughly explores the ideas of anxiety; wrestling an extreme of how to best portray one's self online, alongside being a voice for Generation Y's very complicated love/hate relationship with the internet and technology. Sawayama sums it up immaculately by singing with a syllabic playground familiarity:

"Came here on my own,
Party on my phone"

It's a truly moreish, catchy and relatable hook, and there is no doubt that Sawayama is destined for incredible things. 

Speaking about the track, Sawayama says; “Cyber Stockholm Syndrome is happy and sad, honest and autobiographical, and I feel like I’ve truly written from the heart from the first time. It took two years of rewriting and revising as I wrestled with the beauty and anxiety of digital life. Before, I saw the internet as a captor of our time and free will. But now, I see embracing a positive relationship with our online selves as an act of self-preservation and defiance. In this age, the digital world can offer vital support networks, voices of solidarity, refuge, escape. Marginalised people, or socially anxious people like myself can in fact, be freed. That’s what Cyber Stockhholm Syndrome is about: pessimism, optimism, anxiety and freedom.”

Connect with Rina Sawayama: Facebook | Twitter | Instagram | Spotify | Soundcloud

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • House of Us
  • Rina Sawayama
Jess Bartlet

Previous Article
  • Ambient
  • Experimental

Flora Cash gear up for impending album with new single "California"

  • April 9, 2017
  • Cailey Lindberg
View Article
Next Article
  • Electronic
  • Uncategorized

Lodent goes cinematic in "Judah's Vision"

  • April 10, 2017
  • Wendel Genosa
View Article
You May Also Like
View Article
  • Alternative
  • Indie Pop

Brent de la Cruz releases fresh Indie hit “Day To Day”

  • July 2, 2025
View Article
  • Alt-Pop
  • Indie
  • Indie Pop
  • New Music
  • Shoegaze

BEL’s got new “Party Tricks”—and they hit hard

  • July 2, 2025
View Article
  • Alternative
  • Neo-Soul
  • New Music

Joshua Singh’s “Lotta Love” builds, belts, and blooms

  • July 2, 2025
View Article
  • Electronic
  • Funk
  • Interviews
  • Mainstage
  • Soul

More Than a DJ: SARASA on Culture, Curiosity, and Creative Freedom [Interview]

  • July 2, 2025
HOLYMAMI
View Article
  • Indie
  • Mainstage
  • Pop
  • Rap

HOLYMAMI shares an uprising with explosive new EP “TRAP THERESA”

  • July 2, 2025
Jeeves
View Article
  • Indie
  • Mainstage
  • Pop

Jeeves delivers an eight-year heart cry with soulful debut single “Where Did All The Good Men Go?”

  • July 2, 2025
Johnny Zarfati
View Article
  • Alternative R&B
  • Indie
  • Mainstage
  • New Music
  • Pop

Johnny Zarfati shares americana with heartfelt warmth in new single “Light You Shine In”

  • July 2, 2025
The Rolling People
View Article
  • Indie
  • Mainstage
  • Pop

The Rolling People sharpen their sound with “Edge of the Knife”

  • July 2, 2025
Popular Music
  • Brent de la Cruz releases fresh Indie hit “Day To Day”
    • July 2, 2025
  • Connor McGlave reflects on letting someone down on stirring offering "Flowers"
    • July 2, 2025
  • Joshua Singh’s “Lotta Love” builds, belts, and blooms
    • July 2, 2025
  • HOLYMAMI
    HOLYMAMI shares an uprising with explosive new EP “TRAP THERESA”
    • July 2, 2025
  • Jeeves
    Jeeves delivers an eight-year heart cry with soulful debut single “Where Did All The Good Men Go?”
    • July 2, 2025
Recent Scoops
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
  • Glorybots redefines rock with latest album 'mad.end'
    • April 10, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.