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Ronnie Spiteri isn't letting his foot off the gas as 'Acid Lights' empowers Kenja Records [Premiere]

  • April 5, 2017
  • Leon Clarkson
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Riding high on a wave of his own making, Ronnie Spiteri delivers yet more chunking tech house and as ever it's released on his own determined, young imprint, Kenja Records. Acid Lights is Ronnie's 20th release on his burgeoning tech house stable, and one of his best to date. He recruits Do Not Sleep's top dog, Darius Syrossian, who's featured and remixed on two previous occasions, this time with a simple, no-frills pumping edit.

[soundcloud url="https://api.soundcloud.com/tracks/315910180" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Leading with a jacking beat construct surrounding a jagged, three-note bass pattern, "Acid Lights" gradually allows the acid textures to form strength, showering the mix intensely before powering back down into the puckered groove.

The Southampton, UK based Kenja Records are nearing the quarter century mark, this being their 23rd release in only 24 months, with all but three — Rhymos, Mirko Paoloni & Federico Chiotto, and Ki Crieghton & Makana — releases coming from Ronnie. A scary stat that can't be said for many artists/label owners out there.

With a consistent string of releases from label and owner/artist Ronnie, it's a going to be one hell of a year for Kenja Records and long may it continue. 

  • Connect with Ronnie here Soundcloud | Facebook | Twitter
  • Connect with Kenja Records here Soundcloud | Facebook | Twitter
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  • Acid Lights
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Leon Clarkson

Born and raised in London, UK. I cut my teeth on a varied diet of rock/indie, hard house/trance d&b and UK garage, developing an acute taste for house, tech house, and techno, but appreciate electronic music in all its glorious forms. Lucky enough to by DJ Mag's tech house editor, as well as having my views published online by some fantastic music hubs, such as EARMILK and Chase The Compass. I also manage deep and tech house label, Faceless Recordings. Let's GO!

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