EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Deep House
  • Electronic

Shur-i-kan returns with dynamic and 'Deep in my Heart'

  • December 13, 2016
  • Steph Evans
Total
0
Shares
0
0

I first caught on to Shur-i-kan's genius when he was picked up to remix Above & Beyond's "Counting Down The Days" last year. Since, he's been a little quiet – or so I thought. The London producer also goes by his real name, Tom Szirtes, and released a rather extensive EP entitled Barely Breathing as such in September.  But this month, he's back as Shur-i-kan, armed with a new EP entitled Deep in My Heart. Released earlier in December 2016, it includes four tracks that range from minimal electronica to groovier deep house sounds. While there are two iterations of the title track sandwiching the EP, the true stand out is "Withdrawal Method." The track reminds us of what it's like to hear an impressive bassline – one that's actually a live bass – derivative of funk soul. Bringing in similarly funky soul samples as well as world music's drums and bossa nova's smoky keyboards, "Withdrawal Method" leaves Deep In My Heart as a memorable musical moment. It's streaming and out now via Lazy Days Recordings.

Connect with Shur-i-kan: SoundCloud | Facebook | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • lazy days recordings
  • shur-i-kan
Steph Evans

It all started with Pakito's "Living on Video."

Previous Article
  • Electronic

Bronze Whale and The Odds release final track off collaborative EP 'Million'

  • December 13, 2016
  • Rachel Steer
View Article
Next Article
  • Hip-Hop

"Love Can Wait" finds Amon squaring off against cupid

  • December 13, 2016
  • James Schiff
View Article
You May Also Like
View Article
  • Dance
  • Electronic
  • Pop

obee captures self-doubt and rebellion on dance anthem "DON'T STOP ME"

  • February 26, 2026
View Article
  • Dance
  • Electronic
  • Feature
  • Interviews
  • Mainstage
  • Tech House

Madam Lola steps into her power on 'Domination Frequency' EP [Interview]

  • February 24, 2026
View Article
  • Electronic
  • Mainstage
  • New Music
  • Pop

Anne Ryan reveals introspective debut EP ‘Invisible Rooms’ [EP Review]

  • February 24, 2026
View Article
  • Dance
  • Electronic
  • Hip-Hop
  • Mainstage
  • Music Videos
  • Rap
  • Uncategorized

Ana Tijoux Channels Your Favorite Boom Bap Rapper With Victorious New Single

  • February 23, 2026
View Article
  • Dance
  • Electronic
  • Feature
  • Mainstage
  • Techno

Cloudy ignites ZERO TOKYO with a hypnotic Hard Techno takeover alongside Adrián Mills

  • February 23, 2026
View Article
  • Alternative
  • Atmospheric
  • Pop

J.MYSTERY steps into bigger territory with new single “Change”

  • February 23, 2026
FREZYA
View Article
  • Electronic
  • Indie
  • Mainstage
  • New Music
  • Pop

FREZYA’s latest single, “FURTIVA”, featuring LPSV

  • February 23, 2026
View Article
  • Dance
  • Electronic
  • Indie
  • Mainstage
  • Pop

HEESU drops new dance pop single "SOMETHING BEAUTIFUL"

  • February 19, 2026
Popular Music
  • Theresa returns with powerful message on growth in new single "Rearview"
    • February 26, 2026
  • MatAre
    MatAre delivers new wave magic with bliss on new EP "Brevity"
    • February 25, 2026
  • Kelsie Kimberlin
    Kelsie Kimberlin celebrates courage and honors resilience with "Champ"
    • February 25, 2026
  • Alex Stanilla
    Alex Stanilla brings energy and summer vibes with triumphant anthem "Mahoning"
    • February 25, 2026
  • Anke Richards
    Anke Richards captures the ache of growing up in new release, "Grow Feet"
    • February 25, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.