EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Electronic

Adele's "When We Were Young" gets a new look from Danny Olson

  • February 19, 2016
  • Steph Evans
Total
0
Shares
0
0

LA's Danny Olson is following a path that many who seek to earn their keep in the music industry take on before they "make it," in churning out remixes of popular music to declare their own brand. But he's also going above and beyond that, releasing pop-dance crossover originals like "Mirrorball" and "Wild Side" in the past year. Today, it's Olson's newest remix that's caught our ear, this time of a major emotional and vocal pop hit (from Adele, of course). 

Keeping any vocal in tact in a remix is key to keeping the attention of an Adele fan, and it's obvious Olson has kept that in mind in his remix of "When We Were Young." Turning the track into an electronic piece, he's kept the melancholy manner of the original in his production, bringing in progressive notes that play nicely, and are also in discord. Check it out below.

[soundcloud url="https://api.soundcloud.com/playlists/197830360" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="450" iframe="true" /]

Connect with Danny Olson: Soundcloud | Facebook 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Adele
  • Danny Olson
Steph Evans

It all started with Pakito's "Living on Video."

Previous Article
  • Dance
  • Exclusive
  • Indie Dance
  • Premiere
  • Synth

Majestique and French Horn Rebellion show us how to "Feel The Music" [Premiere]

  • February 19, 2016
  • Lauren Jefferson
View Article
Next Article
  • Alternative
  • Dreampop
  • Indie
  • Indie Rock
  • Uncategorized

POP ETC's ’80s romance video for single “Please Don’t Forget Me”

  • February 19, 2016
  • Alex Bocknek
View Article
You May Also Like
AYCE
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

AYCE serve up a high-energy rock feast with debut EP “All You Can Eat”

  • March 30, 2026
Nadia Maria
View Article
  • Indie
  • Mainstage
  • Pop

Nadia Maria finds power in vulnerability on “This Is A Solo And Not A Duet”

  • March 30, 2026
Heddy Edwards
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

Heddy Edwards shares class and memory in her latest single, “The Other Side of Town”

  • March 30, 2026
M0n0 Jay
View Article
  • Indie
  • Mainstage
  • Pop

M0n0 Jay turns sensory pop into viral gold with “L.L.L. (Lift, Lift, Lick It)”

  • March 30, 2026
Sam Stokes
View Article
  • Indie
  • Indie Pop
  • Mainstage
  • New Music
  • Pop

Sam Stokes blooms with carefree energy on “Lay on Grass”

  • March 30, 2026
View Article
  • Indie
  • Mainstage
  • Pop

Ricardo Bacelar Bridges cultures with the rhythmic elegance of “Mestre Novo da Guiné”

  • March 30, 2026
Joshua Pearlstein
View Article
  • Indie
  • Mainstage
  • Pop

Joshua Pearlstein shares irresistible energy in new single “Wanna Dance”

  • March 30, 2026
Royal Blush
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Royal Blush heals old scars with new single, “Ur Cure”

  • March 30, 2026
Popular Music
  • Girl Apocrypha delivers campy celebration of pop with "MADONNA"
    • March 30, 2026
  • Barnburner encapsulates transience on debut EP 'Nothing to Hold'
    • March 30, 2026
  • AYCE
    AYCE serve up a high-energy rock feast with debut EP “All You Can Eat”
    • March 30, 2026
  • Nadia Maria
    Nadia Maria finds power in vulnerability on “This Is A Solo And Not A Duet”
    • March 30, 2026
  • Heddy Edwards
    Heddy Edwards shares class and memory in her latest single, “The Other Side of Town”
    • March 30, 2026
Recent Scoops
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.