EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electronic
  • Premiere
  • Synth Pop

Lost in Stars pays tribute to Hyperdub MC Spaceape on 'Once You Were Fire' EP [Premiere]

  • June 5, 2015
  • Mike Waite
Total
0
Shares
0
0

Lost in Stars is the Los Angeles-based project of Dylan Willoughby, who records with a close-knit group of other artists, most notably Elena Charbila, a.k.a. Kid Moxie.  On his debut EP, Once You Were Fire, Willoughby explores two distinct genres, retro synth-pop and darker, dubstep-leaning beats.  He's clearly quite proficient in both styles, delivering four unique tracks without a single low point.

Once You Were Fire opens with the title track, a haunting elegy for Hyperdub's poet and MC, The Spaceape, who was a staple in the discographies of artists like Kode9, Burial, and Martyn, before passing away last year.  Kid Moxie handles the vocals, reciting the line "Once you were fire but the fire's gone / but does the fire ever die?" her words drifting off after The Spaceape into infinity.  It's a perfect tribute to a dear member of the electronic music community, from the lyrics to the fittingly Hyperdub-esque production.

Track two, "Elephant & Castle," is tied to the first in many ways: it continues the hard-hitting, bass-heavy sound, and also pays tribute to Willoughby's father, who passed in 2009, and grew up in Elephant & Castle, London.  Kid Moxie appears again on this one, her airy vocals intermixed with a reading of Dylan Thomas' poetry, with the steely production surging and receding like a flash flood.  It's another unlikely combination that Willoughby pulls of brilliantly.

Once You Were Fire shifts gears at this point, offering up two classic-sounding synth pop tracks, "Disappear," and "Flown."  We've heard this type of sound from Kid Moxie before, in part due to Willoughby's involvement on her album, 1888.  However, he turns to a new vocalist, Alysa Lobo, for these two, and her voice is a great fit.  These upbeat tracks switch the topic from death to love, making the second half of the EP a perfect balance for the first. The genre shift halfway through is a bit jarring at first, but it only makes the experience more memorable.  Maybe in the future, Lost in Stars will even find a way to combine these two sounds he's mastered.  You can stream the entire Once You Were Fire EP below.

 

Print

Lost in Stars

'Once You Were Fire' EP [Premiere]

  • Lost in Stars on Soundcloud
  • Lost in Stars on Facebook
  • Lost in Stars on Bandcamp

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Kid Moxie
  • Lost in Stars
  • The Spaceape
Mike Waite

I received my degree in English from Virginia Commonwealth University in Richmond, and Virginia is still home. Apart from my yearly pilgrimage to Moogfest and occasional shows in DC, Detroit, and New York, I like to stick to the fringes, with an eye always open toward music that is forward-thinking and unique, whatever the genre.

Previous Article
  • Hip-Hop
  • Rap

Gamera transcends time and space with 'Gemstones'

  • June 5, 2015
  • Gark Mavigan
View Article
Next Article
  • Chillstep
  • Electronic
  • Future Beat
  • Glitch

You need to hear this Hitimpulse remix of Xavier's "No Type" cover

  • June 5, 2015
  • Clark McCaskill
View Article
You May Also Like
View Article
  • Alt-Pop
  • Alternative R&B
  • Synth Pop

Ferdinand’s “Time’s Up” feels like a lost ’80s love song

  • December 30, 2025
Saynt Ego
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Saynt Ego’s “Voices” turns quiet reflection into cinematic power

  • December 22, 2025
Neurolapse
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]

  • December 22, 2025
View Article
  • Dance
  • Electronic
  • Interviews

ZHANGYE chats China EDM compilations, electronic production and collaborating with Steve Aoki [Interview]

  • December 19, 2025
View Article
  • Alt-Pop
  • Atmospheric
  • Hyperpop
  • Indie Pop
  • New Music

Pet Owner returns with genre-bending hyperfolk-pop single “After Summer”

  • December 19, 2025
TWAN
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

TWAN and STACY KAMATU unite cultures and grooves on the magnetic new single “NAMANAMA (for real, for real)”

  • December 19, 2025
View Article
  • Ambient
  • Mainstage
  • New Music
  • Synth Pop

MAKEUP and Danny Keane shine on new single “12 Years”

  • December 19, 2025
View Article
  • Deep House
  • Electronic
  • New Music

BluuWav and Ben Provencial find emotional release on “Away”

  • December 19, 2025
Popular Music
  • Ferdinand’s “Time’s Up” feels like a lost ’80s love song
    • December 30, 2025
  • Mt. Gribley
    Mt. Gribley finds quiet power in distance on "Moss On The Stone" [Album]
    • December 29, 2025
  • Every Us turns late-night chaos into comfort on harmony-soaked new Ssngle “B-Train”
    • December 29, 2025
  • Pablo's Paintings
    Pablo’s Paintings dive deeper with hypnotic new single “The Moon Underwater”
    • December 29, 2025
  • Barrelly Ego
    Barrelly Ego’s “3rd Rock” turns parenthood’s beautiful chaos into honest indie rock reflection
    • December 29, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.