EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electronic
  • Feature

Splice revolutionizes music production: OWSLA's Alesia shows us how

  • March 13, 2014
  • Conor Clarke
Total
0
Shares
0
0

If you're a music producer, you know the sometimes painstakingly difficult sharing options for you to collaborate with a fellow artist.  As someone who collaborates on music with his brother 400 km away I know the feeling all to well.  Everything takes that much longer and the sparks don't fly they crawl.   Many platforms can be used to share files – Dropbox, email, or other large-file-sharing programs – but none have been created to solve  music related problems specifically. Cue Splice, a music collaboration platform founded by Steve Martocci and Matt Aimonetti that aims to rectify this somewhat annoying situation.  Splice looks to add value to your existing digital audio workstations, like Ableton or other DAWs, to create a shareable, multi-access workflow for audio production.

The key is with version control. Martocci explains, as quoted in an interview with Billboard Magazine:

“Trying to work on software without version control is impossible: you’re overriding files, you don’t know what changed, people can’t work on two things at the same time. Splice gives collaborators the ability to view and open previous revisions of projects while automatically downloading all missing files, sample packs and plugin presets.”

Think the Github of music – for those of you that know the service, it's a collaborative version-control system used by computer programmers. It acts as both a social network for programmers around the world, as well as a way of collaborating and working on code.  This kind of service doesn't yet exist for music collaboration, and with $2.75 million in funding Martocci and Aimonetti are obviously on to something. There's also the educational aspect; with the ability to identify stems, samples, plugins, and technical changes made with each save, musicians can track and learn as they go.  Producers can learn technique, arrangement, composition, and more, all in one place. 

 

As a promotion for the app,  French DJ duo, Alesia, currently signed to Skrillex’s OWSLA label, have created a new song exclusively on Splice. Go check that out here. It's a hard-hitting, bass-heavy track with almost evil, gritty synth stabs that would blow up a club. It's a great promotion as they're getting a ton of attention from it, and displays the possibilities of Splice in its finest. 

 

The service is currently invite only but never fear we've got some early access codes for EARMILK artists.  Follow these steps to get them:

 

Sign up and set a username. 2. Tweet your new username in this tweet: [Insert Username] wants to #getspliced with @ALESIAmusic, @splice, and @EARMILK : https://splice.com/explore/7E3C4841-D381-4B3E-B751-C0D19D81D5E1

 

  • Alesia on Facebook
  • Alesia on Twitter
  • Alesia on Soundcloud
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • alesia
  • Music Tech
  • Splice
Conor Clarke

Previous Article
  • Indie

Tame Impala pays tribute to Michael Jackson with "Stranger In Moscow" remix

  • March 13, 2014
  • Phillip Yung
View Article
Next Article
  • Dance
  • Funk

Get ready to feel funky with Bondax's latest remix of Duke Dumont's "I Got You"

  • March 13, 2014
  • Lindsay Blair
View Article
You May Also Like
View Article
  • Electronic
  • Mainstage
  • New Music
  • R&B

After 3 years, Blood Orange wakes up from his slumber with new single "The Field" – Listen Here

  • June 27, 2025
View Article
  • Alt-Pop
  • Alternative
  • Indie
  • Indie Pop
  • New Music
  • Pop
  • Premiere
  • Reviews

EXCLUSIVE: The Aces announce new album, share new single ‘You Got Me’

  • June 27, 2025
View Article
  • Electronic

Avalon Kane dives deeper into her latest album 'Dissension' [Track-By-Track]

  • June 27, 2025
View Article
  • Dance
  • Drum and Bass
  • Electronic
  • Events Stage
  • Feature
  • Festival
  • House
  • Post-Punk
  • Rap
  • Reggae
  • Singer/songwriter
  • Techno

What's new for Boomtown 2025: the UK's first hydrogen-powered festival stage + more!

  • June 27, 2025
STVG
View Article
  • Dubstep
  • Electronic
  • Mainstage

STVG is on a clear mission to take over the bass and dubstep music scene

  • June 27, 2025
View Article
  • Electronic
  • Festival
  • Uncategorized

LIDO Festival 2025: An Exciting, Artist-Led New Chapter for London’s Music Scene

  • June 25, 2025
View Article
  • Dance
  • Electronic
  • Indie

Claude VonStroke makes us dance with “This MFing Beat” featuring Reggie Watts

  • June 25, 2025
View Article
  • Electronic
  • Festival
  • Uncategorized

Lost in the Woods: Why Forbidden Forest 2025 Was Next-Level

  • June 24, 2025
Popular Music
  • Stella and the Very Messed shares fiery title track "Big Familiar" from upcoming LP
    • June 27, 2025
  • ana paz
    Ana Paz delivers a sound bath on new EP "surrender"
    • June 27, 2025
  • Stephen Mugford
    Palooza Beach by Stephen Mugford is a sun-kissed debut drenched in soul, spirit, and storytelling
    • June 27, 2025
  • mya
    Mya Angelique's new EP "paper girls" is a confessional wrapped in glitter
    • June 27, 2025
  • HOLLOW
    “MORTAL MEN” by Hollow Profit confronts loss and hope in soulful new single
    • June 27, 2025
Recent Scoops
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
  • Glorybots redefines rock with latest album 'mad.end'
    • April 10, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.