EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Hip-Hop
  • Music Videos
  • Rap

GoldLink debuts powerful visuals for "The God Complex (When I Die)"

  • March 5, 2014
  • James Elliott
Total
0
Shares
0
0

Life is a gift that can be snatched away in seconds;  if you aren't careful enough, you can end up squandering it, never properly putting it to use. That is the harsh lesson the protagonist of GoldLink's powerful video, "The God Complex (When I Die)", learns within thirty seconds of his introduction.  The DMV emcee and the 7th Floor Villains, the Baltimore collective who star in this short film, understand the fragility of their existence, growing up in some of the most dangerous cities in America.

Without a doubt, this isn't a song or visuals that glamorize gang banging, violence, or aspects of the ghetto. Rather, it lays bare the oppressively tragic circumstances that construct their worldview or perspectives. 

Nathan R. Smith, the director, and GoldLink's vision for this 150-second video could easily be reworked into a full-length two-hour film. It is that impressive and epic, an awe-inspiring use of limited time. While GoldLink never appears on camera, nothing is lost in this unorthodox maneuver.

When the video begins, it seems like viewers are in store for a typical braggadocio trap song. The main character defiantly throws cash out of an expensive car's window, while his friends sip on nearly empty malt liquor bottles. However, the festivities and optimistic ambiance quickly comes to end, when a gun shot rings out, halting everyone and even the music.  

[youtube]https://www.youtube.com/watch?v=FeJ5bhvvuoM[/youtube]

Instead of the bombastic instrumental that was heard prior to the bullet lodging itself into the protagonist's chest, McCallaman's somber, minimal production quietly takes over. At this moment, the visuals begin to follow the natural death-chemical-induced high of the dying young man. For the rest of the video, the disembodied camera captures the hallucinatory life flashing before the protagonist's eyes.

Surprisingly, it isn't a montage dedicated to his regret or misfortune, but a beautiful, albeit highly illegal, view of his perfect day; filled with lounging with friends, trespassing, and ultimately robbing a deli. The image of the blood-stained shirt, with a hole where the bullet landed, is a powerful one. Watching someone dream of such a great day, including laughter and friends, with the knowledge that in mere moments they will be gone forever, wrenches at the heart.

GoldLink's song is just as good as the visuals, and should get you excited for his upcoming project, The God Complex. It's due out April 1st, but don't wait until then to hear more of his unique music, dubbed "future bounce." Head over to his Soundcloud and listen to some of his old tracks. You won't be disappointed.

  • GoldLink on Soundcloud
  • GoldLink on Facebook
  • GoldLink on Twitter
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • 7th Floor Villains
  • GoldLink
James Elliott

Previous Article
  • Hip-Hop
  • Music Videos
  • Rap

Rome Fortune gets a little weird in "Four Flats"

  • March 5, 2014
  • James Elliott
View Article
Next Article
  • Dance
  • Dance Bass
  • Dubstep
  • Electronic

TBMA frees the bass in Zedd's "Stay The Night"

  • March 5, 2014
  • Tanner Caldwell
View Article
You May Also Like
View Article
  • Downtempo
  • Electronic
  • New Music
  • Post-Punk
  • Reviews
  • Trip-Hop

The Subtheory are soundtracking society's digital disconnect in "Things that caught my attention"

  • July 3, 2026
View Article
  • Alt-Pop
  • Mainstage
  • Music Videos
  • New Music
  • Synth Pop

On “How To Be A Lover” Goldie Boutilier turns intimacy into a cinematic pop manual [Video]

  • July 3, 2026
Quiet as a Mouse
View Article
  • Feature
  • Indie
  • Indie Pop
  • Mainstage
  • New Music
  • Pop
  • Reggae

Quiet as a Mouse soars with "Nostalgia is fine…but…," led by the cinematic standout “Peter Pan”

  • July 3, 2026
View Article
  • Alternative R&B

Kaia Yook and golden chapel embrace self-worth on warm single “Free”

  • July 2, 2026
View Article
  • Alternative
  • Indie Pop
  • Mainstage
  • Music Videos
  • New Music

GAYLE captures June’s joy & messy freedom on new single “junebug!” [Video]

  • July 2, 2026
View Article
  • Soul

Hoss Carl shares powerful rendition of "Love Is Alive"

  • July 2, 2026
View Article
  • Alternative
  • Hip-Hop
  • Mainstage
  • New Music
  • Rap

ALTRBOY releases “Lost Angels,” exploring ambition, identity, & the cost of dreams

  • July 1, 2026
View Article
  • Folk
  • Mainstage
  • Music Videos

Lawrence Tome delves into transformation on latest release "Swamp Thing" [Video]

  • June 30, 2026
Popular Music
  • The Subtheory are soundtracking society's digital disconnect in "Things that caught my attention"
    • July 3, 2026
  • Sam Vane releases new single "damnaged goods"
    • July 3, 2026
  • John Van Deusen
    John Van Deusen finds radiant beauty in indie-folk worship on “Joyful Noise”
    • July 3, 2026
  • Rave Jesus
    Rave Jesus takes flight with “Ravens & Doves,” a deep house anthem that balances spirit and the dancefloor
    • July 3, 2026
  • Read My Mind
    Heron reaches beyond the horizon with thought-provoking Album "Underground Sky"
    • July 3, 2026
Recent Scoops
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.