EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Synth

Majical Cloudz – "Childhood's End"

  • March 26, 2013
  • Sasha Geffen
Total
0
Shares
0
0

On their debut EP, Montreal-based duo Majical Cloudz let open space ring almost as an instrument in itself. Songwriter Devon Welsh and producer Matthew Otto continue in a similar vein with the first new cut from their upcoming full-length, Impersonator. "Childhood's End" operates on a disarmingly simple beat, coloring its bare bones with wide cello sweeps and Welsh's expressive vocals. 

As Welsh said in a recent statement, "I never want to feel like the music I’m making is just about stylistic play. The easiest way for me to do that is try to make something without obvious movement; where the music isn’t overstuffed sonically or referentially, it’s emptied out as much as possible. So the vision for Impersonator was to communicate a lot with as little as possible. It’s not meant to energize and turn you out to the world, it’s meant to do the opposite; it’s more like a cocoon."

Impersonator will be released via Matador May 21.

[soundcloud url="https://api.soundcloud.com/tracks/84956500" iframe="true" /]

 

impersonator

Majical Cloudz

Impersonator

  • Matador
  • 5/21/2013
  • Pre-order on iTunes
  • Majical Cloudz on Facebook
  • Majical Cloudz on Twitter
  • Matador Records
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Majical Cloudz
  • Matador Records
Sasha Geffen

Previous Article
  • Electronic
  • Videos

The Theorist – "Tides" [Video]

  • March 26, 2013
  • Chief Bosompra
View Article
Next Article
  • Events

Max Vangeli & Third Party @ Exchange LA [Event Preview]

  • March 26, 2013
  • Colin Tewksbury
View Article
You May Also Like
View Article
  • Indie Rock
  • Pop

French Dogs dance through the chaos with new release, "Tucker's Having a Baby"

  • February 17, 2026
View Article
  • Acoustic
  • Alt-Pop

3peace. heals through harmony and resilence in "TRAUMA BOND"

  • February 17, 2026
Ana Amado
View Article
  • Alt-Pop
  • Downtempo
  • Electro Pop

Ana Amado steps into the shadows with captivating debut single "Dahlia"

  • February 17, 2026
View Article
  • Alternative
  • Alternative Rock

Mixed Signals channel heartbreak and growth on new anthem “Different Frequencies”

  • February 17, 2026
BruceBAn$hee
View Article
  • Pop
  • Punk
  • Rock

BruceBAn$hee turns grief into groove with hypnotic new single, "$trawberry Blues"

  • February 17, 2026
View Article
  • Indie

ILIA shares an emphatic, raw and uniquely powerful cover of Halsey's "Gasoline"

  • February 17, 2026
truekolors
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

truekolors finds the sweet spot between heart and rhythm on “Replay”

  • February 16, 2026
Martron
View Article
  • Electronic
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop
  • Uncategorized

Martron shares the moment with “Tonight,” a bold step forward after resurgence

  • February 16, 2026
Popular Music
  • Kamal Maroon delivers raw and unfiltered honesty on pop/R&B anthem "Black x White"
    • February 17, 2026
  • French Dogs dance through the chaos with new release, "Tucker's Having a Baby"
    • February 17, 2026
  • Kat Meoz
    Kat Meoz delivers swagger on fierce new anthem "Show Me What You Got"
    • February 17, 2026
  • 3peace. heals through harmony and resilence in "TRAUMA BOND"
    • February 17, 2026
  • Karen Salicath Jamali ushers in a creative era with "Angel Sandalphon (The Angel of New Beginnings)"
    • February 17, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.