EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Festival
  • Mainstage

SXSW- 3.13.2013 [Day 2 Review]

  • March 14, 2013
  • Briana Cheng
Total
0
Shares
0
0

Hello from Austin! I realize my Sprint 4S iPhone cannot handle the amount of people and activity in Austin so it’s been really rough trying to get around with a useless phone. The ability to navigate, contact, google, tweet, instagram, vine, and gmail is very limited. That said, I can’t reach my actual SXSW schedule, which tells me what bands I specifically wanted to see before getting here. It’s okay though, Wednesday still felt pretty productive.

Day 2 began with home girl, Effie, ordering food service as she got ready for a show with French Horn Rebellion.  I headed over to The Hype Hotel in hopes of receiving free tacos but that’s only available after 8pm. There was a daytime showcase and Polyphonic Spree was playing at the time of my arrival. The Texan band graced everyone’s afternoon with their psychedelic rock and their costumes were enlightening. Ryan Hemsworth got on the side stage for a DJ Set after Polyphonic Spree. He prepped the crowd and aroused everyone for Disclosure with his amazing touches of R&B and hip hop. We all know how active Hemsworth has been on the internet and he is highly active during this SXSW–playing at everyone and their mother’s showcases.  It’s great because we just can’t get enough.

[soundcloud url="https://api.soundcloud.com/tracks/37521055" params="" width=" 100%" height="166" iframe="true" /]

[soundcloud url="https://api.soundcloud.com/tracks/67546070" params="" width=" 100%" height="166" iframe="true" /]

Around 5pm, The Hype Hotel was packed and of capacity. This was when Disclosure was scheduled to perform. Everyone stared at the stage and waited anxiously for the two young boys to take their roles. When they finally arrived, the crowd released all of their previous stress and bounced joyously to Disclosure’s disco-dance vibes.  I’ve only seen them once before at a sold out show at Glasslands and this time was just as exciting. Before closing with “Latch”, the boys teased the crowd with samples for a good couple of minutes, then extending the song and the crowd left in full satisfaction.  If you get a chance to catch Disclosure since they’re on tour right now, do it.

[soundcloud url="https://api.soundcloud.com/tracks/59051244" params="" width=" 100%" height="166" iframe="true" /]

Immediately after watching Disclosure, we all ran to a VIP music tech happy hour that was hosted by my friend, Jessica Page at Ex.fm. This happy hour was basically a meeting for all the smaller blogs to connect and rekindle their love for each other. It was adorable watching the interactions and card exchanges happen. That evening, Ex.fm had a showcase with Megablaag. California producer, Jerome LOL, started this party and tears almost came down my face when he played “Changes”. More feelings were touched when Autre Ne Veut took the stage with one of the Zambri sisters as they expressed their heart-reaching R&B gospels. It was an emotional night and I ended it with sleeping at the back of a friend’s outback. Cheers to not being completely homeless. 

[soundcloud url="https://api.soundcloud.com/tracks/54210592" params="" width=" 100%" height="166" iframe="true" /]

[soundcloud url="https://api.soundcloud.com/tracks/78184108" params="" width=" 100%" height="166" iframe="true" /]

SXSW Website//SXSW on Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • SXSW
Briana Cheng

Reach me @banacrisp.

Previous Article
  • Dance
  • Electro House
  • Moombahton

Diplo & GTA – "Boy Oh Boy"

  • March 14, 2013
  • Aaron Thomas
View Article
Next Article
  • Chillout

Lazer Cake "Push Up Girls" (Dash Speaks Remix)

  • March 14, 2013
  • Lindsay Blair
View Article
You May Also Like
View Article
  • Alternative R&B
  • Mainstage
  • Minimal R&B
  • New Music
  • R&B
  • Soul

Isaia Huron confronts love, projection, and self-definition on 'Mr. Lovebomb' [Interview]

  • April 10, 2026
View Article
  • Dreamwave
  • Indie
  • Indie Pop
  • Interviews
  • Mainstage
  • New Music

MMOONN talks sonic kinship, improvisation, & the space between voice and synth [Interview]

  • April 10, 2026
View Article
  • Electronic
  • Mainstage
  • New Music
  • Post-Punk
  • Punk

Donzii’s “Bird” is a dark, textured pulse you’ll keep coming back to

  • April 10, 2026
View Article
  • Hip-Hop
  • Mainstage
  • New Music

Çâline with C hits her stride on “Second Wind”

  • April 10, 2026
View Article
  • Events
  • Los Angeles Events
  • Mainstage
  • Music Industry
  • News

Genre-bending trailblazer Laufey to receive ASCAP Creative Voice Award on April 30 in Los Angeles

  • April 10, 2026
View Article
  • Alternative
  • Folk
  • Indie
  • Mainstage

Kelli Blanchett reflects and rebuilds on 'Casual Dining'

  • April 10, 2026
View Article
  • Electronic
  • Electronica
  • Indie
  • Mainstage
  • Music Videos
  • New Music

With a new EP and his own label, ford. is ready for his creative rebirth

  • April 9, 2026
View Article
  • Indie
  • Mainstage

Eliza Edens dances with their dark impulses in new single "Leash"

  • April 9, 2026
Popular Music
  • JVCK JAMES turns an opening set into a must-know moment
    • April 10, 2026
  • Lulu Simon release new single "Happy Again"
    • April 10, 2026
  • Kelli Blanchett reflects and rebuilds on 'Casual Dining'
    • April 10, 2026
  • With a new EP and his own label, ford. is ready for his creative rebirth
    • April 9, 2026
  • Eliza Edens dances with their dark impulses in new single "Leash"
    • April 9, 2026
Recent Scoops
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.