EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dreampop
  • Electro Pop
  • Indie
  • Mainstage
  • Music Videos
  • Synth
  • Videos

DWNTWN – "Stood Me Up" [Video Premiere]

  • February 20, 2013
  • Ronnie Evans
Total
0
Shares
0
0

The Indie culture of today seems dominated by Folk, any variation of Surf Rock/Pop, and female-lead vocals—the latter acting as a sort of new kid on the block.  We've had our share of feminine leads in the past, many of whom still run vibrant in the present such as Cat Power, but in the past few years specifically there's been somewhat of an explosion of the female lead. This breakthrough is split between the exuberance one can bring to an electronic anthem and the captivating beauty a female presence renders in the fuzzy world of Indie talent, an ethereal bond with the listener that many male vocalists fail to scrape the surface of.

DWNTWN showcases the lighthearted, wooly Electro/Pop that the falsetto of a female presence blends with perfectly, protruding from the alarmingly typical Indie Electronic scene of today with independent originality. Extending from their latest EP The Red Room, "Stood Me Up" entangles a more appeasing side of DWNTWN's abilities with the same strident repose of its counterparts, exhaling the relative disparity of rebirth through broken love via the mitigating coos of lead singer Jamie Leffler. While the corresponding video (Directed by Jeremy Johnstone) doesn't do an ambitious job of explaining the song, it provides a visual stimulant that accompanies the melody appropriately. Besides, the song requires little to no explanation as the lyrics come as straightforward as any, and when judging the video for it's sole purpose—that of dispensing optical entertainment that a track by itself is incapable of—the video is a job well done.

[soundcloud url="https://api.soundcloud.com/tracks/67323005" params="" width=" 100%" height="166" iframe="true" /]

A self proclaimed "Synth Folk" band, DWNTWN is hard to pigeonhole genre wise. Their early works were mostly comprised of folk demos, and as their music has expanded over the past few years they've delved in variations of Pop, New Wave, Electronic, and even Americana. While "Stood Me Up" sits pretty on the Synth Pop pedestal, this infectious blend of frizzy synths and poppy electronics is far from their only offering. As of May last year, when Kitsuné picked "See My Eyes" for the Kitsuné America compilation (which hit #1 on the French and top ten on the worldwide charts), it became clear that there was a future brewing for the small LA based trio. This momentous occasion became indicative of fruitful things to come, and after a successful EP release and further exposure, the band is setting off what should be a big year for them with a handful of stops at SXSW in March. Light on the ears, ignorant to miss—all in all, DWNTWN seems a group worth following, and closely at that.

  • DWNTWN Official
  • DWNTWN on Facebook
  • DWNTWN on Twitter
  • DWNTWN on Soundcloud
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • DWNTWN
Ronnie Evans

Music Blogger/ Indie Music Consultant/ PR Representative/ Musician/ Artist/ Entreprenuer/ Comedian/ Music World: Contact Me. Upon this day, I declare that Indie music is leaps and bounds more pure than anything else, and the Term "Indie" means not that a band isn't mainstream, but that a band has been able to hold on to its roots, even through fame and fortune. While the wonderful thumps and womps of electronic music gets me grooving, it will always be the Alternative Indie Rock that guides me to the homeland. And for that -- I both thank it and applaud it -- for it has brought me great pleasure in the past and will so in the future.

Previous Article
  • Grunge
  • Indie Rock

Geronimo! – "Genius is Dead"

  • February 20, 2013
  • Sasha Geffen
View Article
Next Article
  • Chillout

The Postal Service – "Such Great Heights" (Team Bayside High Bootleg)

  • February 20, 2013
  • Lindsay Blair
View Article
You May Also Like
View Article
  • Indie Pop

Matt Farren unveils a blend of pop sonics and screenplay on 'POP CINEMA'

  • October 28, 2025
View Article
  • Indie

Forever Forever shares vibrant yet introspective debut EP 'Good Light In'

  • October 27, 2025
Starry Venus
View Article
  • Electronic
  • Feature
  • Indie
  • Pop

Starry Venus shines brighter than ever with “Stars” (Kizzo Remix)

  • October 27, 2025
View Article
  • Indie
  • R&B

Alysha channels heartache into strength in fearless and soulful "Red Wine"

  • October 27, 2025
View Article
  • Alternative R&B
  • Mainstage
  • Minimal R&B
  • New Music

MyCompiledThoughts delivers minimal alt-R&B with “Anymore”

  • October 27, 2025
View Article
  • Folk
  • Folk Rock
  • Mainstage
  • New Music

Lorc D finds freedom in motion on “I’m Away”

  • October 27, 2025
View Article
  • Album Reviews
  • Dreampop
  • Indie
  • Indie Pop
  • Mainstage
  • New Music
  • Pop

BEL shares her childhood dreams for debut LP 'Holy Grail' [Album Review]

  • October 27, 2025
View Article
  • Indie Pop
  • Indie Rock
  • New Music
  • Singer/songwriter

Jenny Kern faces the pain of letting go on “bones”

  • October 27, 2025
Popular Music
  • Marouli shares evocative and cinematic album 'Tall Tales From A Distant Uncle (Volume 2)'
    • October 28, 2025
  • Matt Farren unveils a blend of pop sonics and screenplay on 'POP CINEMA'
    • October 28, 2025
  • Forever Forever shares vibrant yet introspective debut EP 'Good Light In'
    • October 27, 2025
  • Starry Venus
    Starry Venus shines brighter than ever with “Stars” (Kizzo Remix)
    • October 27, 2025
  • Alysha channels heartache into strength in fearless and soulful "Red Wine"
    • October 27, 2025
Recent Scoops
  • UK Festivals Wrapped Up: A diverse weekend of music, food and culture
    • October 2, 2025
  • DNORRI is a breakout voice built for musical resonance and connection
    • September 25, 2025
  • Jay Tone is carving out his space with "Puzzles"
    • July 7, 2025
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.