EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • House
  • Techno

Barker & Baumecker – Remixes [EP]

  • February 5, 2013
  • Christian Spielvogel
Total
0
Shares
0
0

It's been a while since I've written a review or article for a music release that I've deep down actually enjoyed. Let's just say I was struggling with university and I had a lot of work to do – but this was not the main reason for my absence. In fact, I struggled more with musical genres and my own taste in music than I did with burying my head in a textbook. It became clearer and clearer that my taste grew into the deeper and technoid facets of electronic music (with the note that there will never be enough acid for me) instead of the electro "stuff" I came to write about in the past. So I took my time off to delve into this new sound and style and waited for a release that could make a nice transition and mark a new beginning.

What release could be a better fit for the job than the recently released remix EP of Barker & Baumecker's Transsektoral LP which is really the first real techno release I've felt compelled to write a review for. Of course it goes by way of Ostgut Ton – the record label of Berlin's famous club Berghain. The EP features an enormous variety of remixes produced by an amazing pack of musicians.

Barker & Baumecker Remixes Cover

The first remix comes from none else than Machinedrum who had great success last year together with Jimmy Edgar and their collaboration project JETS. The track manages it to mesmerize you just with the use of the original vocal sample in "No Body". Combined with its straight forward housey bass and percussion setup on the one hand with the trippy synthesizer bleeping in the other, the track is the most versatile on the record and can be played at any time in the club.

[soundcloud url="https://api.soundcloud.com/tracks/74111687" params="" width=" 100%" height="166" iframe="true" /]

The intense track "Silo" got an even more intense remix by the Berlin-based newcomer Kobosil. The mysterious producer is already in the business for quite a long time but has  never released anything before. He has a lot of connections within the scene and gathered a lot of experience over the years. And it definitely shows up as one of the reasons why his remix has such a high quality. A floating pattern of white noise and intoxicating drum lines make it a stomping techno anthem.

[soundcloud url="https://api.soundcloud.com/tracks/74111689" params="" width=" 100%" height="166" iframe="true" /]

Kobosil already got a shout out for his remix by Blawan who emerged as one of the main protagonists in the techno business and is also responsible for the B1 side of the EP – a reshape of the track "Crows". The original track shines with its madness in the high frequency region. Blawan turns the table and creates a monument of bass touched by warm vocal-like chords  but of course Mr. Roberts did not let us go that easy. The track takes a whole new direction after the first half – it overtakes more and more samples of the original and evolves naturally into a different kind of madness.

[soundcloud url="https://api.soundcloud.com/tracks/74111690" params="" width=" 100%" height="166" iframe="true" /]

Lastly, there is the remix of "Schlang Bang" by Third Side to close which is a collaboration of Steffi and The Analogue Cops. What you get is of course what you would have expected by two (three) legends of house-influenced techno music. A bouncy club tune perfectly made for the dance floor – playfully using the samples of what might be the most-played track off the Transsektoral LP.

[soundcloud url="https://api.soundcloud.com/tracks/74111691" params="" width=" 100%" height="166" iframe="true" /]

  • Buy Barker & Baumecker Remixes on Ostgut
  • Machinedrum on Facebook
  • Kobosil on Facebook
  • Blawan on Facebook
  • Third Side on Facebook
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Blawan
  • Kobosil
  • Machinedrum
  • Ostgut Ton
  • Third Side
Christian Spielvogel

Previous Article
  • Deep House
  • Electronic
  • Uncategorized

Peaking Lights – "Beautiful Son" [John Talabot's Acetate Dub]

  • February 5, 2013
  • Aaron Thomas
View Article
Next Article
  • Album Reviews
  • Trap

Butch Clancy – A Beautiful Mind [Album Review]

  • February 5, 2013
  • Nathan Beer
View Article
You May Also Like
View Article
  • Dance
  • Melodic

InteliDey explores the connection between technology, humanity and music on "Offline"

  • April 24, 2026
View Article
  • Album Reviews
  • Mainstage
  • New Music
  • R&B

Yaya Bey reclaims her narrative on 'Fidelity' [Album Review]

  • April 23, 2026
View Article
  • Mainstage
  • New Music
  • Pop
  • Singer/songwriter

Candice Lee lets go and levels up on “Catch a Flight”

  • April 23, 2026
View Article
  • Mainstage
  • Rock

Dirty Snowman Society return with brooding new cut “Slow Water”

  • April 22, 2026
View Article
  • Electronic
  • Mainstage
  • New Music

Charmelyx builds a synthetic eden on expansive single “Edenism”

  • April 21, 2026
View Article
  • Alt-Pop
  • Alternative Rock
  • Mainstage
  • Music Videos

SOFIA ISELLA turns absurdism & intellect into art on “The Chicken is Naked and Afraid” [Video]

  • April 21, 2026
View Article
  • Mainstage
  • Pop

Frankie 5Ø3 captures the rush of falling in love on “R0LL3RC0AST3R”

  • April 21, 2026
View Article
  • Alt-Pop
  • Indie Rock
  • Mainstage
  • Music Videos
  • New Music

little image confront heartbreak and the unknown in “THE REAPER” [Video]

  • April 21, 2026
Popular Music
  • HoodTrophy Bino and Chrisean Rock turn public chaos into praise on "Proud Of You"
    • April 24, 2026
  • Michael Gilas turns love‑bombing into empowerment on "You Don’t Get To Say Goodbye"
    • April 24, 2026
  • Lauren Presley
    Lauren Presley turns rebellion into power on new single “Everything You Hate”
    • April 24, 2026
  • InteliDey explores the connection between technology, humanity and music on "Offline"
    • April 24, 2026
  • The Hypnotiks
    The Hypnotiks & Wolfgang Valbrun ignite Paris soul-funk heat on “Stone Cold Sober”
    • April 24, 2026
Recent Scoops
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.