EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Album Reviews
  • Alternative Rock
  • Indie
  • Pop
  • Punk

The Wesleys bring DIY spirit to their self-titled debut album

  • October 1, 2024
  • Angela Cook
Detail's of EARMILK The Wesleys bring DIY spirit to their self-titled debut album
Artist Name:
The Wesleys
Album Name:
The Wesleys
Release Type:
Album
Release Date:
April 12, 2024
Record Label:
Petit Village Records
Label Location:
Montreal, Canada
Review Author:
Angela Cook
Review Date:
October 1, 2024
EM Review Rating:
8.5
Total
0
Shares
0
0

Every now and then, a band comes along that masterfully fuses the old with the new, drawing inspiration from their predecessors while crafting something uniquely vibey and nostalgic. 

Montreal’s garage-pop band, The Wesleys, does just that with their highly anticipated self-titled debut LP, seamlessly blending punk rock, indie, power pop, and alternative influences, released through Petit Village Records. 

Comprised of William D’Amours, Quentin Chisolm, Pablo Garcia, and Henry Girard, The Wesleys create music brimming with heart and energy, combining well-crafted melodies into a diverse yet cohesive sound. They fully embrace their DIY ethos, channeling creativity into every aspect of the recording process and ensuring that each song captures the same essence.

In their modest home studio, Garcia’s sound engineering expertise shines, earning him the nickname "Wizard of Sound." 

Despite equipment limitations, he consistently delivers high-quality audio with a simple setup and minimal microphones, primarily focusing on achieving a pleasing drum sound and allowing everything else to fall into place.

As Girard explains, “We’ve recorded an album, plain and simple, and did everything ourselves. We’re trying to do it in a way that feels very comfortable and kind of natural.”

Notable tracks on the album include “A Lot To Lose,” “25,” “You Better Believe It,” “Radio Circus,” and “Death By The Bite.” 

That said, the album’s opener, “Make It My Way,” packs a punch, immersing you in the band’s sonic world with a driving beat and a twangy guitar melody that kicks in at the 1:15 mark. Confident and driven, the lyrics reflect the band’s resolve to make it on their own terms, perfectly aligning with the song's title.

Following that is “A Lot To Lose,” which evokes a beautifully nostalgic and comforting feel both melodically and lyrically. The lyrics carry the wisdom of an older brother, gently guiding the listener through life’s ups and downs while reminding them that there's still time to choose their own path.
“You Better Believe It” is an uplifting anthem that makes listeners feel truly invincible. With a driving beat, layered melodic guitar lines, and speak-singing, the track radiates a sense of empowerment and determination.

“Radio Circus” stands out as a personal favorite on the album, expertly capturing the essence of calm chaos. The chorus, with its repeated phrase “you learn to let it go,” feels like a refreshing breath of air. The bass line is delightfully prominent, anchoring the intricate melodic layers that swirl above it.
The closing track of the album, “Death By The Bite” is pure unadulterated fun. I can easily imagine this as an absolute banger at their live shows, fueled by adrenaline from layered guitar riffs and drums that perfectly emphasize the vocalist's melody. It’s the perfect track to blast on a car ride or to kick off a lively gathering.

This album is a cohesive gem that offers gentle nuggets of wisdom that sparkle throughout.

With musical nuances that nod to The Pixies, The Clean, and The Shins, The Wesleys embody the collaborative spirit and creative synergy that define great bands. 

As a listener and newfound fan, I can confidently say that it’s only up from here.

Connect with The Wesleys: Instagram | Facebook | Website

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • garage pop
  • Montreal
  • Punk
  • Rock
  • The Wesleys
Angela Cook

Angela Cook is a Brooklyn-based writer and editor with a passion for unearthing innovative sounds and stories in the music scene. When she's not crafting compelling content, you can find her exploring the boroughs for record shops.

You May Also Like
Martone
View Article
  • Electronic
  • Pop

Martone turns late-night chemistry into pure dancefloor intoxication on “Ekstasé”

  • January 21, 2026
Forgotten Garden
View Article
  • Indie
  • Uncategorized

Forgotten Garden dive into moral darkness on new indie single “Overlord”

  • January 21, 2026
View Article
  • Pop

Cormac steps into a new era with honest new single “Defenceless”

  • January 20, 2026
View Article
  • Indie Rock

James Laurent laughs through the pain on ‘Laugh at the Tragedy’

  • January 20, 2026
View Article
  • Indie
  • Music Videos
  • Pop

Doctor Noize, Vivian Fang Liu and Alphabet Rockers release musical celebration “DIVERSITY” [Video]

  • January 19, 2026
View Article
  • Ambient
  • New Music
  • Pop

OUTER encapsulates joy and uncertainty in intimate track "In Limbo"

  • January 19, 2026
Carmela
View Article
  • Alternative
  • Alternative Rock
  • Indie
  • Indie Rock
  • New Music
  • Reviews
  • Rock
  • Singer/songwriter

Carmela revels in drama with “Good Girl Riot” new single

  • January 19, 2026
View Article
  • Album Reviews
  • Alternative R&B
  • K-pop
  • Music Videos
  • New Music
  • Pop
  • R&B

Corbyn Besson is diving 'Head First' into his debut solo EP [Interview]

  • January 19, 2026
Popular Music
  • Danitsa brings heart and groove in new single "Miss Yo” featuring Béesau [Video]
    • January 21, 2026
  • Vilamoura
    Vilamoura define their sound with explosive new single “Lost”
    • January 21, 2026
  • Martone
    Martone turns late-night chemistry into pure dancefloor intoxication on “Ekstasé”
    • January 21, 2026
  • Forgotten Garden
    Forgotten Garden dive into moral darkness on new indie single “Overlord”
    • January 21, 2026
  • Alex Lakusta
    Alex Lakusta expands the horizon with the cinematic instrumental “Island Ghosts Pt. 2”
    • January 21, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.