Album Reviews – EARMILK

Geese embrace beautiful chaos on risk-taking 'Getting Killed' [Album Review]

Geese has always been a band comfortable with contradiction. The New York outfit spent their early career as post-punk revivalists before pivoting toward something warmer and more personal on their…

View Article

8.5

Cate Le Bon crafts hypnotic mantras on neo-psychedelic return [Album Review]

Three years after the critically acclaimed Pompei, Welsh singer-songwriter Cate Le Bon returns with an artistic vision that feels both urgent and timeless. Now based in Los Angeles, the bilingual…

View Article

9.5

karōshi knocks it out of the park with 'spoils, consequence + charity' [Album Review]

Puget Sound–based punk band karōshi is the sound of blood, sweat, and tears—and, as always, an ode to life in the Pacific Northwest. Released on September 21, spoils, consequence +…

View Article

9.0

Pateka show up to the party to make it weird on their self-titled debut LP [Album Review]

Experimental rock quartet Pateka released their self-titled debut album, Pateka. A nine-track, 34-minute EP that blends jazz, psychedelia, and experimental neo-soul–Pateka's let loose on their first full-length effort with a blend…

View Article

9.0

Gina Zo shares phenomenal debut album 'Burn Me Into Something Better' [Album Review]

Los Angeles based by way of Philadelphia singer/songwriter Gina Zo has just shared her highly anticipated album Burn Me Into Something Better. The 11-track musical collection delivers her most complete…

View Article

7.5

Hot Mulligan are done running away on 'The Sound a Body Makes When It's Still' [Album Review]

Hot Mulligan has released the follow-up to 2023s Why Would I Watch with their 4th studio album, The Sound a Body Makes When It’s Still, released via Wax Bodega on…

View Article

7.5

Labrinth returns but it’s only the “Prelude” for what’s next [Album Review]

Timothy Lee McKenzie, artistically known as Labrinth, releases his new album Prelude, that brings opera, synthwave, soul and classical music into one place. The 36-year-old songwriter, singer and producer, who…

View Article

9.0

The Happy Fits’ 'Lovesick' will leave you head over heels [Album Review]

When most bands experience lineup changes, the most logical step to take for a new album is to have it serve as a reintroduction to the band. Paramore’s self-titled record…

View Article

8.0

Natassa Bofiliou and Manolis Famellos expand Greek entekhno on collaborative 'Ola Einai Mprosta' EP [EP Review]

Music's ability to transcend language barriers gets thrown around as a cliche, but when Natassa Bofiliou and Manolis Famellos join forces on Ola Einai Mprosta, the sentiment feels genuinely earned.…

View Article

9.0

TV Cult makes bold political statement in new album, 'Industry' [Album Review]

TV Cult, a post-punk band from Cologne, will release their second studio album, Industry, on October 10 via Flight 13 Records. The album follows three singles—“Communion,” “Crack the Whip,” and…

View Article

9.0

Bakar Breaks Boundaries On His Most Ambitious Music Yet, 'BEASTIE' [Album Review]

UK artist and creative disruptor Bakar has unleashed his latest eight-track enthralling album BEASTIE. Fresh off of his feature on Justin Bieber’s “DON’T WANNA”, the genre- outlier has shared his…

View Article

9.0

'A Quiet Life': Evalyn’s Boldest Electro-Pop Statement Yet [Album Review]

Los Angeles-based electro-pop artist Evalyn returns with her most ambitious and emotionally charged project to date: A Quiet Life. The 13-track album, written and recorded almost entirely during her first…

Archives: Album Reviews

Geese embrace beautiful chaos on risk-taking 'Getting Killed' [Album Review]

Cate Le Bon crafts hypnotic mantras on neo-psychedelic return [Album Review]

karōshi knocks it out of the park with 'spoils, consequence + charity' [Album Review]

Pateka show up to the party to make it weird on their self-titled debut LP [Album Review]

Gina Zo shares phenomenal debut album 'Burn Me Into Something Better' [Album Review]

Hot Mulligan are done running away on 'The Sound a Body Makes When It's Still' [Album Review]

Labrinth returns but it’s only the “Prelude” for what’s next [Album Review]

The Happy Fits’ 'Lovesick' will leave you head over heels [Album Review]

Natassa Bofiliou and Manolis Famellos expand Greek entekhno on collaborative 'Ola Einai Mprosta' EP [EP Review]

TV Cult makes bold political statement in new album, 'Industry' [Album Review]

Bakar Breaks Boundaries On His Most Ambitious Music Yet, 'BEASTIE' [Album Review]

'A Quiet Life': Evalyn’s Boldest Electro-Pop Statement Yet [Album Review]

Alto Key shares an honest and pure songwriting journey in "you're honestly doing so well"

Seasonal Falls returns with “Fun Crumbles”

Frankie Bird captures the heart of indie pop on “Up Until Now” [Album]

NEEB makes an unforgettable first impression with their debut album, “Take To The Sky”

Millpool shares raw emotion and sonic chaos on “One Last Midnight”

UK Festivals Wrapped Up: A diverse weekend of music, food and culture

DNORRI is a breakout voice built for musical resonance and connection

Jay Tone is carving out his space with "Puzzles"

Matt Oakley is redefining country music with heart, soul and modernity

From Machismo To Mujeres: Women As The Face Of Reggaeton

4 things I learned on the 'Call Me If You Get Lost' tour

4 things every artist needs to think about in 2022