EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance

Ninajirachi releases latest boundary-pushing LP 'girl EDM (disc 1)'

  • September 8, 2024
  • Patrick Ames Conner
Total
0
Shares
0
0

Ninajirachi is more than just another name in the world of electronic music—she’s a force reshaping it. With the release of her highly anticipated LP girl EDM (disc 1), the Australian producer is carving out a lane entirely her own. Where other artists follow trends, Ninajirachi sets them, and this album proves she’s playing the long game.

Known for her unpredictable, glitchy production and experimental sound, girl EDM (disc 1) feels like the next evolution in her journey. It’s a deliberate yet playful nod to the golden era of electro and house music, all wrapped in a futuristic shell. Drawing inspiration from late 2000s and early 2010s dance tracks, the album is like a time capsule with a twist—Ninajirachi reinvents the past to craft something that sounds unmistakably like the future. Tracks like “Hand on my heart” and “Ninacamina” hit with a kinetic energy that’s impossible to resist, combining hard dance rhythms with dreamy, synth-heavy landscapes.

Then there’s “Angel Music,” a standout collaboration with NYC-based duo MGNA Crrrta. It’s the kind of track that feels tailor-made for the late-night crowd, overflowing with a mix of electro-pop nostalgia and Ninajirachi’s signature experimental edge.

But what makes Ninajirachi special isn’t just her production skills—it's her vision. “People always ask me to describe my music, and I’ve come to realize it’s just girl EDM,” she says. “It’s the music that raised me. I grew up on EDM and dance-pop, and this album is a love letter to that era.” But for Ninajirachi, it’s not about looking back—it’s about reimagining the sounds that shaped her and pushing them forward.

'girl EDM (disc 1)' feels like the culmination of years of experimentation, a project that both honors the past and pushes the boundaries of what electronic music can be. But what truly sets Ninajirachi apart is her ability to make you feel something. Whether it’s the euphoric highs or the glitchy, left-field drops, her music is an experience—a ride through soundscapes that are as emotional as they are electrifying.

Connect with Ninajirachi: Instagram | Spotify | YouTube | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Alison Wonderland
  • Australia
  • deadmau5
  • EDM
  • electronic
  • mau5trap
  • ninajirachi
  • rave
  • Red Rocks
  • Rezz
Patrick Ames Conner

Brooklyn-bred, Los Angeles-based techno enthusiast covering music, artists, events, culture and news in the dance / electronic music and queer culture spaces

Previous Article
  • Alt-Pop
  • Electronic

Jenna Pemkowski’s "Dynasty" Shows Promise, But Leaves Room for Growth

  • September 8, 2024
  • Isabella Sanford
View Article
Next Article
  • Hip-Hop
  • Music Videos
  • Rap

ILL KNOB and Champ MC team up for "Tell em where you from" [Video]

  • September 8, 2024
  • Tayo Odutola
View Article
You May Also Like
View Article
  • Dance
  • Electronic
  • Feature
  • Interviews
  • Mainstage
  • Tech House

Madam Lola steps into her power on 'Domination Frequency' EP [Interview]

  • February 24, 2026
View Article
  • Electronic
  • Mainstage
  • New Music
  • Pop

Anne Ryan reveals introspective debut EP ‘Invisible Rooms’ [EP Review]

  • February 24, 2026
View Article
  • Alternative Rock
  • Indie Rock
  • Mainstage
  • New Music
  • Post-Punk

Cola announces 3rd studio album with "Hedgesitting" [Video]

  • February 24, 2026
Cypress Key
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

Cypress Key’s “Just a Fool” blends New Orleans soul with indie rock reflection

  • February 24, 2026
Gena Perala
View Article
  • Indie
  • Indie Pop
  • Mainstage
  • Music Industry
  • New Music
  • Pop
  • Singer/songwriter

Gena Perala strikes with cinematic precision on alt-country gem “Machete”

  • February 24, 2026
View Article
  • Dance
  • Electronic
  • Hip-Hop
  • Mainstage
  • Music Videos
  • Rap
  • Uncategorized

Ana Tijoux Channels Your Favorite Boom Bap Rapper With Victorious New Single

  • February 23, 2026
View Article
  • Dance
  • Electronic
  • Feature
  • Mainstage
  • Techno

Cloudy ignites ZERO TOKYO with a hypnotic Hard Techno takeover alongside Adrián Mills

  • February 23, 2026
Queen Anne
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Queen Anne triumphs with electrifying single “Watch Me Win It”

  • February 23, 2026
Popular Music
  • Suspended in the aftermath: LANDROID’s "Hank the Dragon" faces love without answers
    • February 24, 2026
  • Helen Mac emerges stronger than ever on new album ‘Precipice’ [Album Review]
    • February 24, 2026
  • Ian Cobiella’s “Trial By Fire” is a bold declaration of vulnerability [Video]
    • February 24, 2026
  • Aiming through the glass: Mel Denisse’s haunting ode to beautiful isolation with "aiming alone"
    • February 24, 2026
  • [Interview] WHIB chats 'The 1st Mini Album : ROCK THE NATION,' experimenting with their craft and more
    • February 24, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.