EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Dubstep
  • Electronic
  • Mainstage

Feed Me releases his 6th full-length album 'Feed Me' via Sotto Voce

  • August 20, 2021
  • Patrick Ames Conner
Total
0
Shares
0
0

Esteemed British talent, Feed Me returns with his self-titled sixth studio album Feed Me, following up "Reckless", the album’s lead single released ahead of the LP earlier this month. Out now via Sotto Voce, this latest release is available to listen to across all streaming platforms.

The 11-track offering kicks off with "Big Kitten", setting the tone with a spacious sonic atmosphere. The track is upbeat in nature, featuring various instrumentation and rising energy. The explosive hit takes listeners into the world of Feed Me with a bang. Taking it up a notch, "Blanket Ban" is a heady, high-octane endeavor, full of textured sounds and an electric guitar. 

Up next is the LP’s anthemic lead single "Reckless", featuring Tasha Baxter. The modern synth-pop masterpiece sonically embraces the listener with its hypnotizing vocals and production. "Cost A Fiver, Had A Tenner" is a propulsive high-gear offering, with a glitchy soundscape that builds in intensity throughout the track, exploding in energy towards the conclusion of the track.

Rising tensions and oscillation highlight Feed Me’s articulately crafted sound – "If It Bounces’ propels energy from start to finish, showing off Feed Me’s sound design sensibility and ability to steer into uncharted territory.  Big-room sensibilities come into play with "Stupid Small Face", mimicking the feeling of being positioned within a video game. The three-and-a-half-minute-long endeavor is audibly enveloping with an experimental atmosphere, marking the halfway point of Feed Me. This cerebral tune sets an exciting precedent for the remainder of the album.

Closing off the thoughtfully curated LP, "Feather Crown" effortlessly fuses the sounds of the album into one all-encompassing track, evoking a cathartic end of journey feeling. 

Jon Gooch is a British DJ and producer who has been crafting his identity through different genres as Feed Me, Spor, and Seventh Stitch. As his alias Feed Me, he has been exploring the world between electro and house. His proficient production landed him the opportunity to be the first outside act to sign with mau5trap and to eventually release music through his own imprint Sotto Voce. Through the project, he has released two albums Calamari Tuesday in 2012 and High Street Creeps in 2019. His success has landed him sold out tour dates and festival appearances at Fuji Rocks Japan, Creamfields, EDC, Reading & Leeds and Exit Festival. His return to the release radar continues to show his growth and evolution as Feed Me with this latest album.

Feed Me’s self-titled album is a groundbreaking venture into a world of distorted and nostalgic sounds. A continuation of Feed Me’s versatility and expansive, expert production as a musician, Feed Me is a pursuit showing his explorative nature.

Connect with Feed Me: Facebook | Twitter | Instagram | YouTube | Spotify

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • album
  • Feed Me
  • Self-titled
Patrick Ames Conner

Brooklyn-bred, Los Angeles-based techno enthusiast covering music, artists, events, culture and news in the dance / electronic music and queer culture spaces

Previous Article
  • Hip-Hop

ONEgWest and Keith Rice deliver new love ballad "Hear Me"

  • August 20, 2021
  • Margaritë "Magi" Camaj
View Article
Next Article
  • Folk
  • Folk Rock
  • Shoegaze

Sugarplum Fairies release “Heart Hell 2021” ft. Sid Simons of Girl Skin

  • August 20, 2021
  • Sienna Estrada
View Article
You May Also Like
View Article
  • Alternative
  • Dance
  • Electronic
  • Experimental
  • Funk
  • Grunge
  • New Music
  • Noise
  • Post-Punk
  • Post-Rock
  • Rock
  • Synth

Cold Court smash together every genre they can think of on debut EP "\ (^_^) / (aka HANDS UP)

  • June 21, 2026
montee
View Article
  • Dance
  • Garage House (Dance)

Montee sits at the edge of UK garage with powerful new single "High on You"

  • June 21, 2026
Jaz Vernon
View Article
  • Feature
  • Mainstage
  • Pop
  • R&B

"YKTV" signals a powerful new chapter for Jaz Vernon

  • June 19, 2026
Alex Stanilla
View Article
  • Alternative Rock
  • Feature
  • Indie Pop
  • Indie Rock
  • Mainstage

With "Who Cares," Alex Stanilla finds strength, healing, and hope

  • June 19, 2026
View Article
  • Album Reviews
  • Folk
  • Jazz Fusion
  • Mainstage
  • World Music

MOMO.'s 'Tum Tum Tum' is built on rhythm, chemistry and craft [Album Review]

  • June 19, 2026
View Article
  • Folk Rock
  • Mainstage
  • New Music
  • Psychedelic

Atticus Sorrell revives ‘70s-inflected soundscapes on “Paper Crane”

  • June 19, 2026
View Article
  • Folk Rock
  • Mainstage
  • Singer/songwriter

Tom Moriarty opens the door to a new era on ‘Chapters’ [Album Review]

  • June 19, 2026
View Article
  • Album Reviews
  • Electronic
  • Experimental
  • Feature
  • Mainstage

"SM-01" by Bright Shining Lights redefines instrumental music with cinematic ambient depth (album)

  • June 19, 2026
Popular Music
  • Peppermint Heaven share a visual for their single "A.I" exploring what it means to be human…
    • June 21, 2026
  • montee
    Montee sits at the edge of UK garage with powerful new single "High on You"
    • June 21, 2026
  • Brini is confident and soulful on her lush new single "The Way I Move"
    • June 21, 2026
  • Meltt are languidly wistful on new album "Pathways"
    • June 21, 2026
  • Cold Court smash together every genre they can think of on debut EP "\ (^_^) / (aka HANDS UP)
    • June 21, 2026
Recent Scoops
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.