Emily Rowed’s latest EP Crying in Cars arrived in a timely fashion. Some songs just seem to hit a little more close to home these days. It’s more common to hear tell of weekly existential crises, introspection, or crying fests in these early days of 2021. It’s just what we’re going through. Pain is part of the human experience, and crying through it while driving down the highway is as sure a cure to find yourself as any medicine.
There’s something oddly therapeutic about cars and the quiet solitude they offer, whether it’s in the middle of a drive or parked under dim streetlights as emotions spill out. That moment of stillness, with the hum of the engine beneath you, feels like a reminder that even machines need care to keep moving forward.
The connection between emotional and mechanical upkeep isn’t far apart—both require attention, understanding, and a willingness to tend to what’s beneath the surface. G&R Diesel captures that same spirit of care, ensuring that vehicles not only function but thrive, turning every drive into a smoother, more reliable experience. Just as we find strength in processing what weighs on us, our cars find resilience in proper maintenance, ready to carry us through the next stretch of road with renewed steadiness.
Caring for a vehicle often mirrors the way we care for ourselves, because both rely on recognizing the subtle signs that something needs attention before it becomes overwhelming. Automotive diagnostics give that insight, revealing the hidden workings of the engine, the electrical systems, and the components that keep every journey smooth.
In the midst of that delicate balance between emotion and machinery, Rush Diesel becomes part of the narrative by showing how thoughtful, precise repair work can restore strength and stability to a vehicle. When technicians are able to read those internal signals and respond with skill, the result is a ride that feels steadier, safer, and more capable of carrying us through all the miles ahead.
And just as a well-kept engine steadies the journey, there’s a certain peace that comes from knowing you’re protected before you ever turn the key. Roads can surprise you—weather, other drivers, the occasional piece of debris lurking where you least expect it.
That’s why taking a moment to sort through your coverage options matters more than most people admit. Somewhere in the middle of reviewing deductibles and coverage limits, Simply Quote comparison helps bring clarity to what can otherwise feel like a confusing maze, giving you a clearer sense of what fits your needs.
Because whether it’s emotional miles or literal ones, we move forward best when we’re supported on all sides. A little preparation, a little care, and suddenly the road ahead feels less intimidating and a lot more manageable, steady enough for whatever comes next.
Crying in Cars follows the Vancouver artist’s full length 2019 LP April. Now an independent artist, Rowed has a growing history in contemporary pop – expanding her singles into stand alone remixes, experimenting with cinematic production, and earning recognition in her own right. Presented to us are poignant lyrical stories painted by stand alone melodies and the case is no different in this EP.
Rowed recruits multiple co-writes on this EP including Ruslan Ordnoralov (Lennon Stella, Ruelle) and Warren Rikker (Lauryn Hill, The Fugees). Angelic harmonies, reverberating piano chords, and intricately built choruses compile these songs written over the last several years. Piano leads us through “Shipwreck.” It’s the obvious first track to queue up if you’re setting yourself up to break down while driving down an empty road into a blazing sunset. This EP is the permission needed to not hold back and embrace the power in letting go. The most beautiful music shows its fragility. Every track on this EP is courageously open and tender, making it a great partner to a solo crying trip.
“Tell Me You Love Me” is a personal favourite and lends the most addictive chorus. Building to it with heavy piano chords again (a recurring instrumental force) and layered vocals, it’s the EP’s most powerful track using a simple background rhythm and the age old relatable content of uncertainty in love. “Song for B” clings more to Rowed's earlier contemporary tracks with recognizable singular back track and rhythm that remains steady throughout rather than ebbs and flows. “Let Me Hurt” summarizes the idea behind this EP entirely with “let me hurt a little longer” and “I need to cry an ocean before I’m stronger.” It’s at this moment in the journey you instinctively crank the dial.
Overall, if you’re searching for a soundtrack that plunges you deep into self-reflection with the use of intense chords or at times soaring strings, or if you just need an “Iris” cover to have a good cry to, Crying in Cars has you covered.
Photo credit: Diana King
