The overdue debut from the esteemed Saint Joshua, 'Self-(En)titled,' Waiting is over for the pop and R&B induced tracks that embody a deeper yet dynamic groove. The artist is now causing a sensation with his signature mix of soulful lyrics, evocative storytelling, and genre-bending, hybrid soundscapes.
Enjoying its nine tracks, 'Self-(En)titled' presents an intimate exploration of the artist’s development. From the infectious beats of ‘Blah Blah Blah’ to the delicate vulnerability of ‘Sweet Talk,’ Saint Joshua displays a deft ability to maneuver between tones, making every track feel wholly personal yet universally relatable. His influences are apparent enough. You're not wrong if you can pick out shades of Frank Ocean’s introspection, Stevie Wonder’s vocal depth, and Amy Winehouse’s grit and passion.
Saint Joshua draws from a stellar pool of collaborators who help amplify the emotional punch and finesse of songs like “Waterfalls” and “Blessing,” including Cashybear and Blair Mackichan. “Nasty” draws deep R&B roots with a sexy twist, while “Next Flight to Paris” becomes an anthem for those needing a musical vacation.
The buzz has already been considerable. The singles have been lifted by the likes of Radio 1, Apple Music, and 1Xtra, while tastemakers from Wonderland to Clash are dubbing this project a watershed moment for UK R&B. With over 14.5 million streams and an unstoppable rise in fandom, Saint Joshua proves himself to be a superstar in the making.
Self-(En)titled establishes Saint Joshua as more than something to watch. He is actively surfing the pop R&B landscape, evolving holy ashy from his reservoir of vulnerability and boldness. This is Saint Joshua, at his most genuine, a true force of nature in the making.
Connect with Saint Joshua: Instagram
