EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Interviews
  • Music Industry
  • Technology

[INTERVIEW] Releese founder chats about the new, all-in-one music service platform

  • November 24, 2022
  • Malvika Padin
Total
0
Shares
0
0

There’s no doubt that tech and innovation are the cornerstones of any evolving industry in modern time – the music industry being no exception.

Newly launched platform Releese is aiming to streamline core music industry business practices by making it possible all of a creator’s needs from managing your operations and distribution to marketing, monetization and analytics.

For artists feeling like creative control of their craft is slipping out of their hands, Releese provides a complete suite of tools that command productivity, efficiency and transparency.

In conversation with Earmilk, Releese CEO Maxence Pepin delves into his own journey in the music industry, what inspired the creation of Releese and how the platform can help artists around the world.

Before delving into the launch of Releese, can you tell us a little about yourself and your background?

Thank you for the kind words and for taking the time to speak with me! My name is Maxence, and throughout my time in the music industry, I’ve had the opportunity to grow as an artist, A&R, label manager, music marketer and most recently as an entrepreneur.

I’ve had the privilege of working for TropiKult, Strange Fruits, The Falling Apple, ChillYourMind, I’ve owned my own record label named Hinky and I have been making music under the Midsplit alias since 2017.

What specifically about the music industry compelled you to take action and build Releese?

I was brought on the ChillYourMind team by the founder, Pavle, who wanted to turn his successful YouTube channel and young label into an indie powerhouse for Chill Dance music. I was bringing experience in management and marketing to the table as well as a much-needed pair of hands to execute many ideas that were already being planned out.

After hiring multiple people to scale the operations, I was shocked by the number of platforms we needed to sign up for in order to get things done. A platform for pre-saves, a platform for distribution, a platform for royalty collection, a platform to manage work, a platform to keep things organized and it was getting frustratingly expensive. In that moment of frustration, I got an “Aha!” moment, what I built this platform? A one stop shop to manage everything.

Considering we were well organized, had flexibility on our spending and already had good knowledge of the music industry, I thought of Creators who are new to the industry and struggle to grasp everything. That’s when I truly got focused and decided to start building.

There seem to be a multitude of functions that can benefit professionals from all sectors of music. What would you say are the most universal?

Releese was made to help creators and record labels manage their business from a single place. So far, our most loved and universal tools have been our distribution platform as well as our marketing suite. The tools which we are pushing the most at the moment are our collaboration and project management systems, they were built to bring transparency and efficiency to a notoriously opaque and complex industry. With automatically shared analytics, real-time messaging, and cross-team collaboration, I believe Releese can become the golden standard for music business management.

With established brands like Trap City and NCS already utilizing the platform, what would you say is the main difference between how they would use Releese and how a smaller, indie artist would?

We’ve been surprised time and time again by how our users utilize our toolbox, and this is something I have only noticed recently: Our biggest teams and individual users use Releese essentially the same way, the only difference is catalog size. With everything on the platform being organized into projects, shared with collaborators, the value is present if you put out music once a month or once a day. Having your data communicate and being accessible from one place is another feature which has been a game changer for our users.

For the naysayers, some would say Releese is essentially monopolizing the release process by putting it all under your umbrella. What’s your response to that?

I would argue that if majors, distributors, publishers and marketing platforms worked together, the need for an all-in-one solution wouldn’t exist, and we would have no users. We stand for independence, creative freedom, and we believe that artists should have control over their data, and we provide this for them at an affordable price. You can take down your content from our platform at any time, without needing to ask for support, so the risk of being a release-process monopoly isn’t really present in my opinion.

Where/how do you see Releese evolving in the next decade? 

I see Releese as being the go-to platform for music business management, the SalesForce of the music industry. We have features in development that will help bring even more transparency, efficiency and collaboration to our platform. I think we’re on the right path to achieve our goal. Who knows, maybe we’ll even build a DAW?

What is the #1 lesson you’ve learned from launch, to date?

If you truly care about your customers, they will tell you what to build.

Find out more about Releese.

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Maxence Pepin
  • Releese
Malvika Padin

Previous Article
  • Americana
  • Music Videos

[VIDEO] Kelly Monrow drops visuals for bitter-sweet track "Wake Up"

  • November 24, 2022
  • Malvika Padin
View Article
Next Article
  • Alternative Rock

AlienBlaze exudes pure talent in new live version of “Romantically Dead”

  • November 25, 2022
  • Jessica Hart
View Article
You May Also Like
View Article
  • Alternative Rock
  • Interviews
  • Punk

Neutral Snap chat new single "Danny ACOG", collaboration, waking up on a random golf course and more [Interivew]

  • June 6, 2025
View Article
  • Indie
  • Interviews
  • New Music

Don Li’s sonic architecture reaches a dazzling apex with "Cosmotonics 7×7" [Interview]

  • May 28, 2025
Jaylon
View Article
  • Indie
  • Mainstage
  • Music Industry
  • New Music
  • R&B
  • Singer/songwriter

Jaylon has officially released his new EP, "Baby Boy"

  • May 27, 2025
View Article
  • Indie
  • Indie Pop
  • Indie Rock
  • Interviews
  • Pop

Mistine chats environmentalism, new album and a fun touring moment [Interview]

  • May 23, 2025
View Article
  • Interviews
  • Mainstage
  • Music Videos
  • New Music
  • Rock

The Fray are back with a new EP, new sound and more soul than ever before [Interview]

  • May 22, 2025
View Article
  • Classical
  • Easy Listening
  • Indie
  • Interviews
  • Neoclassical

Gibran Alcocer chats 1 billion streams, Merida, Mexico and upcoming performances [Interview]

  • May 20, 2025
Keith Anthony George II
View Article
  • Mainstage
  • Music Industry
  • News
  • Reviews

How Keith George II turned connections into a career blueprint for the culture

  • May 19, 2025
View Article
  • Interviews
  • Pop
  • R&B

Lachi talks about her creative process, disability awareness in the music industry, social activism, and more [Interview]

  • May 16, 2025
Popular Music
  • Telebox taps into a frantic yet atmospheric feel on "Shadow Of A Heart"
    • June 6, 2025
  • Honey Motel unveils striking genre-bending anthem offering "If You Didn’t Exist"
    • June 6, 2025
  • Captain Crocodile lures you in with “Your Slithery Fum”
    • June 6, 2025
  • Chloe Florence inspires listeners to disconnect and reconnect with "Log Off"
    • June 6, 2025
  • Montazona brings in the patience with psychedelic masterpiece "Slow Your Roll"
    • June 6, 2025
Recent Scoops
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
  • Glorybots redefines rock with latest album 'mad.end'
    • April 10, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.