EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Pop
  • Uncategorized

Aimee Vant feels like "Trash"

  • September 30, 2022
  • Tayo Odutola
Total
0
Shares
0
0

After thrilling us with her brand of lofi/pop-infused sounds in her last release  "Airbnb", Emerging pop singer Aimee Vant  returns with new single "Trash". The record continues in the same vein of bright sounds, heartfelt and somewhat brooding subject matter that centers around the singer's fears and weaknesses. The musical production is quite layered and slowly builds up with time.

The sombre guitar plucks, cinematic strings and warm pads all add up to create a vivid sonic template that Aimee uses to paint her true feelings. Armed with her sultry and silky vocals, she exclaims in the refrain "I feel like trash all the time" while wishing away her insecurities in the verses. At the end of it all, she comes to the realization that she just has to find comfort in who she really is.

Vant is a rising pop singer who made her bones with her 2020 debut LP Everything Sucks. She admits that she is an old soul, an attribute shown in her music where she dives into profound content ranging from personal loss, the bittersweetness of adulthood to vulnerability and self-growth.

 

Connect with Aimee Vant: SoundCloud  | Facebook | Spotify | Instagram

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Aimee Vant
Tayo Odutola

C17H21NO4

Previous Article
  • Hip-Hop
  • Rap

NxG finds the 'Equilibrium' on new project

  • September 30, 2022
  • Jacob Saltzberg
View Article
Next Article
  • Folk
  • Indie

Waiting For Smith returns with therapeutic new offering “Skylight Dawn”

  • September 30, 2022
  • Jessica Hart
View Article
You May Also Like
View Article
  • Mainstage
  • Neo-Soul
  • R&B
  • Tours

Sophia Galaté’s ‘For My Own Entertainment’ is an ode to self-joy and freedom

  • March 12, 2026
View Article
  • Alt-Pop
  • Funk
  • Indie Pop
  • New Music
  • Synth
  • Synth Pop

Chinese American Bear calls us to dinner with "Mama" (妈妈)

  • March 12, 2026
View Article
  • Indie
  • Pop

“Good Scar” by Ava Franks captures the thrill of fearless love

  • March 12, 2026
View Article
  • Alt-Pop
  • Alternative Rock
  • Electronic
  • Electronic
  • Indie
  • Pop

EK3 find their path with cinematic new single “Show Me the Way”

  • March 11, 2026
View Article
  • Music Videos
  • Pop

VÆB push their colorful pop universe forward on “GAMERBOI” [Video]

  • March 10, 2026
View Article
  • Ambient
  • Atmospheric
  • Chillwave
  • Downtempo
  • Electronic
  • Experimental
  • Indie
  • Interviews

silent collision chats 'Air Vent Lullabies", Oklahoma and late night moments [Interview]

  • March 10, 2026
Freeman DeJongh
View Article
  • Folk

Freeman DeJongh delivers soulful reflections in "Can I Live Here Tomorrow"

  • March 10, 2026
View Article
  • Pop
  • Soul

Bailey Hyneman finds light in uncertainty on “Better Days”

  • March 10, 2026
Popular Music
  • Wynona Bleach shares honest and gritty offering "Religion"
    • March 12, 2026
  • Lofi Legs capture quiet reunions on dreamy single "A Dream I Had " from album 'Rich Girls Like to Watch Things Die'
    • March 12, 2026
  • “Good Scar” by Ava Franks captures the thrill of fearless love
    • March 12, 2026
  • Chinese American Bear calls us to dinner with "Mama" (妈妈)
    • March 12, 2026
  • Sophia Galaté’s ‘For My Own Entertainment’ is an ode to self-joy and freedom
    • March 12, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.