EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Garage House (Dance)
  • Grime
  • Hip-Hop
  • Music Videos

Hi Trax, Dialect and Wombat cause pixelated devastation in the new track, "Enter The Food Chain" [Video]

  • November 4, 2021
  • Mark Salisbury
Total
0
Shares
0
0

By allowing their field of vision to span further than the dusty crates towering over Australian hip-hop, Melbourne based group Hi Trax has positioned itself up and over much of the talent down under. Consisting of producer RaptorHandz and rappers Joe Snow and Sinks, the group has experimented with rhythms friendlier to the maelstrom of the Post-Covid dancefloor, employing bass and fun in a way most unbecoming of underground hip-hop. Their latest track and video, “Enter The Food Chain,” released on Scratches Records, continues to apply the same pressure, bringing some choice guests in the form of Leeds, UK’s Dialect and Tasmania’s Wombat. It’s inspiring to see an Aussie group unafraid to dabble in 140bpm, a tempo previously thought to be way too fast to enjoy in the blistering Oceanic heat.

RaptorHandz has made a movie of a beat for “Enter The Food Chain,” dropping dreamy synths over garage-flecked drum patterns before introducing a weighty bass drop and eventually going full choral. The beat recalls the glory days of UK bass while adding something decidedly more Antipodean into the mix, a crunch which sets it apart from flimsier counterparts. All featured emcees are on the warpath here, nurturing friendly but ruthless competition and sparking a feeding frenzy.

Joe Snow ignites proceedings with a flow that skips all over the beat like a drunken master, somehow managing to maintain balance throughout while delivering some killer blows in triplet form. Dialect is something of a grime tour de force, having established his spot as one of the best in the UK. His verse on “Enter The Food Chain” is forcibly stuffed with his trademark antagonistic yet highly intricate delivery and too many quotables for the stenographer to keep track of. “One blow make a man fold like a matchbook/Couldn’t save a man’s soul if I had one/My eyes dem glow like Shang Tsung’s/It’s funny I still ain’t blown like handguns.”

Sinks brings a pouchful of relentless yet deceptively technical flows for his verse, issuing a stern warning to those considering crossing him, and delivering a convincing ultimatum.  With the levels well and truly set, the task is left to Wombat to violently escort us out of the song. Any Tasmanian Devil comparisons would surely be unacceptably lazy writing, but some parallels are undeniable in his general approach to this track. He takes the already punch drunk listener and pummels them about the head with furious anger as a sort of parting gift. “When I diss, cunt, I never miss/I aim from the hip, got the hit, I’m taking the shot like John Wayne.”

The video is a loving homage to '80s arcade games, with all rappers appearing in retro graphic form as level bosses, using their lyrical and supernatural powers to best some poor sucker who pays a couple of dollars to experience crushing defeat. It’s a pixel-perfect Streets of Rage style recreation and complements the track beautifully, lending comic book violence to the overall package, adding some delicate shading and bold action lines. “Enter The Food Chain” is the first track to be released from Hi Trax’s upcoming 6-track EP of the same name, due out November 5 on Scratches Records. Coming out the gates with a smoking posse cut like this only bodes well for the rest of the release, let’s keep the heat going and remember to hydrate. Pre-order the album here.

Connect with Hi Trax: Spotify | Facebook | Instagram

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Australia
  • dialect
  • enter the food chain
  • hi trax
  • scratches records
  • UK
  • Wombat
Mark Salisbury

Previous Article
  • Afrobeats
  • Hip-Hop
  • Indie
  • Music Videos

Aisha Vibes delivers new vibrant single "HALT DEIN MAUL" [Video]

  • November 3, 2021
  • Tayo Odutola
View Article
Next Article
  • Dark Pop
  • Music Videos
  • Pop

Irish alt-pop duo ELKIN showcase their sonic versatility on "Bodies" and "Ghostin"

  • November 4, 2021
  • Malvika Padin
View Article
You May Also Like
View Article
  • Indie
  • Indie Rock
  • Music Videos
  • Synth

Monotronic’s “Photograph” casts a dark, genre-defying spell [Video]

  • December 12, 2025
View Article
  • Ambient
  • Easy Listening
  • Music Videos

Rina Rain releases a prayer for liberation with "Om Tare Tuttare Ture Soha" [Video]

  • December 12, 2025
View Article
  • R&B

Baby Bleu shares a message of healing and hope on "Break Away"

  • December 12, 2025
View Article
  • Music Videos
  • R&B

“Tai Chi” comes to life in Sasha Keable’s bold, intimate visualizer [Video]

  • December 12, 2025
View Article
  • Electronic
  • Music Videos

[Music Video] World News shares vivid visuals for hypnotic track "JELLYFISH"

  • December 12, 2025
Isaiah Wallace
View Article
  • Hip-Hop
  • Mainstage

Isaiah Wallace returns with "Final Destination," a resounding reintroduction driven by growth and clarity

  • December 12, 2025
Rachel Harlow
View Article
  • Indie
  • Music Videos

"Caelina" by Rachel Harlow is a cinematic odyssey through reflection and grief

  • December 12, 2025
James BKS
View Article
  • Drill
  • Hip-Hop
  • Music Videos

James BKS lights a firestorm by fusing Cameroonian bikutsi and drill energy on "Na Na Benz"

  • December 12, 2025
Popular Music
  • “Tai Chi” comes to life in Sasha Keable’s bold, intimate visualizer [Video]
    • December 12, 2025
  • Matt Hansen shines on “COMPASS,” a tender ode to steadfast love
    • December 12, 2025
  • Ryan O’Connell
    Ryan O'Connell displays a chaotic and blissful world on new EP "The Weather's Been Fine"
    • December 12, 2025
  • Max Norton
    Max Norton steps into a brave chapter with fierce anthem "The Wolves"
    • December 12, 2025
  • Isaiah Wallace
    Isaiah Wallace returns with "Final Destination," a resounding reintroduction driven by growth and clarity
    • December 12, 2025
Recent Scoops
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
  • Winter Music Conference returns to Miami Music Week with new home for 2026
    • November 6, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.