EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Alternative R&B
  • Indie
  • R&B
  • Soul

Myles Cameron paints the world blue on 'Black Boys Look Blue'

  • October 1, 2021
  • John Peterson
Total
0
Shares
0
0

After releasing a strong run of leadup singles, Myles Cameron finally unveils his third and final EP Black Boys Look Blue today, his most thorough and accessible body of work yet in his young career.

From the frantic opening notes of "The Blue," you can tell the project is different from Cameron's previous work.  Frankie Scoca's tense and cinematic production sets the tone for a disarming rollercoaster of conflicting emotions that perfectly encapsulates the experience of being a young adult in the rocky post-covid climate.  Visually inspired by 'Moonlight', the project juxtaposes calming summer love and vibes set against the turbulent backdrop of racial injustice in America.  "Who am I to you, America" Cameron asks on the powerful concluding track "Enter The Blue," a track that bitingly acknowledges the differential treatment among races that still exists in this country.  It's a project that doesn't shy away from these grandiose issues while never beating the listener over the head with them.  Subtle and still extremely powerful, that's the magic of Myles Cameron working on all fronts.   

Cameron had to say of the project, “Black Boys Look Blue is about breaking free. It’s my most fully realized body of work. It’s the sound of 'I’m ready to do this for real. I’m a professional artist, now give me my money so I can take this to the moon.'”  It's a confident statement coming from an artist who absolutely should have all the confidence in the world after consistently winning over fans since 2018.  

Closing in on 2 years since his Black Sheep EP released, Cameron has clearly spent his time wisely.  Even more sonically mature than before, the storytelling and subtle nods to the eminently screwed up time in which we live are what make the project pop as well as what make Cameron a generational singer and songwriter.  With less than a two year wait for his next project, it's high time to sit back and enjoy the gorgeous piece of indie R&B that we've been gifted.  

Connect with Myles Cameron:  Spotify | Apple Music | Twitter | Instagram | YouTube 

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Black Boys Look Blue
  • Downtown Kayoto
  • Frankie Scoca
  • Moise
  • Myles Cameron
John Peterson

A&R, artist management, and overall music nerd

Previous Article
  • Hip-Hop

Baby Pikaso shares new single "CAPCOM"

  • October 1, 2021
  • Tayo Odutola
View Article
Next Article
  • Pop
  • R&B

Toronto's Chris Grey offers a glimpse into his mind on "I Should Be Happy"

  • October 1, 2021
  • Malvika Padin
View Article
You May Also Like
Paul Hennessy
View Article
  • Indie
  • Pop

Paul Hennessy turns time into art on "The Cost Of The Escape" [Album]

  • December 22, 2025
Saynt Ego
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Saynt Ego’s “Voices” turns quiet reflection into cinematic power

  • December 22, 2025
David J Boswell
View Article
  • Indie
  • Mainstage
  • Pop

David J Boswell turns uncertainty into art on hypnotic new single “I KNOW WHAT I SAW”

  • December 22, 2025
Neurolapse
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]

  • December 22, 2025
The Venice Kid
View Article
  • Hip-Hop
  • Indie
  • Mainstage
  • Rap

The Venice Kid ushers in a bold new era with “Say Less”

  • December 21, 2025
Zeek Wonderlen
View Article
  • Indie
  • Mainstage
  • Pop
  • R&B

Zeek Wonderlen’s “Seasons” is a smooth R&B reflection on love, loss, and becoming

  • December 21, 2025
View Article
  • Alternative Rock
  • Indie
  • Indie Rock
  • Metal
  • New Music

my point of you & at first, at first join forces on 'Texas, Hold Me' [Split Single]

  • December 20, 2025
View Article
  • Alt-Pop
  • Atmospheric
  • Hyperpop
  • Indie Pop
  • New Music

Pet Owner returns with genre-bending hyperfolk-pop single “After Summer”

  • December 19, 2025
Popular Music
  • Paul Hennessy
    Paul Hennessy turns time into art on "The Cost Of The Escape" [Album]
    • December 22, 2025
  • Saynt Ego
    Saynt Ego’s “Voices” turns quiet reflection into cinematic power
    • December 22, 2025
  • David J Boswell
    David J Boswell turns uncertainty into art on hypnotic new single “I KNOW WHAT I SAW”
    • December 22, 2025
  • Neurolapse
    Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]
    • December 22, 2025
  • The Venice Kid
    The Venice Kid ushers in a bold new era with “Say Less”
    • December 21, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.