EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Folk

Sean J O'Neill returns with the mystifying "I'm Here"

  • May 29, 2020
  • Robin Fulton
Total
0
Shares
0
0

Artists like experimental folk artist Sean J O'Neill don't come along very often. Rare and enigmatic, the boundary-pushing approach to his craft takes it far beyond merely experimental, and into entirely new sonic depths thus far seemingly unexplored. Hailing from Perth, Australia, the most isolated city on the planet, he applies the same sense of solitude to the transformative musical worlds that he creates.

Upon first listen, "I'm Here" comes across like the soundtrack to the tear-jerking closing credits of a lifechanging feature film, a result of the orchestral influence on his music. The track can be looked at as two different passages working cohesively to tell one vibrant story. The first half slowly introduces more and more masterfully placed, yet understated textures, steeped in an ambiance that brings them to life. In his own words in the email press release, he outlines that, "I'm Here" is a "combination of folk, experimental and modern classical music, inviting the audience into uncharted sonic environments where the listener is rewarded with new textural discoveries upon every listen," and it truly is exactly that.

A short interlude that focuses on the subtle nuances of the aforementioned texture builds the track towards a breathtaking crescendo and second passage, where "I'm Here" shines brightest. Jubilant orchestral elements nothing short of jubilant unfurl, adding to already rich, otherworldly atmosphere. The melancholic vocal of the first passage returns to close out the track, and sounds decidedly optimistic, perfectly befitting the sonic wanderlust.

With a release this moving, we're excited to continue the journey that he is taking and can't wait to hear what's next.

"I'm Here" releases May 29th via Lyricom Records.

Connect with Sean J O'Neill: Instagram | SoundCloud

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • I'm Here
  • music from Australia
  • Perth
  • Sean J O'Neill
Robin Fulton

Previous Article
  • Album Reviews
  • Chillout
  • Chillwave
  • Electronic
  • Indie
  • Interviews

Ark Patrol finds his voice in the making of his latest album, 'Geode' [Interview]

  • May 29, 2020
  • Valeria Dulava
View Article
Next Article
  • Indie

Moxie builds momentum in new single "Frank"

  • May 29, 2020
  • Aaron Schmidtke
View Article
You May Also Like
Freeman DeJongh
View Article
  • Folk

Freeman DeJongh delivers soulful reflections in "Can I Live Here Tomorrow"

  • March 10, 2026
View Article
  • Folk
  • Folk Rock
  • Indie
  • Indie Pop
  • Singer/songwriter

Dan Saulpaugh’s “I Waited For You” is the musical art of becoming

  • March 4, 2026
Dotts O'Connor
View Article
  • Acoustic
  • Folk

Dotts O'Connor's "Jodie" EP is a quiet storm that explores freedom and rural reflection

  • March 2, 2026
View Article
  • Folk
  • Folk Rock
  • Indie
  • Music Videos
  • Pop

Ian Cobiella’s “Trial By Fire” is a bold declaration of vulnerability [Video]

  • February 24, 2026
View Article
  • Folk

Alexander Carson shares soothing and cinematic "Corporeal & Complete"

  • February 24, 2026
View Article
  • Alt-Pop
  • Folk
  • Indie
  • New Music

néomí wrestles with doubt from others on new single "Didn't I"

  • February 13, 2026
View Article
  • Folk
  • Folk Rock
  • Indie
  • New Music

Brother duo Basciville wrestle with their demons on "Saintmaking"

  • February 13, 2026
View Article
  • Folk

How East Duo’s Viral Hit 'Chubina' Redefined Georgian Alt-Folk from an iPhone 6 Recording

  • February 12, 2026
Popular Music
  • silent collision chats 'Air Vent Lullabies", Oklahoma and late night moments [Interview]
    • March 10, 2026
  • [Interview] Korean risers LNGSHOT handpicked by Jay Park dive into their sound and how the music icon inspires them
    • March 10, 2026
  • Freeman DeJongh
    Freeman DeJongh delivers soulful reflections in "Can I Live Here Tomorrow"
    • March 10, 2026
  • VÆB push their colorful pop universe forward on “GAMERBOI” [Video]
    • March 10, 2026
  • earmilkfiller00021
    Windrift Band returns with a captivating new single, “Every Notion”, featuring Captain Iron
    • March 10, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.