EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Mainstage

Anna Dellaria knows "Sorry Doesn't Work" anymore [Interview]

  • February 24, 2020
  • Emily Treadgold
Total
0
Shares
0
0

Have you ever gotten into a fight with your s/o, one that drags on forever, and you know you're the guilty party, but all you can do is keep repeating, "I'm sorry" over and over again, and it just doesn't work anymore? That's the sentiment behind Anna Dellaria's latest song "Sorry Doesn't Work," an emotional pop piece that emphasizes her larger-than-life vocals. I caught up with Anna on the phone to talk about what she has in store for this year and getting real with her emotions.

The song's gentle guitar strumming and building melody emphasize the feeling of an escalating argument before it breaks down into the main message. Dellaria's voice really delivers that vulnerability and how she's just aching to make it all better. She says, "I was pretty vulnerable; it's a different perspective of me. We wanted to make a song a little more up-tempo, and I came from the studio from a fight, and I was just constantly saying sorry was no longer working. It was a feeling of helplessness."

"Sorry Doesn't Work" is a far cry from her other songs where she seems to not have a care in the world. This track digs deeper; that's how she keeps her songs fresh. She doesn't want to box herself into one theme. The girl definitely has range. If you've seen her show before she can belt out Beyonce's "Love on Top" without missing a beat and she can do a power ballad like no one else, but when she pulls that dynamic voice away to reveal the touchier subjects, that's when you can see the real artistry.

When it comes to writing, Dellaria delves into her personal life a lot, but she knows that's what her songwriting is for, it's that trust she builds with the audience. Even when something is hard to admit she has to, that's what makes her relatable.

Her upcoming songs deal with a lot of darker subjects. She says family and mental health are at the top of her mind, but she's not nervous about having them released into the world. She explains. "I make the songs for myself, and when I share them, it's always scary. It's a matter of letting go and making each song a moment. When I get nervous, I think about if I can move somebody or connect to another person, then it's worth it."

When we talk about her vulnerability, we touch on self-care, a hot-button issue, especially for musicians. Dellaria knows her mental health is essential. The Los Angeles music scene is fiercely competitive, and it can feel like everyone is better than you.

When she finds herself feeling like giving up, she turns back to her roots. Dellaria shares, "I'll listen to Stevie Wonder's talking book and go back to my roots and listen to songs that make me feel like magic. Singing to me is so magical and emotional. It's the only thing I love with all my soul and more."

Connect with Anna Dellaria: Instagram | Facebook | Spotify

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Anna Dellaria
Emily Treadgold

Previous Article
  • Hip-Hop
  • Rap

Kuniva & Swifty McVay share some memories on "My Why"

  • February 24, 2020
  • Tayo Odutola
View Article
Next Article
  • Indie
  • Jazzhop

King Krule drops three singles for new album 'Man Alive!' [Videos]

  • February 24, 2020
  • Aaron Schmidtke
View Article
You May Also Like
View Article
  • Dance
  • Electronic
  • Feature
  • Interviews
  • Mainstage
  • Tech House

Madam Lola steps into her power on 'Domination Frequency' EP [Interview]

  • February 24, 2026
View Article
  • Electronic
  • Mainstage
  • New Music
  • Pop

Anne Ryan reveals introspective debut EP ‘Invisible Rooms’ [EP Review]

  • February 24, 2026
View Article
  • New Music
  • Pop
  • Singer/songwriter

Helen Mac emerges stronger than ever on new album ‘Precipice’ [Album Review]

  • February 24, 2026
View Article
  • Alternative Rock
  • Indie Rock
  • Mainstage
  • New Music
  • Post-Punk

Cola announces 3rd studio album with "Hedgesitting" [Video]

  • February 24, 2026
View Article
  • Alternative
  • Indie
  • Indie Rock
  • Psych-rock
  • Psychedelic

Suspended in the aftermath: LANDROID’s "Hank the Dragon" faces love without answers

  • February 24, 2026
View Article
  • Folk
  • Folk Rock
  • Indie
  • Music Videos
  • Pop

Ian Cobiella’s “Trial By Fire” is a bold declaration of vulnerability [Video]

  • February 24, 2026
View Article
  • Alt-Pop
  • Dreamwave
  • Indie
  • Indie Pop
  • Indie Rock
  • Pop
  • Shoegaze

Aiming through the glass: Mel Denisse’s haunting ode to beautiful isolation with "aiming alone"

  • February 24, 2026
View Article
  • Folk

Alexander Carson shares soothing and cinematic "Corporeal & Complete"

  • February 24, 2026
Popular Music
  • Suspended in the aftermath: LANDROID’s "Hank the Dragon" faces love without answers
    • February 24, 2026
  • Helen Mac emerges stronger than ever on new album ‘Precipice’ [Album Review]
    • February 24, 2026
  • Ian Cobiella’s “Trial By Fire” is a bold declaration of vulnerability [Video]
    • February 24, 2026
  • Aiming through the glass: Mel Denisse’s haunting ode to beautiful isolation with "aiming alone"
    • February 24, 2026
  • [Interview] WHIB chats 'The 1st Mini Album : ROCK THE NATION,' experimenting with their craft and more
    • February 24, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.