EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Hip-Hop
  • Mainstage
  • Soul-Hop

Choosey & Exile take us through a cultural upbringing on 'Black Beans'

  • April 2, 2019
  • Craig Jones
Total
0
Shares
0
0

It's been 4 years since Choosey premiered his debut tape via Dirty Science. The album, titled Left Field, was met with the sort of hushed excitement that accompanies most well-executed lyrical, soul-based boom bap hip-hop tapes. Since then, we've not heard much from the LA-based rapper and producer—a remix here, a featuring verse there, but nothing solid. Black Beans shows that despite his silence, Choosey has been working.

As a rapper who also produces, Choosey didn't trust this tape with just any producer, he collaborated with the soul-chopping legend Exile to produce the soundscapes across the duality of his subject matter.

The album's duality lies in Choosey's cultural upbringing—a house he shared with his Mexican father and black mother and manifests itself in the production as well as the lyrics. This ambivalence inspires a story that does more than just paint a picture of his upbringing. The stories allow Choosey a means of tackling a larger commentary on stereotypes and ignorance. The line, "I'm a mix of enchiladas and friend chicken" is only the tip of the iceberg when it comes to building a larger narrative.

The album's production takes the lyrics one step further by blending the sounds of LA, soul, and Chicano into one well-packaged project—a seemingly impossible task to most. The album welcomes us with the familiar strings of Darondo's "Didn't I" before merging the hot summer sounds of LA with the spicy brass of Chicano. The album is lined with familiar samples from across these genres to produce an "at home" feeling that invites the listener further into the project.

This cross-culture marriage of sounds and subject matter pleads for acceptance and understanding without coming off as a lecture in the subject. It's refreshing, it's well-executed, and it should be quietly celebrated as another sample-based album that excelled in nearly every way.

Connect with Choosey: Soundcloud | Twitter

Connect with Exile: Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Black Beans
  • Choosey
  • Choosey & Exile
  • exile
Craig Jones

Scientist who probably spends more time dissecting music than his flawed research methods.

Previous Article
  • Afro Funk

DaRe & Tim Lyre take listeners through an intergalactic journey with 'inDigo.' EP

  • April 2, 2019
  • Tommy Monroe
View Article
Next Article
  • Dance
  • Future Bass

In "Hindsight", we should have seen Madison Park coming in hot with her fiery debut

  • April 2, 2019
  • Vivian Lin
View Article
You May Also Like
View Article
  • Indie
  • Mainstage
  • Pop

BoierMusic’s “How Can I Reach You” turns vulnerability into a universal love anthem

  • December 26, 2025
View Article
  • Feature
  • Interviews
  • Mainstage
  • Pop
  • R&B
  • Uncategorized

Estelle on Stay Alta, Embracing Transformation, and entering a new, purposeful Era [Interview]

  • December 24, 2025
Saynt Ego
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Saynt Ego’s “Voices” turns quiet reflection into cinematic power

  • December 22, 2025
David J Boswell
View Article
  • Indie
  • Mainstage
  • Pop

David J Boswell turns uncertainty into art on hypnotic new single “I KNOW WHAT I SAW”

  • December 22, 2025
Neurolapse
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]

  • December 22, 2025
The Venice Kid
View Article
  • Hip-Hop
  • Indie
  • Mainstage
  • Rap

The Venice Kid ushers in a bold new era with “Say Less”

  • December 21, 2025
Zeek Wonderlen
View Article
  • Indie
  • Mainstage
  • Pop
  • R&B

Zeek Wonderlen’s “Seasons” is a smooth R&B reflection on love, loss, and becoming

  • December 21, 2025
View Article
  • Electro Pop
  • Interviews
  • Mainstage
  • New Music

"It felt like we were hanging out with our big brothers": Milk & Bone on their Chromeo-produced EP, 'A Little Lucky' [Interview]

  • December 20, 2025
Popular Music
  • [Interview] Bryan Chase chats teaming up with Sik-K and CAMO on "Flaunt It," new EP 'GRANTED' and more
    • December 27, 2025
  • [Interview] OX:N dive into 'SWAY,' carving a sonic identity as a sub-unit and their creative process
    • December 26, 2025
  • [Interview] Billlie chat Korea Spotlight 2025 appearance, ARrc collaboration and other memorable moments
    • December 27, 2025
  • [INTERVIEW] FIFTY FIFTY dives into new project 'Too Much Part 1,' going viral and staying creatively motivated
    • December 26, 2025
  • Chloe Mayse unfurls love in all forms on 'Dear Love…'
    • December 27, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.