EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Drumstep
  • Dubstep
  • Electronic

Sullivan King stomps in with 'The Demented' EP on Kannibalen Records

  • January 31, 2019
  • Lennon Cihak
Total
0
Shares
0
0

The dark and demented infusion of dubstep and heavy metal that Sullivan King has produced has shaken the ground around the world. The Demented EP on Kannibalen Records sonically proves Sullivan King's heavy metal and dubstep blend is ground-shaking and powerful.

The show-stopping, four track EP kicks off Sullivan King's 2019 on a strong note. The entire EP features his iconic sound, but newer styles and flavors are sprinkled throughout. The Demented opens with "The Demented." Like most King pieces, it takes no time jumping in head first. Furthermore, King utilizes the perfect blend of silence to jump start the drop. The Demented moves into "Lie," a similar pace and feel to "The Demented" but features a much more simplistic drop. "Show Stopper" featuring Grabbitz stops the show with King's classic dubstep sound with a modernized sound set. Lastly, this fiery EP is closed out with a calmer, unplugged version of King's "Don't Care." 

Connect with Sullivan King:SoundCloud|Facebook|Twitter|Instagram 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Grabbitz
  • Kannibalen Records
  • Sullivan King
Lennon Cihak

Entertainment media professional specializing in music journalism, podcast production, and music production/distribution. Through podcasts, social media, and featured articles on critically acclaimed online publications, my work has reached over 40 million readers around the globe increasing fan engagement and brand awareness.

Previous Article
  • R&B
  • Soul

Witness the restrained power that is Amahla on "Dorothy's Verses"

  • January 31, 2019
  • James Schiff
View Article
Next Article
  • Hip-Hop
  • Music Videos

TOBi turns pain into power with his latest video "City Blues"

  • January 31, 2019
  • James Schiff
View Article
You May Also Like
View Article
  • Dance
  • Electronic
  • Music Videos
  • Pop

Zorza enters debut album era with new single and video for "Haunted"

  • July 10, 2026
View Article
  • Electronic
  • Electronic
  • Experimental
  • Folk
  • Mainstage
  • New Music

Loma Suyo’s “Colibri” drifts between fragility and force in a spellbinding sonic journey

  • July 10, 2026
View Article
  • Dance
  • Electronic
  • New Music
  • Pop
  • Uncategorized

Anie asserts her boundaries on “LoverGRR’’

  • July 9, 2026
View Article
  • Electronic
  • Pop

ORKID dives into grief with an undertone of hope on 'In All Of My Tomorrows'

  • July 8, 2026
View Article
  • Electronic

Shub shares a celebration of culture on 'Heritage (Part Two)'

  • July 8, 2026
View Article
  • Dance
  • Electronic

ZUSO shares a melodic, emotive and quietly building new project self-titled "ZUSO"

  • July 8, 2026
View Article
  • Atmospheric
  • Mainstage
  • New Music
  • Pop

Firerose’s “Love Knows How” finds beauty in the aftermath of healing and rebuilding [Video]

  • July 7, 2026
View Article
  • Electronic

Lon3! shares genre-bending offering "YOU’RE A SLAVE TO MONEY THEN YOU DI3"

  • July 6, 2026
Popular Music
  • MaYeN blends introspection and ambition on 'Nothing To Prove'
    • July 10, 2026
  • Deakxn pairs immersive production with bold lyricism on 'One-8hunnid-Crank'
    • July 10, 2026
  • Island rhythms meet California vibes: Beenie Man and Snoop Dogg are joined by top artists on “For You”
    • July 10, 2026
  • Bijou Belle shares swoon-tastic alt pop anthem "Blind Crush"
    • July 10, 2026
  • Zorza enters debut album era with new single and video for "Haunted"
    • July 10, 2026
Recent Scoops
  • Multi-national record label Cheerful Music appears at AI Summit London panel
    • July 7, 2026
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.