EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Alternative
  • Feature
  • Indie
  • Indie Pop
  • Premiere

Somebody's Child re-evaluates a toxic relationship in "Toes" [Premiere]

  • January 17, 2019
  • Tanis Smither
Total
0
Shares
0
0

Newcomer Somebody's Child has made waves in his native Ireland recently with his debut single. Now he releases his sophomore track "Toes", which deals with toxicity in relationships. 

Somebody's Child nabbed Ross Dowling, who has produced for Indie staples like James Vincent McMorrow and Talos for "Toes." The production spins classic indie pop on its head and gives it a washed out ambience that is more reminiscent of jump-until-you-drop alt-rock than anything else.

“The song is about being in a controlling relationship," the singer says. "[It's about] knowing what needs to change, and finding the courage to stand up for oneself and going after what you really want despite what people may think or say about you.” The Irish singer/songwriter's lyrics and the subject matter give the upbeat, sun-soaked indie-pop a necessary gravitas, while minimalist guitar and the singer's infectious rasp create a nice juxtaposition in the track itself. You'll want to turn the volume up on this one. 

Connect with Somebody's Child: Spotify | Twitter | Facebook

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Somebody's Child
Tanis Smither

Constantly snacking. Canadian import based in Dublin. Indie editor.

Previous Article
  • Psych-rock
  • Rock

Soak up Sun K's ideal summer in "High In The City"

  • January 16, 2019
  • Chloe Robinson
View Article
Next Article
  • Hip-Hop
  • Music Videos
  • Rap

Lateef The Truth Speaker is at the forefront of the "Class War" with Gift of Gab and Lyrics Born on his side

  • January 17, 2019
  • Tayo Odutola
View Article
You May Also Like
View Article
  • Indie
  • Indie Pop
  • Interviews
  • Mainstage
  • New Music

Luna Day turns teenage heartbreak into a cinematic indie pop journey on 'Hostage of the Heart' [Interview]

  • July 17, 2026
View Article
  • Folk
  • Glitch
  • Mainstage
  • New Music

MEGGO builds a world of colliding textures on 'eavesdropper ;; the crash' [EP Review]

  • July 17, 2026
View Article
  • Blues
  • Indie
  • New Music

All Night Boogie Band deliver a road-tested blend of Blues, Soul, and Rock on 'Shut Your Eyes and See' [Album Review]

  • July 17, 2026
View Article
  • Indie Pop
  • Interviews
  • Mainstage
  • New Music

Ally Salort opens up about growth, inspiration, and her new EP 'Isn’t It Sweeter?' [Interview]

  • July 17, 2026
View Article
  • Indie

Montello embrace uncertainty on "The Universe Replied…"

  • July 17, 2026
View Article
  • Indie

Heavy Weather usher in a bold new chapter with "White Noise"

  • July 17, 2026
View Article
  • Indie Pop
  • Mainstage
  • New Music

Matteson Gregory kicks off 'You Can Call Me Mattie: Season One' with cinematic single "Drive"

  • July 17, 2026
View Article
  • Dance
  • Electronic
  • Indie

Enamour and SAM SHI capture chemical tension on "What U Said" via Crosstown Rebels

  • July 17, 2026
Popular Music
  • MEGGO builds a world of colliding textures on 'eavesdropper ;; the crash' [EP Review]
    • July 17, 2026
  • Ally Salort opens up about growth, inspiration, and her new EP 'Isn’t It Sweeter?' [Interview]
    • July 17, 2026
  • Luna Day turns teenage heartbreak into a cinematic indie pop journey on 'Hostage of the Heart' [Interview]
    • July 17, 2026
  • Betty Moon traces the journey from grief to acceptance on "A Taxi Ride"
    • July 17, 2026
  • Heavy Weather usher in a bold new chapter with "White Noise"
    • July 17, 2026
Recent Scoops
  • Multi-national record label Cheerful Music appears at AI Summit London panel
    • July 7, 2026
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.