EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Feature
  • Mainstage
  • R&B
  • Soul

#WomenCrushWednesday Volume 003: Mahalia

  • March 28, 2018
  • Jason Heffler
Total
0
Shares
0
0

While they are damn inspiring, you don't have to be a civil rights leader or cancer survivor to be featured in this series. Sometimes an artist possesses so much raw talent that they just can't be ignored. Such is the case with Mahalia, the English vocalist making waves for her velvety pipes and proclivity for wearing her heart on her sleeve with every song she releases.

Let's start with her song "Sober." The track is a wolf in sheep's clothing, a brash middle-finger to an ex-boyfriend camouflaged in a silky R&B backbone. When singing about such a topic, lots of artists tend to sound whiny and even petulant, but Mahalia does it with such a phlegmatic stoicism that you know she's telling the truth when she croons "Though I know it's no ones fault / If I've learned anything at all / With us, no matter how I add it up / One plus one is none." The video is just as brilliant as the single, channeling throwback 90's R&B vibes with its dark, kaleidoscopic hues and angsty zoom-ins. It's like The Fresh Prince of Bel-Air meets Brandy's "I Wanna Be Down" video, plus irritatingly relatable allusions to drunk-texting and the nauseating regret that follows.

What makes Mahalia so special is the range of genres her voice applies to. You could hear pop, soul, R&B, electronic, or a hodgepodge of all the above, and her voice would still fit perfectly, like the final piece of a Jackson Pollock puzzle. In a day and age where singers pigeonhole themselves into one genre with the hopes of dominating it, this chick has the audacity to branch out and influence each one she touches. One day she's singing dreamily as she adroitly plucks along to her acoustic ballad "Marry Me," the next she's belting out soul serenaded by the illustrious horns of Rudimental.

Here's the "are you kidding me?" moment – Mahalia started making music at the age of 12 before signing a major record deal a mere year later. That's right – she signed to Atlantic when she was 13-years-old, thanks in part to a serendipitous tweet from Ed Sheeran.

let me introduce you the amazing talent of @MahaliaMusic – https://t.co/P8gH20Id

— Ed Sheeran (@edsheeran) July 9, 2012

However, don't go thinking she is some flash in the pan twerp that rode on the coattails of a fluky happenstance. Sheeran's tweet was spot on when he introduced the Twitterverse to the "amazing talent" of the young Mahalia, who, armed with nothing but an acoustic guitar and an oversized beanie, performed a stupefying stripped down version of her original song "Let The World See The Light." Everything is more fascinating in retrospect, and the clip serves as an arresting glimpse into the barebones talent of a truly gifted artist who is blossoming before our eyes.

Connect with Mahalia: Facebook | Twitter | SoundCloud | Instagram

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • #WCW
  • #WomenCrushWednesday
  • Ed Sheeran
  • Mahalia
  • Rudimental
Jason Heffler

E: jason@earmilk.com

Previous Article
  • Indie

Queen of Jeans show us 'Dig Yourself' a few days early [Album Stream]

  • March 28, 2018
  • Kevin Cortez
View Article
Next Article
  • Mainstage
  • Premiere
  • Techno

Dysart serves up a Crazy Delicious EP on Kneaded Pains [Premiere]

  • March 28, 2018
  • Amy Fielding
View Article
You May Also Like
View Article
  • Indie
  • Pop
  • R&B
  • Soul

Misha and BeMyFiasco’s quiet R&B revolution in “Back to Myself”

  • January 23, 2026
View Article
  • Afrobeats
  • Indie
  • R&B
  • Soul

Omah Lay's "Waist" is a mesmerizing sonic and visual journey [Video]

  • January 23, 2026
Olina
View Article
  • Mainstage

Olina find strength in softness and emotional honesty in new EP “By The Book”

  • January 22, 2026
Ananda Xenia Shakti
View Article
  • Mainstage
  • Uncategorized

Ananda Xenia Shakti blends devotion and fearlessness on immersive new single “The Perfumed Garden”

  • January 22, 2026
Jeff Vidov
View Article
  • Mainstage
  • Pop

Jeff Vidov blends latin fire and rock energy on new single “Take a Ride”

  • January 22, 2026
Jessi Robertson
View Article
  • Mainstage

Jessi Robertson reimagines emotion on “Shadow War: Singularity”

  • January 22, 2026
View Article
  • Hip-Hop
  • Mainstage
  • New Music
  • Reggae
  • Soul

Danitsa brings heart and groove in new single "Miss Yo” featuring Béesau [Video]

  • January 21, 2026
Vilamoura
View Article
  • Mainstage

Vilamoura define their sound with explosive new single “Lost”

  • January 21, 2026
Popular Music
  • Misha and BeMyFiasco’s quiet R&B revolution in “Back to Myself”
    • January 23, 2026
  • Lucas Burn releases cinematic rap single "Uncertain"
    • January 23, 2026
  • Electronic music falls in love again in Donna Lewis and David Lowe’s “Meet Me”
    • January 23, 2026
  • Tallisker teams up with Umut Timur for international hit "GAZOLE"
    • January 23, 2026
  • Omah Lay's "Waist" is a mesmerizing sonic and visual journey [Video]
    • January 23, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.