EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance

Opal brings us back to the dancefloor with "SPACEPILOT"

  • January 19, 2017
  • Jahn Parker
Total
0
Shares
0
0

[soundcloud url="https://api.soundcloud.com/tracks/298989274" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

Sometime back in July or August of last year, I was low-key invited to a “social experiment” by none other than Fake Uzumi, one of the fastest rising DJ’s to come out of  VA’s 757 area code since…well…ever? I say low-key because in no way was this a personal invitation; the mixologist simply posted a notice on his Instagram the day of said experiment to which I reached out to promptly enough to receive a response.

At this point, Uzumi had been making waves for about a year and some change with his unique blend of trap music, jazz, electronic and new school R&B. All made popular through Traptastic, a venue-bouncing dance party where he and other upcoming native DJ’s had a residency. Uzumi was still coming down off of the hype of “France”, a minimalist, yet bouncy two-stepper that was produced for the enigmatic Opal.  A renaissance woman of sorts, her light and airy interpretation of a French-Woman brought a quirkiness, unlike anything that I’d recently heard from an American female vocalist. The track is still getting spins over dancefloors locally, up to DC and even overseas in, where else – France.

[soundcloud url="https://api.soundcloud.com/tracks/266359890" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

But, I digress. Within an hour I’m on the 757’s southside about to walk into an apartment where I knew absolutely no one. And this was the experiment; a listening party, where about 20 people stood or sat in a 980 sq ft flat and no one, save for maybe the 5 people including the hosts, Opal and Uzumi, knew the person standing next to them. It was a beautifully executed way to test the sounds the duo had been brewing since the success of “France”. As tight and slightly awkward the space was, it was the perfect kind of listening party.  Beers were cracked, blunts were passed and everyone was chill.

They wanted us to help them decide which song to release as their next single, and out of nine tracks (one of which featured a very special DMV talent whose name I won’t mention for ethical purposes), about four were chosen as possibles. The up-tempo,  Bambataa-esque, breakbeat inspired  “SPACEPILOT” was one of those records.

Connect with Opal D: Instagram
Connect with Fake Uzumi: Twitter | Soundcloud

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • 757
  • Fake Uzumi
  • Opal
  • Traptastic
Jahn Parker

Previous Article
  • Dance
  • Rhythmic Pop

Get acquainted with Alex Mills and her "Be Somebody" debut on Ultra

  • January 19, 2017
  • Steph Evans
View Article
Next Article
  • Hip-Hop

Stro exudes a cool confidence on "Freestyle 367"

  • January 19, 2017
  • James Schiff
View Article
You May Also Like
View Article
  • Dance
  • Indie
  • Music Videos
  • Pop

Dom Jones paints the town velvet blue in "The Blacker Berry" [Video]

  • February 6, 2026
View Article
  • Alternative R&B
  • Jazz Fusion
  • Mainstage
  • New Music
  • Soul

Charlotte Day Wilson lets instinct lead on 'Patchwork' [EP Review]

  • February 6, 2026
Avery Strayer
View Article
  • Electronic
  • Indie
  • Mainstage
  • New Music
  • Pop

Avery Strayer faces the dark calm of fear on haunting new single “Siren Song”

  • February 6, 2026
View Article
  • Dance
  • Electronic
  • Hip-Hop
  • Indie
  • Mainstage
  • Music Videos
  • New Music
  • Pop
  • R&B

EARMILK's 2026 Artists to Watch

  • February 5, 2026
View Article
  • Feature
  • Festival
  • Mainstage

Insomniac & OFF2 Bring Lost In Dreams to Canada for the first time with Vancouver debut

  • February 4, 2026
View Article
  • Electronic
  • Mainstage
  • Tech House

Tokyo standout Saeri ignites the dancefloor with “Hold The Flame”

  • February 4, 2026
Cosmic Canna Beats
View Article
  • Feature
  • Hip-Hop
  • Indie
  • Mainstage
  • New Music
  • Pop

Cosmic Canna Beats explores quiet emotion on ambient instrumental “COME BACK WHEN YOU’RE READY”

  • February 4, 2026
View Article
  • Dance
  • Electronic
  • Events Stage
  • Festival

Boomtown unveils huge second wave for 2026 with DJ EZ, Folamour, VTSS, SBTRKT and more!

  • February 3, 2026
Popular Music
  • PAULA T
    PAULA T breaks the silence on self-repression with the bold, honest energy of “Sugar Tits”
    • February 7, 2026
  • Nicole Issa
    Nicole Issa confronts emotional gravity on her new single “Shadow”
    • February 7, 2026
  • AVARA's vibrant pop anthem "don't you wait" takes over Instagram
    • February 6, 2026
  • No Love For The Middle Child finds a sense of balance on new single "Ash On The Floor"
    • February 6, 2026
  • Charlotte Day Wilson lets instinct lead on 'Patchwork' [EP Review]
    • February 6, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.