EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance

Opal brings us back to the dancefloor with "SPACEPILOT"

  • January 19, 2017
  • Jahn Parker
Total
0
Shares
0
0

[soundcloud url="https://api.soundcloud.com/tracks/298989274" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

Sometime back in July or August of last year, I was low-key invited to a “social experiment” by none other than Fake Uzumi, one of the fastest rising DJ’s to come out of  VA’s 757 area code since…well…ever? I say low-key because in no way was this a personal invitation; the mixologist simply posted a notice on his Instagram the day of said experiment to which I reached out to promptly enough to receive a response.

At this point, Uzumi had been making waves for about a year and some change with his unique blend of trap music, jazz, electronic and new school R&B. All made popular through Traptastic, a venue-bouncing dance party where he and other upcoming native DJ’s had a residency. Uzumi was still coming down off of the hype of “France”, a minimalist, yet bouncy two-stepper that was produced for the enigmatic Opal.  A renaissance woman of sorts, her light and airy interpretation of a French-Woman brought a quirkiness, unlike anything that I’d recently heard from an American female vocalist. The track is still getting spins over dancefloors locally, up to DC and even overseas in, where else – France.

[soundcloud url="https://api.soundcloud.com/tracks/266359890" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

But, I digress. Within an hour I’m on the 757’s southside about to walk into an apartment where I knew absolutely no one. And this was the experiment; a listening party, where about 20 people stood or sat in a 980 sq ft flat and no one, save for maybe the 5 people including the hosts, Opal and Uzumi, knew the person standing next to them. It was a beautifully executed way to test the sounds the duo had been brewing since the success of “France”. As tight and slightly awkward the space was, it was the perfect kind of listening party.  Beers were cracked, blunts were passed and everyone was chill.

They wanted us to help them decide which song to release as their next single, and out of nine tracks (one of which featured a very special DMV talent whose name I won’t mention for ethical purposes), about four were chosen as possibles. The up-tempo,  Bambataa-esque, breakbeat inspired  “SPACEPILOT” was one of those records.

Connect with Opal D: Instagram
Connect with Fake Uzumi: Twitter | Soundcloud

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • 757
  • Fake Uzumi
  • Opal
  • Traptastic
Jahn Parker

Previous Article
  • Dance
  • Rhythmic Pop

Get acquainted with Alex Mills and her "Be Somebody" debut on Ultra

  • January 19, 2017
  • Steph Evans
View Article
Next Article
  • Hip-Hop

Stro exudes a cool confidence on "Freestyle 367"

  • January 19, 2017
  • James Schiff
View Article
You May Also Like
Christine Sako
View Article
  • Feature
  • Hip-Hop
  • Indie
  • Mainstage
  • Pop

Junior levels up nashville hip-hop with hard-hitting new single "Mo Money"

  • January 5, 2026
Joe Andolino
View Article
  • Indie
  • Mainstage
  • Pop

Joe Andolino stares into the unknown on “Empty Eyes,” a progressive rock journey of mood and motion

  • January 5, 2026
Zander, an American
View Article
  • Feature
  • Hip-Hop
  • Indie
  • Mainstage
  • Pop
  • Rap

Zander, an American delivers a compelling six-track EP with "PROJECT 2025"

  • January 5, 2026
View Article
  • Events Stage
  • Exclusive
  • Festival
  • Interviews
  • Mainstage
  • Rap

EARMILK Chats Episode 25 Navy Blue

  • January 2, 2026
View Article
  • Events
  • Events Stage
  • Festival
  • Mainstage

Taverne Tour returns to Montréal for its 10th anniversary

  • January 2, 2026
Marloma
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

Marloma’s “Win” turns vulnerability into strength for a new generation of women

  • January 1, 2026
View Article
  • Indie
  • Mainstage
  • Pop
  • Reggae

Captain Iron rings in hope with “New Year’s Resolution,” a joyful 2026 call for collective care

  • January 1, 2026
Katie Belle
View Article
  • Indie
  • Mainstage
  • Pop

Katie Belle’s “People Pleaser” pulls back the curtain on growth, grit, and self-discovery

  • January 1, 2026
Popular Music
  • Christine Sako
    Junior levels up nashville hip-hop with hard-hitting new single "Mo Money"
    • January 5, 2026
  • Joe Andolino
    Joe Andolino stares into the unknown on “Empty Eyes,” a progressive rock journey of mood and motion
    • January 5, 2026
  • Zander, an American
    Zander, an American delivers a compelling six-track EP with "PROJECT 2025"
    • January 5, 2026
  • Cold Engines deliver empowering and groovy track "Confident Woman"
    • January 5, 2026
  • Indent combines lo-fi, slowcore, and way more on "a canon event" [EP]
    • January 2, 2026
Recent Scoops
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.