EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Hip-Hop
  • Rap

Hannibal King bares everything on 'Don't Die' [LP]

  • April 6, 2016
  • James Elliott
Total
0
Shares
0
0

During the weeks leading up to the release of Don't Die, Hannibal King seemed to epitomize the idea of a troubled artist in the midst of intense personal growth. He was not the stereotypical depressed vagabond minstrel, hoping to illicit a response through his pain or creative melancholy; rather, he returned from the desolate place of doubt and low self-esteem, to remind listeners that life can get better and you must never waver in your belief that you can make it. This notion is one of the reasons why "Don't Die," the title track, and "Wedding Cake" are so powerful—there is a yearning to move past small roadblocks and a message of perseverance. 

Don't Die is finally here in full, and if feels like an album that Hannibal really needed to release. The twelve track project delves into various aspects that consume the lives and minds of maturing creatives: love ("Wedding Cake"), indifference ("iungiveafuck"), growth ("Journey"), and death ("R.I.P."). Unlike his previous LP, Floral Print, Don't Die is not a collection of loose tracks that sound good, with features from some of Hannibal's friends, but rather a fully fleshed out theme and intimate. 

Hannibal continues to shine brightest as a producer, which helps make Don't Die a truly enjoyable experience. "Pull Up" is one of the best songs on the album, thanks to the unpredictable production and beautiful organ playing, reminiscent of lobby or elevator music. The keys are not necessarily grand sounding, but feel comfortable and ready to break at any given moment. Hannibal shows a different side of his talent on "iungiveafuck," with its fast paced rhythm and "tear the club up" attitude. "Larry Sanders" is another unorthodox beat, but once again works out really well. Thelonious Martin, Swelly, SuprChnk, and Big Jerm all provide production as well, which gives the tape a nice varied sound. 

Although Hannibal's production is his primary skill, his rhyming has developed since his last release. He goes toe-to-toe with World's Fair's Nasty Nigel on "Wedding Cake," happily commits manslaughter on "Intro (Unapologetic)", and enthusiastically shares the gospel of determination on "Don't Die." During the entire thirty four minute project, corny lines and sorry rhymes only appear in small number, typically before a spectacular line .It should be noted that this guy Bub Styles, who raps alongside Hannibal on "iungiveafuck" and "Man's World" delivers two solid verses; his voice has a raspy tenor to it that compliments Hannibal so well and he brought a ton of energy every time he touched the microphone. 

Overall Don't Die is a solid outing and fans of New York hip-hop should not miss out. Hannibal is growing and getting better as a musician, and this feels like the beginning of something special. Definitely check it out below.

Connect with Hannibal King on: Soundcloud | Twitter | Facebook

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Hannibal King
  • Mixtape
James Elliott

Previous Article
  • Ambient
  • Experimental

Julianna Barwick teams with Mas Ysa for new track, "Same"

  • April 6, 2016
  • Mike Waite
View Article
Next Article
  • Dance
  • Electro House
  • Feature
  • Garage House (Dance)
  • Hardstyle
  • House
  • Lists
  • Mainstage
  • Techno

A lesson in sample history: the evolution of Game's "U Turn Me On"

  • April 6, 2016
  • Steph Evans
View Article
You May Also Like
View Article
  • Rap

Rapper Trippychidi sways between chaotic and cinematic on 'Arkham'

  • March 9, 2026
View Article
  • Alternative
  • Ambient R&B
  • Indie
  • Interviews
  • Mainstage
  • New Music

Inside the lush, intimate world of Arima Ederra’s 'A Rush To Nowhere' [Interview]

  • March 6, 2026
View Article
  • Chillout
  • Folk Rock
  • Indie
  • Pop
  • Reggae

Todd Carey, Kash'd Out and G. Love & Special Sauce create intoxicating and breezy new single "LFG"

  • March 6, 2026
View Article
  • Mainstage
  • Music Videos
  • R&B

Step into a daydream with “hopeless romantic” by kwn [Video]

  • March 6, 2026
Cosmic Canna Beats
View Article
  • Electronic
  • Hip-Hop
  • Indie
  • Pop

Cosmic Canna Beats finds meaning in sound with the reflective instrumental album "THIS FOUND YOU FOR A REASON"

  • March 5, 2026
View Article
  • Hip-Hop
  • Rap

AL99 shares dynamic new album 'ELEVATE'

  • March 5, 2026
View Article
  • Alternative R&B
  • Interviews
  • Jazz
  • Soul

Walking toward the light: Dominique Fils-Aimé’s journey through 'My World Is The Sun' [Interview]

  • March 4, 2026
View Article
  • Future R&B

Bonnie Freechild explores the depth, vulnerability and sensuality of womanhood in powerful new EP "Aftertaste"

  • March 4, 2026
Popular Music
  • [Interview] Japanese boy group KID PHENOMENON chat upcoming SXSW performance as they rise from Tokyo onto the world stage
    • March 9, 2026
  • Rapper Trippychidi sways between chaotic and cinematic on 'Arkham'
    • March 9, 2026
  • Irene Skylakaki
    Irene Skylakaki turns the heat up with “Hell”
    • March 9, 2026
  • Bookend
    Bookend introduces a melancholic groove with debut single, “30 Degrees”
    • March 9, 2026
  • Amava
    Amava shares a dark electronic pulse with her new single "Souvenir"
    • March 9, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.