EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Dub
  • Feature
  • House
  • Interviews
  • Tech House
  • Techno

Boo Williams gives The Jaydes a tech dub rework on 'Area 89' EP [Premiere + Q&A]

  • March 21, 2014
  • Steph Lee
Total
0
Shares
0
0

A series of jam sessions led to the official collaboration of Berlin-based veterans, Bloody Mary and Attan, who debuted earlier this year with a self-titled retro romp in vintage analog gear. The LP’s first remix release is a killer rework of “Area 89” from Chicago house legend, Boo Williams. A supple, deeply swinging track, the original finds a drowsiness with Bloody Mary’s pouty whisper, and a dynamic edge with breaks and acid lines. Boo Williams takes this slight squelch and throws it into the kiln, jolting “Area 89” into an incendiary synth-stammer, stripped down and flooding with rubbery mania.

 

Considering they’ve been around all along – or even credited with creating the scene, in Boo’s case – The Jaydes and Boo Williams are less remaking retro sounds here than relishing in their own tastes. Though most of us never partied after-hours at a 19+ juice bar in Chicago (no alcohol meant no close time), Area 89 EP, gives a nectarous sip of the ‘80s and ‘90s energy that only some can still brew straight.

 

Stream the tracks below, and get a quick plug-in to The Jaydes' "addiction to vintage gear and sounds," before the EP drops vinyl/digital March 24 on Bloody Mary's own Dame-Music.

 

      Area-89--EM0314
Stream:The Jaydes – Area 89

      Area-89-(Boo-Williams-Tech-Dub-Remix)--EM0314
Stream:The Jaydes – Area 89 (Boo Williams Tech Dub Remix)

 

EARMILK: You’re both French natives, “hardware collectors,” and now call Berlin home. Tell us how you came together. What makes you especially suited collaborators?
The Jaydes: We met for the first time in London but it is only when Seb moved to Berlin three years ago that we became very close friends. As we are both “Hardware collector” and we have the same passion for music we started to look for a studio together. Nothing made us especially suited collaborators, we guess it just happened during our jamming sessions. That’s how “The Jaydes” was born.

 

EM: Berlin seems to have become a hot media topic. The NY Times and Rolling Stone both ran features this year on the city’s gentrification and music scene – and not much to its favor. As Berlin based artists and long time residents, give us your portrait of the city. What are some of your favorite things about it?
TJ: It is true that Berlin is a hot media topic at the moment as it becomes a more and more popular city in everyway. But Berlin is a very inspiring city where you can enjoy the freedom of expressing and being yourself without any judgments. However Berlin is still one of to cheapest capital to live in Europe where you can enjoy a good lifestyle surrounded by a lot of green and lake without heavy traffic and overpopulation.  

 

EM: The Jaydes are taking this release on a live tour. What’s the setup? How do you like playing live together versus DJing in your respective solo careers?
TJ: Playing Live as a duo is a real teamwork, one cannot go without the other which makes it very different than a DJ set.  During the live we are building up our element together to re-create “The Jaydes” atmosphere and energy that made us go through the project while jamming in our studio. We love as much DJing as Playing Live but it is two different experiences that it is difficult to compare. Our set up consist at this day of an Mpc 1000, a Microphone, an Electribe-ES1, a Roland TR-707 and a Roland TR-909 but our set up is subject to change in a next future.

 

EM: You’re avid vinyl collectors and tinkerers of vintage analog gear. Talk about your preference for dated technology. Any recommended plug-ins for digital producers?
TJ: We have both been working on digital in the past mainly for financial reason but as we evolved we got into that addiction of vintage gears and sound. It is only a matter of choice and preferences, as we like to create our own rhythm chords, melodies and not use any samples. We like our work flow better on analog. To stay in the vintage section we would suggest using the ODDITY synth plug-in, which is a replica of the legendary ARP Odyssey.

 

EM: And lastly, Chicago legend Boo Williams victoriously delivers the B-side remix here for ‘Area 89.’ How did this come about?
TJ: Everything happened naturally with Boo Williams. There was a very friendly vibe going on between us when we met him for the first time last summer in Berlin. We invited Boo to come to our studio few times and the idea of remix for our album came up. We are extremely proud that the first ever remix of The Jaydes is made by one of our favorite artists and a pioneer of house music.

 

500-500-dm25

The Jaydes

Area 89

  • Dame-Music
  • 24-03-2014
  • Preorder Vinyl on Juno
  • Artist on Facebook
  • Artist on Soundcloud

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Boo Williams
  • Dame-Music
  • The Jaydes
Steph Lee

Previous Article
  • Electronic
  • Experimental
  • Trap

ETC!ETC! "Flying" high with Grandtheft & Smalltown DJs remix

  • March 21, 2014
  • Nathan Beer
View Article
Next Article
  • Hip-Hop
  • Jazz Hop

Girls' Lil Freckles shows her moves with "Dancing on the D"

  • March 21, 2014
  • Nick Vukorepa
View Article
You May Also Like
Stereo Silence
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Stereo Silence shares a raw passion on explosive new single “I’ll Do Anything”

  • March 4, 2026
Alwyn Morrison
View Article
  • Indie
  • Mainstage
  • Pop

Alwyn Morrison returns with “Puzzle Piece”

  • March 4, 2026
Leti
View Article
  • Indie
  • Mainstage
  • Pop

LETI’s “Golden Beach” shines as a radiant anthem of resilience and artistic rebirth

  • March 4, 2026
View Article
  • Dance

Mia Mendi and Skuro craft dancefloor communion on "Angel Wings" via Diynamic

  • March 2, 2026
View Article
  • Alternative R&B
  • Indie
  • Industrial
  • Interviews
  • Neo-Soul
  • Punk
  • R&B
  • Soul
  • Uncategorized

From Soundcloud to opening for Little Dragon, April + VISTA have done it all independently

  • March 2, 2026
View Article
  • Club Dance
  • Electro Pop
  • Electronic
  • Mainstage
  • New Music

Fcukers give us a taste of debut album arriving in March with new single "Beatback" [Video]

  • February 28, 2026
View Article
  • Dance
  • New Music
  • Pop

Cross Your Heart And Hope To Die Converts to 'Uncross Your Heart' in Haven Madison's latest Single

  • February 27, 2026
View Article
  • Ambient
  • Dance
  • Electronic
  • Experimental
  • Feature
  • Lists
  • Mainstage

Floor Plans: 5 Dance & Electronic Projects Shaping Dance Floors in 2026

  • February 27, 2026
Popular Music
  • Bonnie Freechild explores the depth, vulnerability and sensuality of womanhood in powerful new EP "Aftertaste"
    • March 4, 2026
  • Stereo Silence
    Stereo Silence shares a raw passion on explosive new single “I’ll Do Anything”
    • March 4, 2026
  • Alwyn Morrison
    Alwyn Morrison returns with “Puzzle Piece”
    • March 4, 2026
  • Leti
    LETI’s “Golden Beach” shines as a radiant anthem of resilience and artistic rebirth
    • March 4, 2026
  • KiKi Holli & The Remedy create a fresh sound with "Running Out of Time"
    • March 4, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.