EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Interviews
  • Nu-disco

Catching Up With Midnight Magic [Interview + Exclusive Mix]

  • December 5, 2013
  • Aaron Smith
Total
0
Shares
0
0
Midnight Magic are a 9 piece nu-disco act from Brooklyn, taking the principle members of Hercules & Love Affair and bringing in Tiffany Roth on lead vocals. Finding praise from their 2010 release "Beam Me Up" on Permanent Vacation and having released their second full length LP Midnight Creepers this year. The band are now touring as a four piece and have been championing the disco genre for some time now, with the current resurgence of the disco genre being pushed into the mainstream by releases such as Daft Punk's Random Access Memories we caught up with the Brooklyn outfit to find out what makes Midnight Magic tick.
 
You have been described as a disco act, a funk act, an electro act and a soul act. How would you describe your sound ?
 
There are many different aspects to Midnight Magic (and it's always hard to answer this question)—One thing that has been consistent is the influence of soul, funk, and the psychedelic and that our music is always dark and dubby.
 
How did Midnight Magic form and what inspired the decision for so many members ?
 
Very organically; we all met over the course of the last decade through friendships that formed in New York and Los Angeles.  It wasn't intentional to have so many members it just worked out that way with who was around and who wanted to participate.
 
What is the usual writing and recording process for Midnight Magic?
 
The process usually begins with simple ideas in the studio outlining chord progressions and riffs using drum machines and synthesizers and then we deconstruct, rearrange, add, subtract—whatever I meets our goal of a fully rendered and realized final product.
 
You have a huge roster of musicians in Midnight Magic, how do you think this affects your sound?
 
Everyone's personality effects the sound–how Jason, Nick, and Carter play their horns–how Max plays the drums–how Caito and Andrew (Frawley) play percussion–this drastically alters the color and shape of our music.
 
How do you approach remixing and how does that differ from writing original tracks?
 
The difference with remixes is the vocal is already there–the song is already written–building a new track comes easy with those elements already established.
 
You only use live instruments in your live show, how do you think your live show differs from your record material?
 
The biggest difference with live is that every we attempt to do something new every night different whereas the recording is just that—it’s solidified.  With our performances, we strive to push our songs into different territories and give them a life unique to the live experience.
 
Which do you find more satisfying, the studio or the stage?
 
They are equally satisfying.
 
How do you go about choosing tracks for a DJ set and what inspired the mix featured below?
 
This mix features all the remixes we’ve made as Midnight Magic so the selection was pretty easy!  When we DJ, we play the music we like “to the crowd”–there’s never a set plan for any of it; we go where the night takes us.
 
What's next for Midnight Magic?
Making a new record in New York and hopefully more DJ sets and live shows around the US and abroad.  We’re hoping to start a residency early next year in New York—something we’re very excited about doing.
 
Midnight Magic have also provided us with a 42 minute long mix full of rich pulled back grooves and classic disco stabs and featuring all of the bands remix work such as Azari & III's "Reckless (With Your Love)" and their take on Cut Copy's "Take Me Over".
 
 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Midnight Magic
Aaron Smith

Previous Article
  • Indie

Twin Wave – Twin Wave [EP + Download]

  • December 5, 2013
  • Clark McCaskill
View Article
Next Article
  • Dance
  • Electronic
  • Industrial
  • Techno

Alesia – Andrea [EP]

  • December 5, 2013
  • Steel Hanf
View Article
You May Also Like
View Article
  • Electronic
  • Indie
  • Interviews

Wavewulf chats 'Oscillation', his love for Depeche Mode, grief and more [Interview]

  • January 15, 2026
View Article
  • Folk
  • Folk Rock
  • Indie
  • Interviews
  • Nu-Jazz
  • Singer/songwriter

Sariyah Idan chats new live album, busking, Leonard Cohen and more [Interview]

  • January 15, 2026
View Article
  • Interviews
  • Pop
  • Soul

Inna Hamman chats Vocals On, teaching singers around the world and Alicia Keys [Interview]

  • January 9, 2026
View Article
  • Events Stage
  • Exclusive
  • Festival
  • Interviews
  • Mainstage
  • Rap

EARMILK Chats Episode 25 Navy Blue

  • January 2, 2026
View Article
  • Interviews
  • Uncategorized

[Interview] Bryan Chase chats teaming up with Sik-K and CAMO on "Flaunt It," new EP 'GRANTED' and more

  • December 27, 2025
View Article
  • Feature
  • Indie
  • Interviews
  • Mainstage
  • R&B
  • Uncategorized

Teedra Moses Is Reimagining Complex Simplicity and Entering Her Grown Woman Realness Era [Interview]

  • December 27, 2025
View Article
  • Interviews

[Interview] Billlie chat Korea Spotlight 2025 appearance, ARrc collaboration and other memorable moments

  • December 27, 2025
View Article
  • Interviews

[Interview] OX:N dive into 'SWAY,' carving a sonic identity as a sub-unit and their creative process

  • December 26, 2025
Popular Music
  • Wavewulf chats 'Oscillation', his love for Depeche Mode, grief and more [Interview]
    • January 15, 2026
  • Sariyah Idan chats new live album, busking, Leonard Cohen and more [Interview]
    • January 15, 2026
  • Modern Woman announces new album 'Johnny's Dreamworld,' drops new single "Dashboard Mary"
    • January 15, 2026
  • pastel..
    pastel.. finds his groove with “window,” a track that defines his lane
    • January 15, 2026
  • GMDCASH
    GMDCASH reclaims the narrative with his comeback single “I’m The Product”
    • January 15, 2026
Recent Scoops
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.