Korg Resurrects the Past Announcing the new MS-20

One of the most exciting rumours stirring around before this year's NAMM was Korg unveiling a true analog reissue of their patchable 1970s hit, the MS-20. Having already released a software clone in their Legacy Collection along with its own MIDI controller the idea doesn't seem much like a surprise, but many had their doubts as the analog gurus have tended to stray away from the past with their bloated digital workstations and lifeless preset keyboards. This week Korg caved in, announcing the new MS-20 Mini, a replica of the original analog circuitry in a case that is 86% of its size. I know I'm not the only one that can't wait to get their hands on the squelchy self-oscillating filters, its distinct overdriven sound cannot be replicated which is why you'll still see the originals carry three times the price on Craigslist 40 years later.

And just because I'll find any excuse to put up a clip of Part of the Weekend Never Dies, check out the MS-20 in action as Soulwax takes a piss on the crowd with their single "Krack". So is Korg getting back to their roots? Who knows, but what I do know is that I'd give spinal tap for an SH-101 reissue at any moment. More details are in the rundown of Korg's official press release.

[youtube]http://www.youtube.com/watch?v=9dAQP45nlNA[/youtube]

Highlights:

• Overseen by the engineers of the original MS-20; a complete replication of the original analog circuitry:

• 2VCO / 2VCA / 2VCF / 2EG / 1LFO structure

• Self-oscillating high-pass/low-pass filters with distinctive distortion

• External signal processor (ESP)

• Extremely flexible patching system

• Faithful recreation of the MS20 at 86% of the size

• MIDI IN and USB connector

• Replicates every detail of the original, down to the package binding and the included manual

A complete replication of the original analog circuitry

The MS-20 mini painstakingly replicates the original MS-20. A development team led by the original engineers themselves worked to recreate the original circuitry, and when it was necessary to substitute a part, these engineers made the decisions based on careful listening, in order to reproduce the original sound faithfully.

In fact, the sound of the MS-20 mini has a somewhat bright and extreme quality to it because its sound is that of an original MS-20 in mint condition at the time it went on sale, before any of the components aged.

2VCO / 2VCF / 2VCA / 2EG / 1LFO structure

The MS-20 mini reproduces the distinctive synthesis of the MS-20; two oscillators with ring modulation, and envelope generators with hold and delay. The VCA maintains the basic design of the original, but it's been modified to produce less noise than the original.

Self-oscillating high-pass/low-pass filters with distinctive distortion

One of the greatest characteristics of the MS-20 was its powerful filters, which provided resonance on both the high-pass and the low-pass. Maximizing the resonance would cause the filter to self-oscillate like an oscillator, producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was later used on the monotron and monotribe. The filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound.

External signal processor (ESP) for processing an external signal

The ESP carries on the experimental spirit of MS-20; it allows you to use the pitch or volume of an external audio source to control the synthesizer. For example you can input an electric guitar and use the MS-20 mini as a guitar synthesizer, or input a mic and use it as a vocal synthesizer.

Extremely flexible patching system

The patching system provided to the right of the panel lets you create complex sounds by plugging-in cables to change the connections between the various units. The possibilities are limited only by the user's imagination; different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart that's printed on the panel, even the beginner can start taking advantage of these possibilities right away.

Faithful recreation of the MS20 at 86% of the size

MS-20's design concept started by borrowing from the vertical layout found on larger and more expensive modular synths of its time, and then creating a more portable, inexpensive, and easier to use version.

To make it even more approachable, the MS-20 mini has been shrunk to 86% of the size of the original MS-20. In spite of its smaller size, meticulous care has been taken to accurately reproduce the knob design and the printing. The patch cables have been changed from 1/4" phone plugs to mini-plugs, and the newly-designed keyboard is also 86% of the original size.

Replicates every detail of the original

Our effort to remain faithful to the original is not limited to the unit itself. Even the package that contains the unit replicates the original as far as possible. Also included are the original MS-20 owner's manual and settings chart, explaining how to create sounds. Now you can experience the excitement of the MS20, just like it was during its original release in 1978.

MIDI IN connector and USB connector

The MS-20 mini provides a MIDI IN jack for receiving note messages, and a USB-MIDI connector that can transmit and receive note messages. You can even connect the MS20 mini to your computer and play it from a sequencer.

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