EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Hip-Hop
  • Indie
  • Rap

Cults x Freddie Gibbs – "Bad Things" [Remix]

  • November 18, 2011
  • Liz Choi
Total
0
Shares
0
0

Personally, there is nothing I like more than genre-crossing. So the other day when I saw a headline for a Freddie Gibbs remix of the Cults song, "The Curse", you can imagine how I felt.

Hypetrak debuted what appears to be one of more cross-feature tracks coming from the New York indie band. Back in July of this year, frontman Brian Oblivion said in an interview with AOL that they planned to work on a mixtape involving hip hop in the form of up and coming rappers like Lil B and, obviously Freddie Gibbs.

Oblivion reworked the beat of "The Curse", slowing it down for Gibbs' vocals without compromising anything that makes the original so irresistable. As Oblivion said in his interview with AOL, he's not a fan of having producers remix the band's work because he'd rather have full control of what the end product sounds like. If this Gibbs track is any glimpse into what having "full control" means, then please, by all means.

[soundcloud url="https://api.soundcloud.com/tracks/28197307"]

@lizchoi/liz@earmilk.com

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • CULTS
  • Freddie Gibbs
  • Lil B
Liz Choi

Previous Article
  • Pop
  • Videos

Feist – "How Come You Never Go There" [VIDEO]

  • November 18, 2011
  • Montrey Whittaker
View Article
Next Article
  • Dance
  • Electro
  • Hip-Hop

Pretty Lights vs. Run DMC – It's Tricky

  • November 18, 2011
  • Skinny G
View Article
You May Also Like
View Article
  • Experimental
  • Funk
  • Hip-Hop
  • Indie
  • Jazz
  • Jazz Fusion
  • Mainstage
  • New Music
  • Rap

Thundercat and Mac Miller create effortless fusion on "She Knows Too Much"

  • February 18, 2026
View Article
  • Alternative R&B

La Leurentop is at her vulnerable and sensual best on new single "QUEEN"

  • February 18, 2026
Marcus432
View Article
  • Feature
  • Hip-Hop
  • New Music
  • Rap

Marcus432 reclaims the spotlight with “Sorry Not Sorry” featuring Lil Pump

  • February 18, 2026
T-RAN
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

T-RAN’s “More of You” turns surrender into a soul-stirring contemporary christian anthem [Video]

  • February 18, 2026
View Article
  • Indie Rock
  • Pop

French Dogs dance through the chaos with new release, "Tucker's Having a Baby"

  • February 17, 2026
View Article
  • Acoustic
  • Alt-Pop

3peace. heals through harmony and resilence in "TRAUMA BOND"

  • February 17, 2026
Ana Amado
View Article
  • Alt-Pop
  • Downtempo
  • Electro Pop

Ana Amado steps into the shadows with captivating debut single "Dahlia"

  • February 17, 2026
View Article
  • Alternative
  • Alternative Rock

Mixed Signals channel heartbreak and growth on new anthem “Different Frequencies”

  • February 17, 2026
Popular Music
  • La Leurentop is at her vulnerable and sensual best on new single "QUEEN"
    • February 18, 2026
  • [Interview] &Tilly dives into quietly empowering track "The Bitter Pill," creative process and keeping motivated
    • February 18, 2026
  • Marcus432
    Marcus432 reclaims the spotlight with “Sorry Not Sorry” featuring Lil Pump
    • February 18, 2026
  • T-RAN
    T-RAN’s “More of You” turns surrender into a soul-stirring contemporary christian anthem [Video]
    • February 18, 2026
  • Kamal Maroon delivers raw and unfiltered honesty on pop/R&B anthem "Black x White"
    • February 17, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.