2012-09-17T18:23:58+00:00 2012-09-17T18:07:25+00:00

Electric Zoo 2012 [Event Review]


The Friday of Labor Day Weekend in New York City is the culmination of 12 weeks jam-packed with weekend getaways and activities. The city exits work and school early, and a special feeling of anticipation exists in the air for kids and adults alike. It's a day to go about with excited determination, where an unspoken understanding and appreciation exists for that feeling. There's the sunshine, and there's also finally a reason to stay in the city for the weekend: Electric Zoo.

 It's easy to be reminded why Electric Zoo is such a great festival.  The crowds that flock to Randall's Island are extra local, so the energy lacks tacky tourism and emits pure love for electronic music. The setup is easy: three tented stages, all in a row, leading easily to the main stage. Getting "lost" is tough, and maneuvering the grounds is easy, making it comfortable to navigate multiple stages many times throughout the day. MadeEvents stuck to their guns again with the setup, and was also able to offer an expanded "VIP" experience that didn't interfere with the intimate feeling that so easily draws crowds in the first place.

Gesaffelstein laid down some pounding techno Friday afternoon, setting the stage perfectly for what was to come..



It's apparent that the word has gotten out about Electric Zoo.  In the early afternoon, the crowd on the streets of Murray Hill began to fill with those who looked like they could be attending a rave or a Halloween party. I made my way to Randall's island before the sidewalks became full of neon animals heading to the zoo, just in time to wander into Above & Beyond's Group Therapy stage. As I caught the end of Norin & Rad's set, the next act, Gabriel & Dresden, came up to join them on stage. Watching all four of these DJs enjoy themselves while mixing the music they love, I was reminded why festivals are so lovable: the fans get to witness the camaraderie between artists and their love for the music they play in the flesh.


After catching surprisingly electro-house heavy sets by Hardwell and Nicky Romero at the main stage, the Group Therapy stage set up for the most well-known trance performance of the day: Ferry Corsten. Fresh off a string of releases and a collaboration on "Loops & Tings" with Markus Schulz, Corsten took the stage of the newly redesigned Hilltop stage in front of a crowd beaming with anticipation and excitement. This mood was especially tangible when Ferry dropped the Danny Howard remix of his single with Chicane, "One Thousand Suns," that he's been really supportive of in recent sets. Gradually going down a darker road with the sound of his set, Corsten threw in some signature throwbacks like Arty's remix of "Punk," as well as his own brand new remix of Snow Patrol's "New York." And, he closed his show as any super trance set should close: with the classic "Brute" by Armin van Buuren.  

Stream:Betsie Larkin & Ferry Corsten – Not Coming Down (Dash Berlin 4AM Remix)

Later on Mat Zo took over the decks at Group Therapy and quickly became a favorite of the day. Known for having quite the ethereal magic touch, fans went wild as he led his set with his hit with Arty, "Mozart". I was expecting a euphoric set similar to Above & Beyond, but was pleasantly surprised with his agility in playing both harder and uplifting trance and progressive hits.  Enveloped in a pocket in a wall of intricate lights in the upgraded Hilltop stage, Zo put together a set that really showed his identity on stage.

Day 1 of Electric Zoo culminated in the best way possible, with David Guetta and Pretty Lights closing down the main stage. Over the past year, Guetta has really shown his true dedication to his house fans, and his performance Friday was a showed his knowledge of his audience. Instead of playing a set full of his pop hits, he premiered two new songs straight from Ibiza. And although poppy in sound, they were exclusive enough to keep the crowd excited about their US debut. Pretty Lights graced the crowd with his usual down to earth presence, giving his fans his typical electro-hip-hop-soul style. It was a perfect way to end the day.

Stream:David Guetta feat. Sia – She Wolf (Falling To Pieces) ( Extended Mix )

Sunday School brought together some of the biggest names in techno, tech house and deep house over the course of the weekend, including highlight performaces from Sasha, Luciano, Chris Liebing, Maya Jane Coles, Umek, Paco Osuna, Boys Noize and Marco Carola to name just a few – the entire lineup from start to finish was incredible.


Despite the steamy weather, what felt like twice as large of a crowd arrived at Randall's Island to see a more electro house driven day than the previous. One of the most entertaining acts of the day came from the pure electro pumped out of the main stage by Dada Life. Known for their insane energy and blow up props, the Swedish duo brought just that to their performance at Electric Zoo. With more of a comical cartoon light show than huge production and blow up "DADA LIFE" on each side of the DJ booth, the crowd mimicked the constant jumping and fist pumping that was up on stage. Although they started their set with their huge hit "Kick Out the Epic Motherfucker," no one in the audience seemed phased when it was dropped again in the middle of their performance. Seeing these guys live makes it easy to understand why so many love to "Feed the Dada" – especially when that includes cheeky surprises like vocals from Gwen Stefani's "Hollaback Girl." 

Stream:Dada Life – Feed the Dada (Dyro Remix)

The Dim Mak tent was a continuous electro house haven on Saturday. At any point throughout the day, it was possible to walk by the stage and see a packed, inviting sweaty mess of fun. Steve Aoki was the closing performance here, and in his usual fashion was a sight to see. With multiple stage dives, and "Aoki jumps," and an added plus with 3D glasses, the stage lights and lasers made for an absolutely mesmerizing show. As a frequent festival-goer myself, I always recommend seeing Aoki and those like him because of his incredibly crowd engaging shenanigans. Although that can sometimes make the music a little less memorable, that was not the case here. To add to that, Aoki more than managed to keep the crowd energized with a set made up completely of his own hits.  
And yet, neither of these were the best performance of the day. The overwhelming winner of Day 2 was an unexpectedly creative and innovative set from none other than Axwell. Bringing the expected over-the-top production that Swedish House Mafia is famous for, the surprises came from Axwell's steering away from SHM's mashups and instead inserting his own productions and mixing. By spinning throwbacks like his remix of "In the Air" by Rudy, it made the few insertions of the Swedish powerhouse all the more special. Playing Swedish House Mafia's 2011 hit "Save the World Tonight" was made all the more special and impactful when it was dropped because of the improvisational style that Axwell exhibited throughout his set. In the end, Axwell's performance completely stole the show on Saturday and was one of the most memorable of the entire weekend.
Dillon Francis continues his onslaught to the top of the EDM world with his unique take on moombahton, showcasing his energy to the delight of thousands at the Fool's Gold Stage.


The final day of Electric Zoo was an exhibition of bass and dubstep. Throughout the entire day, the main stage was lit up with phenomenal sets from artists that ranged from Dash Berlin to Porter Robinson. Yet, the most impressive performance was from German newcomer Zedd. The experience of his performance in retrospect feels the most intimate, especially because of the fact that it wasn't recorded. Zedd played everything from the original mix of his hit "Spectrum," to the Armin van Buuren remix of the same track, to some unbelievably in depth mash-ups. Some were so complicated that they wrapped Afrojack's "No Beef" bassline with Daft Punk's "Harder, Better, Faster, Stronger" vocals and Alesso's "Raise Your Head" – making for an unpredictable, riveting and exciting set. As the audience was going wild, you could overhear friends telling each other, "See, I told you he was unbelievable!"

Stream:Zedd – Spectrum (Armin van Buuren Remix)


There in the evening, Tiesto proved once again why he has earned the reputation as one of the best DJs in the world. His prowess on the decks is an unbelievable thing to witness if you've never seen it before: his song choices tell a story, his sets end with a memorable resolution.  That being said, it did feel odd to not have a set like this close down the festival.

Stream:Tiesto & Mark Knight feat. Dino – Beautiful World (Michael Woods Remix)

In a step in a direction that is indicative of the current state of dance music, Skrillex was chosen to close the festival.  It was without a doubt the most intense way possible to end a weekend that had already excelled beyond expectations. Although not the standard closing set made for friends and strangers put their arms around one another and proudly say, "We made it," it was still a sight to see the Grammy-winning producer work his magic from a spaceship-like pod up on stage. Choosing his remix of Benny Benassi's "Cinema" to end a weekend of fun left us ready to countdown the days until next year.

Most people went home, or to check out Hardwell & Zedd or one of the many afterparties, but the Earmilk crew was invited to a secret Boys Noize show at the picturesque rooftop club Le Bain in Manhattan, where Strip Steve opened & Djedjotronic played back to back with the one and only Alex Ridha during the course of the night. Quite an epic ending to one of the best weekends of 2012. Thanks to Electric Zoo for making it happen, we look forward to next year!

Dance · Festival · New York Events · Reviews


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  • Very cool and detailed report! Thanks a lot!

    Shooock September 21, 2012 10:51 AM Reply

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