EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance Bass
  • Electronic
  • Techno

REZZ – Certain Kind of Magic

  • August 7, 2018
  • Steph Evans
Detail's of EARMILK REZZ – Certain Kind of Magic
Artist Name:
REZZ
Album Name:
Certain Kind of Magic
Release Type:
Album
Release Date:
August 3, 2018
Record Label:
mau5trap
Label Location:
Review Author:
Steph Evans
Review Date:
August 7, 2018
Facebook https://www.facebook.com/OfficialREZZ/
SoundCloud https://soundcloud.com/official-rezz
EM Review Rating:
9.0
Total
0
Shares
0
0

An experience at an album listening party is not generally something that influences the overall impression of an album's music, but in REZZ's case, it illuminated something that cannot be communicated just through one form of media alone. A general practice throughout the music industry, previewing a long form project is a way to get the public to listen to music the way an artist intends it to, but it in most cases, doesn't expand on an artist's whole being an fan base. For REZZ's latest release, this experience illustrated her entire brand, fan base and personality.

REZZ's Certain Kind of Magic is the second long form release of its kind for the Canadian DJ and producer. Following the 2017 release of Mass Manipulation, her sophomore album clocks in at 8 tracks and features a variety of collaborations – one of its singles, "H E X" with rising 1788-L, "Life & Death" with Deathpact, "Teleportal" with Kotek. But these collaborations are not what holds this album to its strengths – it's REZZ's ship to sail, and she has let her flag wave freely. On this album, her brand is so perfected and fresh that if we didn't know better, we'd call this a breakout moment for the electronic artist, but in reality, she's been grinding with her fans known as "The Cult" supporting her to reach a moment like this in her career.

Nowhere else was this more on display in the physical than at the Certain Kind of Magic album listening party, which was appropriately held at the exclusive Magic Castle in Los Angeles – a members only club for successful magicians. The historic Hollywood building is notorious as a museum housing magic's past and artifacts, where celebrity hobbyists like Steve Martin rub elbows. In a standard play of events, this kind of event would include various representatives from the music industry and publications listening to each piece of music and maintaining composure throughout, walking away cool and collected while gathering their thoughts. But for REZZ, this was a totally different kind of moment – it was a show.

Aside from the formal attire, artists like TOKiMONSTA who showed up to show support and magic show that opened up the listening experience, REZZ invited twenty fans to join in on the party, and with that, the dynamic entirely changed. No longer were we at an industry event, but a show, complete with visuals – including the brand new one for "Flying Octopus" – and head banging. With this elevated energy in the room, it's easy to understand how REZZ is built to be a successful artist. Not only is her music unique in its ushering in of a bass meets techno world, but her personal enthusiasm behind the trippy glasses is the exclamation point in her work. 

Fans and members of The Cult with REZZ – Photo Credit: The Magic Castle

Even if you're not that familiar with the latest music that goes womp, REZZ's work on Certain Kind of Magic is an accessible demonstration of how much of a handle she has on her unique sound and the room to grow the electronic music world has on its future horizon. Being a fan of REZZ requires full attention and full body – aurally, visually and phsycially.

 

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • 1788-L
  • mau5trap
  • Rezz
Steph Evans

It all started with Pakito's "Living on Video."

You May Also Like
View Article
  • Dance
  • Electronic
  • Indie

The Icarus Kid shares electronic dance banger "Every Night"

  • February 13, 2026
View Article
  • Club Dance
  • Electro Pop
  • Electronic
  • House
  • New Music
  • Pop House

Kyle Waves moves into a moodier sound on dance-pop single "Picture In My Phone"

  • February 13, 2026
View Article
  • Alternative R&B
  • Downtempo
  • Electronic
  • Industrial
  • Mainstage
  • Trip-Hop

Puma Blue blurs trip-hop, downtempo, and intimacy on 'Croak Dream' [Album Review]

  • February 13, 2026
View Article
  • Electronic

RENESIS on "Overdrive," pushing her sound further and the future of cyberpunk

  • February 12, 2026
ZAYLE
View Article
  • Electronic
  • Hip-Hop
  • Rap

ZAYLE dives into the cinematic world of emotions with electronic single "Control"

  • February 12, 2026
A-Boogie wit da Hoodie
View Article
  • Exclusive
  • Hip-Hop
  • Industrial
  • New Music
  • Premiere

A Boogie Wit da Hoodie’s New Project “Before Artistry” Drops This Friday

  • February 11, 2026
View Article
  • Techno

Leoni Alexi makes a bold entrance with gritty techno debut “Time Shift”

  • February 10, 2026
View Article
  • Alt-Pop
  • Dreampop
  • Electro Pop
  • Electronica
  • Indie Pop
  • New Music
  • Synth

Pete Fij practices espionage with "Cuckoo"

  • February 10, 2026
Popular Music
  • Valjae shares vibrant, reflective song "Colourful Lies"
    • February 14, 2026
  • The Icarus Kid shares electronic dance banger "Every Night"
    • February 13, 2026
  • Puma Blue blurs trip-hop, downtempo, and intimacy on 'Croak Dream' [Album Review]
    • February 13, 2026
  • Dave Lenahan and Karree Phillips share warm, gentle country duet "Wildflowers"
    • February 13, 2026
  • néomí wrestles with doubt from others on new single "Didn't I"
    • February 13, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.