EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Indie Pop
  • Trip-Hop

Karen O and Danger Mouse – Lux Prima

  • March 18, 2019
  • Valeria Dulava
Detail's of EARMILK Karen O and Danger Mouse – Lux Prima
Artist Name:
Karen O & Danger Mouse
Album Name:
Lux Prima
Release Type:
Album
Release Date:
March 15, 2019
Record Label:
BMG Records
Label Location:
US
Review Author:
Valeria Dulava
Review Date:
March 18, 2019
EM Review Rating:
9.0
Total
0
Shares
0
0

The highly anticipated collaboration between Yeah Yeah Yeah's frontwoman Karen O and producer Danger Mouse is finally here in the form of their debut album, Lux Prima. Meaning "First Light", this album is an artistic masterpiece that weds Danger Mouse's incredible storytelling with Karen O's ambitious vocal presence in a 9-track journey that truly sheds the first light into the minds of these two icons. 

The track list is meticulously ordered, each song signifying a stop along the journey that Karen O and Danger Mouse are taking us on. The production is fluid, alive, and feels like a tribute to every project Danger Mouse has been a part of in his lustrous career- Broken Bells, Black Keys, Portugal.The Man, to name a few. Karen O compliments the production perfectly, lending her veteran songwriting skills while taking a softer and more diluted approach with her vocals than we've come to expect from the punk rock powerhouse. Together, these two manage to create a sound that is inspiring and infallible. 

The album is bookended by two tracks that serve to set the theme for the cosmic, psycho-pop LP. The first, "Lux Prima" is a 9-minute-long introduction with Danger Mouse's distinct production style of soulful snares, a groovy bass line and orchestral grandeur. Changing course around the 3 minute mark, Karen O sidles up to the microphone to lull us to the lyrics "I'm nowhere/I'm no one/I'm nobody/There's nobody but you", offering up a rare insight into her newfound motherhood. When describing the track, Danger Mouse shares in a press release that "we were really looking for a place rather than a sound. It was our first shared destination so we thought we'd take our time getting there. " 

The second track, "Ministry" is soft and loving, with a guitar melody similar to Broken Bells' "Leave It Alone". Karen O sings tenderly, reminiscent of the fan favourite "Maps" performance with her NYC rock band, Yeah Yeah Yeahs. This is an instrumentally sweeping track, with a distinct Danger Mouse bass and electric guitar elements that remind us that this isn't your typical love song. 

The star of the tracklist is undoubtedly "Woman"- an empowering, groovy anthem for women everywhere, featuring Karen O's trademark punk shrieks and demanding presence. "If you want it/Then you take it" has been a running theme in most of Karen O's career. Famously known for her outlandish outfits and live show performances, Karen O has never seemed to give a fuck about anything that was expected of her. She hasn't let her Yeah Yeah Yeahs career inhibit her, either. Found on her impressive resume are side projects Native Korean Rock, Fishnets, collaborations with The Flaming Lips, David Lynch, Santigold, Square Enix, Google; contributions to film soundtracks such as "The Girl With the Dragon Tattoo" and "Her", entire film soundtrack compositions, as seen on "Where the Wild Things Are", music video directing, and of course, her own solo career. So when that snare drum beats alongside her anthemic "I'm a woman, what you see", you better believe that what you're seeing is an icon that set the bar for every rising rock artist- male or female. 

"Reveries" takes a downtempo, more humble approach, featuring a crooning Karen O that sounds like she's singing to a tape recorder. The simplicity of the song, combined with the complexity of the lyrics emulate what these two powerhouses are all about. While boasting of extremely successful and revered careers, the duo reminds us that they, too, are only human. And as such, they also contemplate with their insignificance in the vast universe and experience love, pain, hardship, ecstacy, and everything in between. This album is an ode to that humbling realization, and this track is the realization being put into sounds.  

The last stop on this beautiful journey is "Nox Lumina" (Night Lights), bringing the album into full circle with combined elements from "Lux Prima". A more modern, psychedelic production closes out the album's theme with an ethereal performance from Karen O. Singing "Everytime I close my eyes/Someone else's paradise/Turns me into someone new", the duo asserts that this album is just the beginning. While they have taken us on a cosmic and emotionally revealing journey, there is no end to the inspiration and artistic energy that they have drawn from each other. There will always be another artist, another trend, or another milestone that will inspire them to take on the next journey. So as promised, this shines only the first light into the magical world of Karen O and Danger Mouse. 

 

Connect with Karen O: Website | Facebook | Instagram | Spotify | Twitter
Connect with Danger Mouse: Instagram| Twitter| Facebook| Spotify

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • broken bells
  • danger mouse
  • Karen O
  • Yeah Yeah Yeahs
Valeria Dulava

Perpetually trying to change the song stuck in my head. Based in Ontario.

You May Also Like
View Article
  • Indie
  • Indie Pop
  • Indie Rock
  • Interviews
  • Pop

Mistine chats environmentalism, new album and a fun touring moment [Interview]

  • May 23, 2025
View Article
  • Electronic
  • Indie
  • New Music

Buscabulla Returns With 'Te Fuiste'

  • May 23, 2025
View Article
  • Indie Pop
  • Mainstage
  • Singer/songwriter

“Back to Her” is Amelie Lucille’s beautifully haunting coming-of-age ballad

  • May 23, 2025
View Article
  • Electronic

Gio and Austin Water's “Yeah3x” is the sonic escape you didn’t know you needed

  • May 23, 2025
View Article
  • Indie Pop
  • Mainstage
  • Pop

"Object of Desire" is manny moura’s anthem for the unseen

  • May 23, 2025
sunrise in jupiter
View Article
  • Alternative
  • Indie
  • Psychedelic

"It was messy, loud, and unfiltered just like the music" – Sunrise In Jupiter Discuss Music Eras, Their Live Show and New Music [Interview]

  • May 23, 2025
Tristan Roberson
View Article
  • Indie
  • Mainstage
  • Pop

Tristan Roberson turns a broken heart into a good time with ‘One Night in Dallas’

  • May 22, 2025
View Article
  • Hip-Hop
  • Indie
  • Music Videos
  • Pop

Gobe ushers in the summer with "Sun Leaves Scars" [Video]

  • May 22, 2025
Popular Music
  • Mistine chats environmentalism, new album and a fun touring moment [Interview]
    • May 23, 2025
  • “Back to Her” is Amelie Lucille’s beautifully haunting coming-of-age ballad
    • May 23, 2025
  • Gio and Austin Water's “Yeah3x” is the sonic escape you didn’t know you needed
    • May 23, 2025
  • "Object of Desire" is manny moura’s anthem for the unseen
    • May 23, 2025
  • sunrise in jupiter
    "It was messy, loud, and unfiltered just like the music" – Sunrise In Jupiter Discuss Music Eras, Their Live Show and New Music [Interview]
    • May 23, 2025
Recent Scoops
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
  • Glorybots redefines rock with latest album 'mad.end'
    • April 10, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.