EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie

Denai Moore – We Used To Bloom

  • June 19, 2017
  • Jess Bartlet
Detail's of EARMILK Denai Moore – We Used To Bloom
Artist Name:
Denai Moore
Album Name:
We Used To Bloom
Release Type:
Album
Release Date:
June 16, 2017
Record Label:
Because Music
Label Location:
Review Author:
Jess Bartlet
Review Date:
June 19, 2017
EM Review Rating:
9.0
Total
0
Shares
0
0

Denai Moore's sophomore album We Used To Bloom came out on Because Music on Friday, and it's been impossible to not be absorbed all weekend into her wonderfully genreless, and musically iridescent bubble yet again. It's absolutely not, the first time I've been completely stumped by her work. Her FKA Twigs "Hours" cover, so otherworldly; it instantly sent physical shivers up my spine. Not to mention the remarkable topline work for producers such as Point Point, Mura Masa, Sbtrkt, and Astronomyy.

However, We Used To Bloom makes a significant departure from the more reverbed vocals, and generally more stripped back, piano-lead arrangements seen on her debut Elsewhere. We Used To Bloom equally as beautiful, with a sonic reinvention of growth and flowering akin to spring; with a light, playful, warmer and brighter sheen; new-found string sections, an individual guitar sound (that feels equivalent to seeing colour after shooting on expired film), real-life horns, as well as apparently exploring new synths, organs, experimental studio recordings, and gospel choirs. "Trickle" musically begins as a refreshing, and much needed pool of water on dry land, which finds itself trickling into streams; amazingly managing to marry the lyrics: 

"It will trickle into you like floods find corners, no one knows"


Denai's autobiographical approach to writing has seen We Used To Bloom confront her anxiety lyrically throughout the record to turn it into a wonderfully positive and caring release. Working out what she wants to say, and how to use her voice the "Does It Get Easier?" video sees different families juxtaposed next to each other, directed by friend and collaborator Mahaneela. The inspiration for the video of "Does It Get Easier?" which sees people in solidarity with their family; an antidote to difficult times, was elaborated on by Denai in The Fader, as she says:

"The core of this album is a strong female energy, both myself and Mahaneela have strong mothers in our lives."

By surrounding herself with strong relationships with friends and family We Used To Bloom has become a guiding light of an album, overflowing with love and a wealth that seeps into the music.


The album also sees a magnificent feature from Kwabs in "All The Way", and a last minute studio decision to cover Elliot Smith's "Twilight."
Another particularly resonant and relatable song that many people will have felt is the hopelessness of sometimes not knowing how to help other people in humanity, with Denai quoting in Clash: 

"Do They Care? is a song I wrote about me living with all the injustices happening in the world. In 2015 I found it unbearable and I was very fidgety because it was almost like you’d wake up to death being present. Then you’d carry this information and not necessarily understand how to process it. I think in the reality of it all is that we all want the same things for each other." 

Connect with Denai Moore: Facebook | Twitter | Spotify | Tumblr| Soundcloud| Instagram

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Denai Moore
Jess Bartlet

You May Also Like
View Article
  • Hip-Hop
  • Indie
  • Mainstage
  • Music Videos
  • Pop

“Monster Music” Is DomJuanTV’s anthem for the misunderstood visionaries [Music Video]

  • July 29, 2025
Hidden Axis
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

“Fallen Angel” by Hidden Axis & WISNER lands with heart-wrenching beauty and electrifying emotion

  • July 29, 2025
The Harbours
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

The Harbours release long-awaited Debut EP ‘Are We Nearly There Yet?’

  • July 29, 2025
View Article
  • Afrobeat

Olivier Cheuwa spreads joy on uplifting new EP 'Lovely Day'

  • July 28, 2025
View Article
  • Alt-Pop
  • Indie

Stevan shares sun-drenched new single "Sand Storm"

  • July 28, 2025
Randy Beth
View Article
  • Indie
  • Indie Pop
  • New Music
  • Pop

Quiet strength flows through Randy Beth’s “overstay”

  • July 28, 2025
View Article
  • Easy Listening
  • Indie
  • New Music
  • Psychedelic

SORRYNOTSORRY brings the vibes on their new single "Sex, Drugs, and Cocoa Puffs"

  • July 25, 2025
View Article
  • Dance
  • Electronic
  • Indie
  • Music Videos
  • New Music

Mila La Morena Ditches The Boundaries With Defying New Single

  • July 25, 2025
Popular Music
  • “Monster Music” Is DomJuanTV’s anthem for the misunderstood visionaries [Music Video]
    • July 29, 2025
  • Hidden Axis
    “Fallen Angel” by Hidden Axis & WISNER lands with heart-wrenching beauty and electrifying emotion
    • July 29, 2025
  • The Harbours
    The Harbours release long-awaited Debut EP ‘Are We Nearly There Yet?’
    • July 29, 2025
  • Jorja Smith releases refreshing new single, "With You"
    • July 29, 2025
  • Stevan shares sun-drenched new single "Sand Storm"
    • July 28, 2025
Recent Scoops
  • Jay Tone is carving out his space with "Puzzles"
    • July 7, 2025
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.