EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie

Denai Moore – We Used To Bloom

  • June 19, 2017
  • Jess Bartlet
Detail's of EARMILK Denai Moore – We Used To Bloom
Artist Name:
Denai Moore
Album Name:
We Used To Bloom
Release Type:
Album
Release Date:
June 16, 2017
Record Label:
Because Music
Label Location:
Review Author:
Jess Bartlet
Review Date:
June 19, 2017
EM Review Rating:
9.0
Total
0
Shares
0
0

Denai Moore's sophomore album We Used To Bloom came out on Because Music on Friday, and it's been impossible to not be absorbed all weekend into her wonderfully genreless, and musically iridescent bubble yet again. It's absolutely not, the first time I've been completely stumped by her work. Her FKA Twigs "Hours" cover, so otherworldly; it instantly sent physical shivers up my spine. Not to mention the remarkable topline work for producers such as Point Point, Mura Masa, Sbtrkt, and Astronomyy.

However, We Used To Bloom makes a significant departure from the more reverbed vocals, and generally more stripped back, piano-lead arrangements seen on her debut Elsewhere. We Used To Bloom equally as beautiful, with a sonic reinvention of growth and flowering akin to spring; with a light, playful, warmer and brighter sheen; new-found string sections, an individual guitar sound (that feels equivalent to seeing colour after shooting on expired film), real-life horns, as well as apparently exploring new synths, organs, experimental studio recordings, and gospel choirs. "Trickle" musically begins as a refreshing, and much needed pool of water on dry land, which finds itself trickling into streams; amazingly managing to marry the lyrics: 

"It will trickle into you like floods find corners, no one knows"


Denai's autobiographical approach to writing has seen We Used To Bloom confront her anxiety lyrically throughout the record to turn it into a wonderfully positive and caring release. Working out what she wants to say, and how to use her voice the "Does It Get Easier?" video sees different families juxtaposed next to each other, directed by friend and collaborator Mahaneela. The inspiration for the video of "Does It Get Easier?" which sees people in solidarity with their family; an antidote to difficult times, was elaborated on by Denai in The Fader, as she says:

"The core of this album is a strong female energy, both myself and Mahaneela have strong mothers in our lives."

By surrounding herself with strong relationships with friends and family We Used To Bloom has become a guiding light of an album, overflowing with love and a wealth that seeps into the music.


The album also sees a magnificent feature from Kwabs in "All The Way", and a last minute studio decision to cover Elliot Smith's "Twilight."
Another particularly resonant and relatable song that many people will have felt is the hopelessness of sometimes not knowing how to help other people in humanity, with Denai quoting in Clash: 

"Do They Care? is a song I wrote about me living with all the injustices happening in the world. In 2015 I found it unbearable and I was very fidgety because it was almost like you’d wake up to death being present. Then you’d carry this information and not necessarily understand how to process it. I think in the reality of it all is that we all want the same things for each other." 

Connect with Denai Moore: Facebook | Twitter | Spotify | Tumblr| Soundcloud| Instagram

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Denai Moore
Jess Bartlet

You May Also Like
North Shy
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

North Shy faces the wreckage of emotion on the haunting and honest EP “aftermath”

  • May 18, 2026
French Dogs
View Article
  • Alternative Rock
  • Feature
  • Indie Rock

"Broken Glass" by French Dogs delivers a raw, high-energy anthem ahead of debut album release

  • May 18, 2026
Leyla Romanova
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Leyla Romanova finds strength in stillness on “Self-Control”

  • May 18, 2026
Queen Anne
View Article
  • Alt-Pop
  • Alternative Rock
  • Feature

"Baby Girl (likes to lie)" shows Queen Anne redefining honesty in storytelling

  • May 18, 2026
Tasos P.
View Article
  • Electronic
  • Feature
  • Indie
  • Mainstage
  • Pop

Tasos P. captures emotion and movement in the atmospheric glow of “Avra”

  • May 18, 2026
Matt Kent
View Article
  • Feature
  • Indie Pop
  • Soul

Love, loss, and devotion reimagined in Matt Kent's new single "ORPHEUS"

  • May 18, 2026
Christine Sako
View Article
  • Dance
  • Feature
  • Indie
  • Pop

Windrift Band paints a dreamlike escape on “Put Your Mind Right” featuring Captain Iron

  • May 18, 2026
Pi Jacobs
View Article
  • Americana
  • Feature
  • Singer/songwriter

Pi Jacobs captures a quiet storm of memory and migration in "Nogales"

  • May 18, 2026
Popular Music
  • The Stanford Family Band shares breezy pop track "When Lonesome"
    • May 18, 2026
  • Nico Cann reflects upon choices made on "Take Me To The River"
    • May 18, 2026
  • Butterfly Vendetta embrace raw performance energy on "Ready To Roll" from new album
    • May 18, 2026
  • DJ Saint M. Seagull
    DJ Saint M. Seagull turns a historic peace anthem into a statement with "Peace Wanted Just To Be Free (DJ Saint M. Seagull Remix)"
    • May 18, 2026
  • French Dogs
    "Broken Glass" by French Dogs delivers a raw, high-energy anthem ahead of debut album release
    • May 18, 2026
Recent Scoops
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.