EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Trap

Dirty Audio pumps up Afrojack's "Used to Have It All" with official remix

  • February 24, 2017
  • Katey Ceccarelli
Total
0
Shares
0
0

The name Dirty Audio is quickly becoming synonymous with a guaranteed turn-up, and the producer's latest official remix is no exception. The Los Angeles-based artist is riding the wave of the recent success of his remix of Yellow Claw's "Ocho Cinco" and his infectious original "Roller Coaster" while touring in Australia and New Zealand. Dirty's stab at Afrojack's "Used to Have It All" takes the original groovy deep house track to new heights, adding his signature relentless electro synths and epic drops to make this track ripe for the dance floor and festival circuit.

 

Connect with Dirty Audio: Facebook | SoundCloud | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Dirty Audio
Katey Ceccarelli

Previous Article
  • Electronic

HOLYCHILD put their spin on Otis English's "Young Kids, Old Love"

  • February 24, 2017
  • Lindsay Blair
View Article
Next Article
  • Hip-Hop

Daye Jack brings the funk, 80s style, with "Casino"

  • February 24, 2017
  • James Schiff
View Article
You May Also Like
Neeve Rose
View Article
  • Alt-Pop
  • Dark Pop
  • Hip-Hop
  • Rap
  • Trap

Neeve Rose strikes with fierce confidence on a halloween-inspired anthem, "Hatchet"

  • November 19, 2025
JAKEWITHSPACES!
View Article
  • Album Reviews
  • Electronic
  • Hip-Hop
  • Rap
  • Trap

JAKEWITHSPACES! delivers a beautiful masterpiece with new album, "DOPEFUMEMIDI"

  • November 19, 2025
View Article
  • Trap

Vale Pintos and TuTu team up on magnetic number "Hoodie & Backpack"

  • October 3, 2025
View Article
  • Music Videos
  • Premiere
  • Trap

[Premiere] Doller shares broody yet anthemic track "WHO HYPE? WHO BRUK?"

  • August 20, 2025
Jean Deaux
View Article
  • Hip-Hop
  • New Music
  • Rap
  • Trap

Jean Deaux drops sub-shaking trap anthem "JUST LIKE ME!"

  • July 29, 2025
View Article
  • Electronic
  • Hip-Hop
  • Music Gear
  • Music Industry
  • Technology
  • Trap

Southside Releases "King of Trap Vol. 1" Sample Pack, Opens His Vault to New Producers

  • July 10, 2025
View Article
  • Electronic
  • Trap

NXSTY brings back the beauty of trap music with "Real Bad Man"

  • February 24, 2025
View Article
  • Hip-Hop
  • R&B
  • Rap
  • Trap

Kayo shares alluring rap anthem "Inked Up"

  • January 29, 2025
Popular Music
  • Artists on the radar for 2026: Part 3
    • December 17, 2025
  • Bryan Chase brings the energy with "Kill The Night"
    • December 17, 2025
  • A brief light in the dark: Peter Patrick Pedro's “Fireworks”
    • December 17, 2025
  • Latir finds quiet power on “November Diamonds”
    • December 17, 2025
  • Pauline Andrès shares a vivid, indie pop anthem for the festive season "Sweet December"
    • December 17, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.