EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Hip-Hop
  • News

Macklemore & Ryan Lewis hit Platinum

  • August 28, 2013
  • EARMILK Staff
Total
0
Shares
0
0

On October 9, 2012, Macklemore & Ryan Lewis released an album entitled The Heist expecting minimal reaction.  With no mainstream promotion or support, the hip-hop duo hoped to crack 30,000 total units sold for a record that was independently produced, recorded and released.  But somehow, someway, the music caught fire.  Today, Mack and Ryan celebrate a new feat, one million copies sold, and their first platinum record.  But how exactly did they do it?

Maybe it was the funky, feel good trumpets on a first single like “Thrift Shop” that spread the popularity.  Maybe a music video that included the colorful visuals of Macklemore running over couches dropped the jaws of fans across the world.  Maybe it was it’s incredibly catchy hook that had little kids everywhere screaming “this is f****** awesome.”  Eventually, it became a song that infiltrated what seemed like every radio station in America and spread like wildfire across the world.  The single is now five times platinum.

Maybe it was the second single.  The inspirational and uplifting drums of a song like “Can’t Hold Us,” had fans everywhere feeling like they could be anything they wanted to, as if “the ceiling can’t hold us.” Maybe even captain of a pirate ship.  So when it came time to make a video for a song that is now 3 times platinum what did he do?  He rapped on a pirate ship, a traveling living room attached to a pickup truck and then sky dived out of an airplane onto the space needle.  That video now sits at around 100 million views and recently just one the VMA for best hip-hop video.  

But with all the radio success and platinum singles, the meaning behind The Heist sometimes gets lost.  The emotion, the struggle and pure writing ability of an independent artist who’s taken his notebook rhymes out of his mom’s basement and into the limelight has been blurred and mutated.  Songs that speak for something in this desensitized world get forgotten.  Tracks like “Wings,” “Starting Over” and ‘Jimmy Iovine” tackle really controversial topics in an extremely creative way with flawless production from Ryan Lewis.  So how do they avoid being called sell-outs when the mainstream media only covers their playful sound?

They release a beautiful track featuring the magnificent voice of Mary Lambert in an attempt to promote gay rights.  “Same Love,” carries a message that most mainstream music can’t compete with and has recently hit platinum as well.  As Macklemore stated in a speech at the VMA’s, it’s the record he’s “most proud of in his career.”  And he should be, an independent artist spent the last year stealing the spotlight from a lot of bigger acts with an album properly named, The Heist.

  • Purchase The Heist 
  • Macklemore on Facebook 
  • Macklemore on Twitter

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Macklemore & Ryan Lewis
  • The Heist
EARMILK Staff

You May Also Like
View Article
  • Indie Pop
  • Pop
  • Rap

Jay Diener’s “One In A Million” blends sunlit pop hooks with a spoken-word twist

  • July 6, 2026
View Article
  • Hip-Hop
  • Interviews
  • Mainstage
  • New Music
  • Rap

Mike DFG cements his place in the Chicago rap scene with new LP 'Heisman' [Interview]

  • July 6, 2026
View Article
  • Feature
  • Hip-Hop
  • Indie
  • Pop
  • Rap

88 ULTRA's "Florida Keys" delivers a cinematic hip-hop experience wrapped in atmosphere and consequence

  • July 6, 2026
Séhkou
View Article
  • Feature
  • Hip-Hop
  • Indie
  • Mainstage
  • Pop

Séhkou's "Psalms 13:1–2 (How Long) [Notebook's Lament]" turns lament into a powerful expression of faith and reflection

  • July 6, 2026
View Article
  • Downtempo
  • Electronic
  • New Music
  • Post-Punk
  • Reviews
  • Trip-Hop

The Subtheory are soundtracking society's digital disconnect in "Things that caught my attention"

  • July 3, 2026
Quiet as a Mouse
View Article
  • Feature
  • Indie
  • Indie Pop
  • Mainstage
  • New Music
  • Pop
  • Reggae

Quiet as a Mouse soars with "Nostalgia is fine…but…," led by the cinematic standout “Peter Pan”

  • July 3, 2026
View Article
  • Alternative R&B

Kaia Yook and golden chapel embrace self-worth on warm single “Free”

  • July 2, 2026
View Article
  • Soul

Hoss Carl shares powerful rendition of "Love Is Alive"

  • July 2, 2026
Popular Music
  • Lon3! shares genre-bending offering "YOU’RE A SLAVE TO MONEY THEN YOU DI3"
    • July 6, 2026
  • Sam Macdonald shares nostalgic retro pop anthem "Starry Eyed"
    • July 6, 2026
  • Jay Diener’s “One In A Million” blends sunlit pop hooks with a spoken-word twist
    • July 6, 2026
  • Kovei
    Kovei unites culture and conviction on the anthemic new hip-hop single "Mercy"
    • July 6, 2026
  • Substratos finds strength in reflection with the cinematic rock finale "Alive Within the Silence"
    • July 6, 2026
Recent Scoops
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.