EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • New Music
  • Shoegaze

One Hundred Moons deliver immersive shoegaze journey on “Ear to Ear”

  • September 25, 2025
  • Sarah Wagner
Total
0
Shares
0
0

Toronto’s rising shoegaze outfit One Hundred Moons has unveiled their newest single, “Ear to Ear,” a haunting introduction to what listeners can expect from the band’s forthcoming album Black Avalanche. The song unfolds like a whisper in a dimly lit corridor, vocals weaving through a haze of murky guitars while minor chords twist in ways that are both unsettling and strangely magnetic. Listening feels like being led through a haunted labyrinth, never certain what lies around the next turn but compelled to keep moving forward.

The band—Collin Young, Jen Vella, Justin Hunt, Matt Laplante, and NJ Borreta—has quickly become known for creating atmospheres that feel both heavy and ethereal. Influenced by acts such as My Bloody Valentine and Radiohead, their sound fuses the dreamy pull of shoegaze with the grit of 90s alt-rock and the emotional weight of post-rock. “Ear to Ear” amplifies those qualities, offering a track that brims with tension, dissonance, and resonance long after the last note fades.

What makes the single especially gripping is the way it builds layers of sound that feel almost physical. Sharp flourishes of dissonance cut through waves of guitar, heightening the melodic intensity. By the time the track ends, it leaves behind a ghostly afterimage, a spectral echo that lingers in the listener’s mind. It is music designed not just to be heard, but to be felt on a deeper, more visceral level.

“Ear to Ear” arrives as the band takes to the road for a fall tour that began September 19 at Maxwell’s in Waterloo and continues through Oshawa, Niagara, Toronto, Hamilton, and Windsor. Known for their hypnotic live performances, One Hundred Moons transform their layered studio work into immersive stage experiences. The upcoming shows promise to breathe new life into the songs from Black Avalanche, offering audiences the chance to step fully into the band’s sonic world.

With “Ear to Ear,” ONE HUNDRED MOONS once again proves themselves as one of Toronto’s most compelling emerging acts. Their ability to balance beauty and unease, melody and noise, nostalgia and modern edge makes their forthcoming album one to watch. For listeners drawn to music that challenges as much as it captivates, “Ear to Ear” is a window into a journey worth taking.

 

Follow One Hundred Moons:
LinkTree // Facebook // Instagram // YouTube

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • #altrock
  • #TorontoMusic
  • BlackAvalanche
  • dreamypop
  • EarToEar
  • hashtags: OneHundredMoons
  • indieband
  • newmusic
  • postrock
  • Shoegaze
Sarah Wagner

Previous Article
  • Folk
  • Indie
  • New Music
  • Pop

Kim Edwards collates a decade of snapshots for new album 'Vignettes'

  • September 25, 2025
  • Leo Edworthy
View Article
Next Article
  • Indie
  • New Music
  • Psych-rock

Fire In Her Eyes drops folk pop debut single "Too Late to Change"

  • September 25, 2025
  • Donovan Wilkins
View Article
You May Also Like
View Article
  • Dance
  • Electronic
  • Indie

The Icarus Kid shares electronic dance banger "Every Night"

  • February 13, 2026
View Article
  • Country

Dave Lenahan and Karree Phillips share warm, gentle country duet "Wildflowers"

  • February 13, 2026
View Article
  • Club Dance
  • Electro Pop
  • Electronic
  • House
  • New Music
  • Pop House

Kyle Waves moves into a moodier sound on dance-pop single "Picture In My Phone"

  • February 13, 2026
View Article
  • Alternative Rock
  • Mainstage
  • New Music
  • Rock

Tigers Jaw wrestle with the bittersweet side of romance on "Primary Colours"

  • February 13, 2026
View Article
  • Alternative
  • Indie
  • Indie Rock
  • New Music

Good Kid are spoiling for a fight on new single "Eastside"

  • February 13, 2026
View Article
  • Alternative Rock
  • New Music
  • Rock

Young the Giant bring much-needed optimism on new single "Different Kind Of Love"

  • February 13, 2026
View Article
  • Alt-Pop
  • Folk
  • Indie
  • New Music

néomí wrestles with doubt from others on new single "Didn't I"

  • February 13, 2026
View Article
  • Alternative R&B
  • Downtempo
  • Electronic
  • Industrial
  • Mainstage
  • Trip-Hop

Puma Blue blurs trip-hop, downtempo, and intimacy on 'Croak Dream' [Album Review]

  • February 13, 2026
Popular Music
  • The Icarus Kid shares electronic dance banger "Every Night"
    • February 13, 2026
  • Puma Blue blurs trip-hop, downtempo, and intimacy on 'Croak Dream' [Album Review]
    • February 13, 2026
  • Dave Lenahan and Karree Phillips share warm, gentle country duet "Wildflowers"
    • February 13, 2026
  • néomí wrestles with doubt from others on new single "Didn't I"
    • February 13, 2026
  • Has anyone ever been more relevant than Dancing The Conga on their new album "And now we take America"
    • February 13, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.