EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Mainstage
  • Music Industry

The Cross Records returns: The label behind James Hype ‘Ferrari’ resurfaces with a fresh musical outlook

  • August 29, 2025
  • Kassam
Total
0
Shares
0
0

After a two-year hiatus, The Cross Records has officially returned, revitalized, rebranded, and ready to reshape the landscape of house music. Launched as a joint imprint between Club Class, the powerhouse management team behind MEDUZA, James Hype, GENESI, and Tita Lau, and major label titan Island Records, The Cross has always existed at the intersection of underground credibility and mainstream reach. Now, with a sharpened vision and leadership, the label is stepping into its newest chapter yet.

The relaunch is guided by Matt Smallwood, former Head of A&R at Toolroom Records and now Head of Music at Club Class. Known for his instinct in breaking records that connect equally well on dancefloors and playlists, Smallwood views the rebirth of The Cross Records as a chance to do more than just pick up where it left off. “The goal is to create a fresh and exciting platform for both established and up-and-coming artists,” he says. “We want to elevate new talent while still delivering the kind of House music moments fans will remember.”

Leading the charge is none other than Australian duo Bag Raiders, who mark The Cross’s first release since the relaunch with their euphoric new single “Hold Me.” A shimmering, groove-heavy slice of House music, the track is an inspired choice for a label relaunch—feel-good, timeless, and tailor-made for both sun-soaked playlists and late-night dancefloors.

For Smallwood, the timing couldn’t be better. Post-COVID, dance music has expanded into fresh territory, with crossover hits breaking faster than ever through streaming and social platforms. “There’s so much passion and knowledge within the team,” he adds. “Everyone’s buzzing to get this music out into the world again.”

Island Records shares that excitement. Senior A&R Callum Ross explains, “I’ve built an incredible working relationship with Kev and Serg from Club Class over the last five years, and bringing Matt on board for this relaunch felt like the missing piece. He’s someone I’ve always respected as an A&R—his attention to detail, his connections, his vision. The Cross and Island EMI have worked in sync before, but this feels like the true beginning of something special.”

With Bag Raiders’ “Hold Me” as its first release, this new chapter promises to deliver music that resonates across the spectrum from festival stages to underground, and everywhere in between.

Listen to “Hold Me” below out now on all streaming platforms.

Connect with The Cross Records: Instagram | Facebook | YouTube | Spotify 

Connect with Bag Raiders: Instagram | Facebook | YouTube | SoundCloud | Spotify

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Bag Raiders
  • Music label
  • The Cross Records
Kassam

Previous Article
  • Music Videos
  • Punk
  • Videos

Finland-Based Punk Band SLICERRR releases New Music Video for “Turbo Spinello”

  • August 29, 2025
  • Steph Stone
View Article
Next Article
  • Alternative R&B
  • Hip-Hop
  • Rap

Kueen shares refreshing new project, 'Got Juice?'

  • August 29, 2025
  • Jacob Saltzberg
View Article
You May Also Like
Johan van Mullem
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Johan van Mullem turns emotion into a late-night pop confession, “Damn!”

  • February 8, 2026
View Article
  • Alternative R&B
  • Jazz Fusion
  • Mainstage
  • New Music
  • Soul

Charlotte Day Wilson lets instinct lead on 'Patchwork' [EP Review]

  • February 6, 2026
Avery Strayer
View Article
  • Electronic
  • Indie
  • Mainstage
  • New Music
  • Pop

Avery Strayer faces the dark calm of fear on haunting new single “Siren Song”

  • February 6, 2026
View Article
  • Dance
  • Electronic
  • Hip-Hop
  • Indie
  • Mainstage
  • Music Videos
  • New Music
  • Pop
  • R&B

EARMILK's 2026 Artists to Watch

  • February 5, 2026
View Article
  • Feature
  • Festival
  • Mainstage

Insomniac & OFF2 Bring Lost In Dreams to Canada for the first time with Vancouver debut

  • February 4, 2026
View Article
  • Electronic
  • Mainstage
  • Tech House

Tokyo standout Saeri ignites the dancefloor with “Hold The Flame”

  • February 4, 2026
Cosmic Canna Beats
View Article
  • Feature
  • Hip-Hop
  • Indie
  • Mainstage
  • New Music
  • Pop

Cosmic Canna Beats explores quiet emotion on ambient instrumental “COME BACK WHEN YOU’RE READY”

  • February 4, 2026
Marva Von Theo
View Article
  • Electronic
  • Indie
  • Mainstage
  • Music Videos
  • Pop

Marva Von Theo explores growth and vulnerability on ‘The Self-Destructive Me’

  • February 2, 2026
Popular Music
  • Johan van Mullem
    Johan van Mullem turns emotion into a late-night pop confession, “Damn!”
    • February 8, 2026
  • Becky Raisman’s “Earth Goddesses” EP radiates positivity, growth, and creative freedom
    • February 7, 2026
  • Displaced Stranger
    Displaced Stranger finds solid footing on "Grounded," a confident debut album that speaks beyond experience
    • February 7, 2026
  • Acid Smoothie
    Acid Smoothie turns reflection into motion on “Carts in the Rain”
    • February 7, 2026
  • Crescent
    Crescent’s “Milogather Parts 1” moves from tension to release in a two-part sonic ritual
    • February 7, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.