Sas glides through each verse in both Creole and English—light on her feet, yet grounded and assured in her delivery.
She sings, "Tout la jounen m travay doudou / Siwo mwen dous / M pito konte kòb mwen," which translates to "All day I work hard, my syrup is sweet, I prefer to count my money"—her way of brushing off drama and making self-worth the mood. Later, she states, "P’ap kite neg wont mwen," or "I won’t let no man shame me," dropping a line that draws her circle without losing her playful spark.
The video brings this energy to life: Sas in a pink-lit room, makeup on point, dreadlocks up, tossing money at the ceiling while laughing on a fur-lined bed. Pin-up shots flash by, all filmed with a soft VHS haze that leans into throwback feels and self-confidence.
Musically, the arrangement keeps plenty of space for her voice—Afrohouse percussion and mellow electric piano push the rhythm but never crowd her delivery.
"Bébi" stamps Big Sas as one to watch so don’t be surprised if and when you see her name popping up everywhere soon.