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The Earth & All Within
  • Feature
  • Indie
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“The Earth & All Within” strikes gold with a millennial rock opera for the soul

  • June 30, 2025
  • Natalie Patrick
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In the release of their debut self-titled LP, "The Earth & All Within," James Ellis does not just come to the stage with a band, but a movement. A blend of classical elegance and rock’s rawness, this 10-track album is a cinematic exploration of the human spirit, rooted in resilience, memory, and the quiet power of transformation.

Starting as a brave experiment (combining classic string arrangements with sharp Green Day-style energy), the music swiftly develops into a mature, emotional sonic universe. From the album’s daring first moments, you’re prompted to trade paved asphalt for pine needles, to take a deeper breath and consider the stories we all drag along with us. This isn’t merely music; it’s a soundtrack for collective healing.

Led by the fan-favorite lead single “I Never Liked You (Anyway),” which was conceived in 10 minutes of inspired writing, the album never loses its fearless emotional honesty. The song itself is a sharp-tongued rock anthem with enough spit to please Foo Fighters fans, but enough vulnerability to resonate deeply with fans longing for Radiohead at their most plaintive.

Ellis’s concept, “a rock band with a string section,” seems both novel and overdue. Cut between Milkboy the Studio and Gradwell House Recording, and augmented with the Philadelpia String Quartet (which included a violist who’d previously toured in the Trans-Siberian Orchestra), the end product is nothing short of majestic. Every string swell oozes grandeur, but the songwriting remains intimate at its core.

Standouts like “The Earth” and “When We Were Young” land particularly hard, eerie, nostalgic, and undeniably affecting. Those tracks are among the record’s emotional core, taking fleeting snapshots of innocence lost and lessons hard-learned. This uniquely transcendent type of music, which they call “Millennial Rock Opera,” spans not only musical genres but also generations, combining the grandeur of classical drama with the immediacy of alternative rock music. It’s a fearless introduction that has its feet in classic emotion but is reaching for something altogether new. The album clocks in at 35 minutes and 18 seconds, a length that demands a full listen best experienced with headphones on and an open heart.

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